Call For Papers: West of England and South Wales Women’s History

CALL FOR PAPERS West of England and South Wales Women’s History
Network 20th Annual Conference
Women and Protest in Historical Perspective
Bath, Sat 15th June 2013

Courtesy Book Printing World, http://www.bookprintingworld.com/

Key Note Speaker
Sasha Roseneil, Birkbeck College
Remembering Feminism’s Queer ‘80s: emotional and material landscapes of the Greenham Common Women’s Peace Camp

The conference aims to explore women’s collective action to achieve change over a wide variety of issues and contexts; these might include peace; food and the cost of living; suffrage; social questions; industrial action.

Proposals (200 words) for papers should be submitted to June Hannam at June.Hannam@uwe.ac.uk by Friday 5th April 2013.

http://www.h-net.org/announce/show.cgi?ID=202314

Re:Humanities 2013

Courtesy pbey 4103-ICT, http://wanzhafirah.wordpress.com/

Courtesy pbey 4103-ICT, http://wanzhafirah.wordpress.com/

Schedule for Re:Humanities 2013

Check out the site: http://blogs.haverford.edu/rehumanities/

Thursday, April 4th

4:30 pm “A Feminist in a Software Lab.”| Thomas Great Hall, Bryn Mawr College
Tara McPherson, of USC and editor of Vectors: Journal of Culture and Technology in a Dynamic Vernacular

5:45 – 6:45 pm Undergraduate Poster Session & Reception | Thomas Great Hall, Bryn Mawr College

Friday, April 5th

9:35am Undergraduate Presentation I | Dalton 300, Bryn Mawr College
Undergrad digital humanists present their original research on topics from “Memes, Distant Reading, and Finnegan’s Wake” to “Mapping Before the Address: 18th C. Boston.”

10:45 – 11:00 am Break

11:00am- 12:00 pm Undergraduate Presentation II | Dalton 300, Bryn Mawr College
Undergrad digital humanists present their original research on topics from “Three Dimensional Modeling in Archaeological Interpretation” to “Oral History in the Digital Age: Audio and Spoken Narratives.”

1:00 pm “Undergraduate Research in the Spatial Humanities: Theories and Methods in the Soweto Historical GIS (SHGIS) Project”| Thomas 110, Bryn Mawr College
Angel David Nieves, Associate Professor of African Studies at Hamilton College and co-director of the Digital Humanities initiative (DHi)

2:00 pm Game Jam Workshop with The Learning Games Network | Thomas Great Hall, Bryn Mawr College

3:00 pm Concluding Conversation | Thomas Great Hall, Bryn Mawr College

Conference: Greece and Britain in Women’s Literary Imagination, 1913-2013

book-stackA day conference at Selwyn College, University of Cambridge on Friday 12 April. The conference will examine the work of British women novelists who have found their inspiration and subject matter in Greece, as well as novels by Greek women writers who have engaged with British settings and subjects.

The authors to be discussed range from Rose Macaulay and Virginia Woolf to Victoria Hislop and Sofka Zinovieff on the British side; on the Greek side we shall engage with the work of Angela Dimitrakaki and a number of other contemporary authors. We believe there is a rich vein of cultural interactions which have not been specifically examined and this conference will therefore be breaking new ground.

Booking and further information, including the programme, are available here:

http://onlinesales.admin.cam.ac.uk/browse/extra_info.asp?compid=1&modid=2&prodid=629&deptid=260&catid=342

The keynote speaker is:

Vassiliki Kolocotroni (University of Glasgow)

Other speakers include:

Rowena Fowler (Oxford)
Deirdre David (Temple University)
Sofka Zinovieff (Athens/London)
Kelli Daskala (University of Crete)
Laura Vivanco (Edinburgh)
Thodoris Chiotis (University of Oxford)

Call For Papers: Intersections: The Canadian National Women and Gender Undergraduate Journal

poster

Please click above for enlarged view

Volume 4 of Intersections, a blind peer-reviewed student journal run by the University of Toronto Women and Gender Studies Student Union is now accepting submissions.

The journal encourages its authors to employ transnational feminist theories and welcomes submissions that investigate and/or fall under any of following:

  • Gender, sexuality and queer studies
  • Political economy and critical development studies
  • Feminist studies of technology, science, environment and biomedicine; and
  • Feminist cultural studies

Intersections invites conventional essays, creative prose, poetry, visual art and academic reviews. We are always open to new genres and approaches – please contact us if you would like to submit a piece that does not fit readily into any of the above categories. Scholarly articles should range from 3,000 to 5,000 words, while book reviews should generally be between 1,000 and 2,000 words. In the case of visual work please submit a 100-200 word explanation on how your piece engages feminism(s) and/or social justice.

All submissions due April 9th at 11:59 pm.

For information on submission process please visit wgsintersections.wordpress.com

“College Women Abroad”: Updates on International Education in The Woman’s Column

WC_headerAs part of our celebration of Women’s History Month, The Albert M. Greenfield Digital Center for the History of Women’s Education is featuring content from The Woman’s Column, a pro-suffrage publication that ran from 1887 through 1905. We have been posting weekly blog entries that feature individual articles from the Column that were published in the month of March and address the matter of women’s higher education, although the publication addresses many other issues related to women’s rights and their access to political life and the public sphere. This post is the fourth and final installment in the series; see our first, second, and third posts to learn more.

In addition to changes in policy at American universities, The Woman’s Column chronicled the state of women’s higher education abroad. Not purely for the globally-minded, such information would have been personally relevant to many American ladies: though the establishment of the women’s colleges known as the Seven Sisters had made the BA much more accessible to academically ambitious girls, more advanced degrees were difficult to obtain within the country. Bryn Mawr, which launched in 1885, was the only women’s college to open with a full graduate program. Several coeducational schools offered examinations and tutelage for female students, but were unwilling to confer an official degree, such as Harvard University. Europe, however, became an attractive option for graduate study, housing as it did centuries old universities that offered an array of graduate training. Travel to Europe was also an opportunity to broaden one’s cultural horizons, to see famous monuments, meet important scholars of the day, and to round out an American education that for many readers, may have consisted solely of single-sex environments in sheltered campuses across the country.

Click the image above for an enlarged view and full transcription

Click the image above for an enlarged view and full transcription

A report from an alumna and former teacher at Mount Holyoke College was published in The Woman’s Column on March 11, 1893, stating: “German, Russian, Polish, etc., women, denied the privileges of education in their own countries, are attending the University [of Zurich].” “Lepsic [sic] [Leipzig],” she writes, “is the only place in Germany where women are tolerated as university students….And at Leipsic a woman receives no credit from the University for her work; however, many of the professors are very kind in giving assistance, as far as possible, to women in their studies.”

For those familiar with the early history of Bryn Mawr College, much of this will sound familiar. M. Carey Thomas, the school’s first Dean and second President, followed a complex path through several universities before eventually earning her Ph.D. summa cum laude in linguistics from the University of Zurich. After receiving her undergraduate degree from Cornell, she attended Johns Hopkins University for a single year before departing, frustrated: though she was allowed to study with professors and sit for examinations, she was not permitted to attend classes and therefore found the experience challenging and inadequate. Given the dearth of American schools that allowed women to attend classes with men, she saw the European universities as her only path to a graduate degree. She went on to complete the bulk of her literary work at the University of Leipzig with the knowledge that such study could be only preparatory–for, while the lectures were open to her, Leipzig did not grant degrees to women. Gottingen University, however, seemed to operate with reverse policies: women could not attend classes, but there was no official rule prohibiting them from receiving degrees. Once she had taken her studies as far as she could at Leipzig, she transferred to Gottingen to complete the final hurdle to the doctorate. However, despite the lack of a formal ban, she learned after preparing her dissertation that the all-male faculty had voted not to grant her the doctorate on the grounds of her gender. Thomas, indefatigable, moved on to the University of Zurich, where she successfully prepared, presented, and defended the thesis that finally earned her the Ph.D. she had long sought. Thomas’s convoluted path shows the difficulty, not to mention the required time and financial resources, that stood in the way of the American woman intent on a doctoral degree.1

As we have previously discussed on this blog and in our exhibits, there were many well-documented arguments about why to keep women out of the educational system altogether. Aside from doubts about women’s inherent ineducability, many argued against coeducation for social reasons. For instance, Harvard President Charles Eliot cautioned that coeducation in urban schools could lead to dangerous class mixing and undesirable marriages, as we have previously discussed. But what was the logic of letting them study among men while refusing them the qualification that they had earned by it? Oxford University provides an interesting case that can help us understand the terms of the debate.

Click above for an enlarged view and full transcription

Click above for an enlarged view and full transcription

WC_3-28-1896_OxfordNotReady2A March 28th, 1896 article in The Woman’s Column entitled “Oxford Not Ready” recounts the University’s decision to reject a proposal to open the BA to women. Many female students were already completing the work that would have qualified a man for the degree, much in the style that Leipzig had made its coursework but not its official recognition of achievement available to women. The Oxford motion was struck down by 75 votes, 215 vs. 140. The leader of the opposition, Mr. Strachan Davidson, held thatthe life [at Oxford and Cambridge] stamped a special character on the man, and it was to that that the B. A. certified. Examinations were only secondary, but the degree testified to the man’s career as a whole. The women could participate in the examinations, but not in the life. He did not wish to say one word hostile to the ladies’ colleges, but the life there was not a University life.”

We have spent more time previously discussing societal opposition to women’s education that centered around the female body and the importance of her traditional role in the home. However, another important factor was that the established institutions were having trouble imagining where women would fit into the existing culture of higher education, as indicated in the critique of Davidson at Oxford above; gender appeared to be a barrier to the immersion in campus life. Assuming that women could be educated at all, the issue remained that the degree had come to stand for much more than academic achievement alone: it was the mark of induction into a culture, mutually constitutive with the identity of the elite society gentleman.2 Improving women’s access to higher education was not just a matter of opening doors, as it turned out, but a matter of re-imagining the spaces themselves.

The article ends on an optimistic note:

“Of course it is only a question of time when this decision will be reversed. Conservatism thaws slowly, but it thaws surely. Meanwhile the women will have the scholarship for which a degree should stand, if they have not the degree; and they can comfort themselves by thinking,

It is not to be destitute
To have the thing without the name”

 

1. The educational path of M. Carey Thomas is charted in detail in her biography by Helen Lefkowitz Horowitz. See Horowitz, Helen Lefkowitz. The Power and Passion of M. Carey Thomas. New York: Alfred A. Knopf, 1984.

2. For a thorough exploration of the culture of masculinity of Oxbridge, see Oxbridge Men. Deslandes, Paul R. Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850-1920. Bloomington and Indianapolis: Indiana University Press, 2005.

Call for Papers: Contemporary Experimental Women’s Writing, 12th October 2013, University of Manchester, UK

call-for-papersContemporary Experimental Women’s Writing
Keynote lecture: Dr. Rachel Carroll (University of Teesside)
 
Special guest speaker: Ali Smith
 

The recent, monumental, Routledge Companion to Experimental Literature (2012) aims to cover ‘the history of literary experiment from the beginning of the twentieth century to the present’ yet, according to the narrative it offers, women form only the most marginal part of that ‘history’; just one chapter devotes itself to women’s experimental writing, and the other chapters are dominated by references to male authors. As Ellen G. Friedman asserts, in that lone chapter: ‘For the most part, women experimental writers in the twentieth century were absent from surveys of innovative writing, and they were also absent from studies that focused entirely on women writers’ (Bray et al., 2012: 154). Similarly, recent discussions of literary experiment after postmodernism, of the legacies of modernist literary innovation, of ‘metamodernism’ and ‘altermodernism’ in the wider artistic and cultural realm, and of the new ‘avant-gardes’, primarily concern themselves with male authors such as David Peace, Thomas Pynchon, David Mitchell, J.M. Coetzee, David Foster Wallace, W.G. Sebald and Dave Eggers.
 
This one-day symposium – under the aegis of the Contemporary Women’s Writing Association – therefore sets out to investigate, analyse and celebrate the more experimental end of the wide spectrum of women’s writing since the 1960s. Like Friedman and Miriam Fuchs’ Breaking the Sequence (1989), the symposium aims to be both ‘archaeological and compensatory’, attending to established and emerging authors alike, and asking what counts as ‘experiment’ within contemporary women’s writing. What are the uses of experiment for women writers? What varieties and what degree of experimentalism can we trace in contemporary women’s writing? And how might an attentiveness to different manifestations of experimentalism broaden and complicate our understanding of ‘women’s writing’ as a (fraught) category?
 
The organisers invite papers on a range of topics and authors, including, but not limited to:
 

  • The meanings, definitions and uses of ‘experiment’ in contemporary women’s writing
  • The gendering of experimental writing, and of that writing’s reception, in the contemporary period
  • Experimental prose, poetry, drama, life writing, non-fiction and art writing by women
  • New readings of established, canonical authors such as Angela Carter, Ali Smith, Jeanette Winterson, and others
  • Experimental women writers who have, to date, received relatively little critical attention, such as Kathy Acker, Rachel Blau DuPlessis, Christine Brooke-Rose, Maxine Chernoff, Lydia Davis, Eva Figes, Nikki Giovanni, Barbara Guest, Lyn Hejinian, Susan Howe, Bernadette Mayer, Suniti Namjoshi, Alice Notley, Ann Quin, Michèle Roberts, Sonia Sanchez, and others
  • Emerging experimental voices such as Naomi Alderman, Jennifer Egan, Chris Kraus, Lynne Tillman, and others
  • The experimental fiction of women theorists and critics, such as Hélène Cixous and Monique Wittig
  • ‘Other Poetries’ by, for example, Lucille Clifton, Emily Critchley, Carrie Etter, Jorie Graham, Marianne Morris, and Zoë Skoulding
  • The late works of modernist authors such as Jean Rhys, Anaïs Nin, and others
  • Experimental women’s writing in translation, including the works of Isabel Allende, Marie Darrieussecq, Marguerite Duras, Elfriede Jelinek, Clarice Lispector, Marlene Streeruwitz, Nathalie Sarraute, Luisa Valenzuela, Christa Wolf, and others
  • The sampling and deployment of ‘experimental’ techniques within otherwise ‘realist’ works by women writers such as Toni Morrison, Joyce Carol Oates and Zadie Smith
  • Postmodernist writing by women
  • Reading the legacies of modernist experiment in contemporary women’s writing
  • Multimodal literature by women
  • Experimental presses
  • The digital revolution and related experiments in the form and genre of women’s writing, e.g. in hypertext literatures, collaborative compositions, digital and interactive writing

 
Please send abstracts of c.300 words and a brief bio to Kaye Mitchell at
kaye.mitchell@manchester.ac.uk by Friday 3rd May 2013. Proposals for panels of three interlinked papers are also welcome.
 
Dr. Kaye Mitchell (University of Manchester)
Dr. Becky Munford (Cardiff University)
 

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‘Women’s History in the Digital World’ Conference 2013: Vibrant and Absorbing Conversations on Women’s History

The Albert M. Greenfield Digital Center for the History of Women’s Education held its first major conference, examining issues in women’s history, gendered analysis, technology and the digital humanities on Friday and Saturday, March 22-23, 2013. Almost one hundred scholars, students, independent researchers, archivist, librarians, technologists and many others gathered at Bryn Mawr College to discuss their work at the first Women’s History in the Digital World conference. 

WHDW_LM-presents_1

Keynote speaker Professor Laura Mandell, Director of the Initiative for Digital Humanities, Media, and Culture and Professor of English at Texas A&M

The conference opened on Friday afternoon with a provocative and inspiring keynote by Laura Mandell of Texas A&M, “Feminist Critique vs. Feminist Production in Digital Humanities.” The talk advocated that those whose work seeks to recover marginalized histories and perpetuate them in digital form must  actively produce new work that embodies criticism, rather than only publishing critiques of existing work. Her speech raised several points that served as touchstones throughout the weekend for the attendees and presenters, many of whom are currently grappling with the challenge of giving digital presence to marginalized voices. How does the modern scholar produce work that is compatible enough with mainstream practices to guarantee visibility and sustainability, without undermining the ways in which these stories deviate from the mainstream? Her talk will be made available shortly on the conference website so please keep an eye on this site for more content.

WHDW_ErinBush-MiaRidge

Conference attendees converse after the keynote on Friday March 22nd at Wyndham Alumnae House, Bryn Mawr College

The conference was a forum for many rich conversations, and thanks to Twitter you can follow the discussions by searching the official conference hashtag #WHDigWrld. Conference participant Professor Michelle Moravec (@ProfessMoravec), Rosemont College, created a Storify of the Tweets and a blog on her reflections about the conference. Nancy Rosoff (@NancyRosoff), Arcadia University, has also written a blog post about the conference including excerpts from her paper. We are encouraging all presenters to upload information to the conference website which uses the Bepress software, acting as a repository and an archive of the conference.

WHDW_Lianna-Saturday-Registration

Bryn Mawr College undergraduate Lianna Reed ’14 helped at the conference. She’s pictured here at the registration desk in Thomas Hall, the venue for the second day of the conference.

Conference panels were held all day on Saturday March 24th related to the four panel session overarching themes: Pedagogy: Digital Sources and Teaching in Women’s History; Developments in Digital Women’s History; Digital Archives and Practices and finally, Culture and Representation in the Digital World.

The conference ended with a roundtable with participation from Cheryl Klimaszewski, Digital Collections Specialist, Bryn Mawr College, Cathy Moran Hajo, Ph.D., Associate Editor/Assistant Director, The Margaret Sanger Papers Project, New York University, Christine A. Woyshner, Ed.D., Professor of Elementary Education /K-12 Social Studies, Temple University and moderated by Jennifer Redmond, Director of The Albert M. Greenfield Digital
Center for the History of Women’s Education, Bryn Mawr College. Topics that arose included the difficulties in funding and sustaining funding for digital humanities projects related to women’s history; what a digital humanities ‘toolkit’ should look like for those interested in developing their skills; funding opportunities and potential collaborations between the conference participants and the importance of networking, sharing information and collaborating with each other.

WHDW_Saturday-Closing-Reception

The closing reception at the conference was held in the Rare Book Room Gallery, Canaday Library, Bryn Mawr College. Conference participants were able to wind down and explore the Taking Her Place exhibition, curated by The Albert M. Greenfield Digital Center for the History of Women’s Education.

The conference ended with a reception at the Rare Book Room Gallery to view the Taking Her Place exhibition, co-curated by Evan McGonagill and Jennifer Redmond of The Albert M. Greenfield Digital Center for the History of Women’s Education. This exhibition, which runs until June 2nd 2013, harnesses many of the themes of the conference as it includes digital elements as well as traditional archival material on the history of women’s education. If you have not yet visited the exhibition, please do so! Direct any questions you have about it to greenfieldhwe@brynmawr.edu and don’t forget to follow us on Twitter @GreenfieldHWE for further updates on the exhibition program. We have also uploaded a splash of photos from the event to our Tumblr.

The conference organizers would like to thank their sponsors, The Albert M. Greenfield Foundation and the Tri-Co Digital Humanities Initiative for their support. We would also like to thank Camilla McKay, Head of Carpenter Library, Bryn Mawr College, for her support in creating the conference website and Lianna Reed ’14 for her support at the registration desk. Finally, we would like to thank all the presenters and participants who made this such a fantastic and vibrant conference – we look forward to welcoming you again in 2014!

Association of Personal Historians (APH) Conference, Nov 8-12 2013

Worldwide members of the Association of Personal Historians (APH) will gather inside theCapital Beltway for their 19th annual conference in Bethesda, Maryland, November 8–12, 2013, for Capital Reflections. APH Conference Program Chair Ronda Barrett is planning a stimulating and educational program for experienced and beginning personal historians. The APH annual conference is a magnet for members wanting to explore ways to enhance their businesses of documenting personal and family histories.

Recent results from the 2010 Census reveal that the U.S. population 65 and older is now the  largest in terms of size and percent of the population, compared to any previous census. This elder population grew at a fasterrate than the total population between 2000 and 2010. The longevity of this age group has also increased. This has created a sense of urgency to document personal and family histories for our future generations before it’s
too late.
Founded in 1995, the Association of Personal Historians has 625 members representing eleven countries, including the U.S. For more information about the organization and their 2013 conference, please visit http://www.personalhistorians.org. To contact the conference program chair, Ronda Barrett, please call 301-395-5989
or email conferenceprogram@personalhistorians.org.

Summer Research Fellowship in the History of Women in Medicine

Courtesy Book Printing World, http://www.bookprintingworld.com/

The M. Louise Carpenter Gloeckner, M.D. Summer Research Fellowship is offered annually by the Drexel University College of Medicine Legacy
Center: Archives and Special Collections on Women in Medicine, in
Philadelphia, PA. A $4,000 stipend is awarded to one applicant for
research completed in residence at the Legacy Center. The term of the
fellowship is no less than four to six weeks to begin on or after June 1.

The annual deadline for applications is March 1 and has been extended this year to April 1, 2013.

This fellowship was established in memory of M. Louise Carpenter
Gloeckner, M.D. in recognition of her key leadership role in the medical
profession. This is a competitive annual fellowship open to scholars,
students and general researchers.

In addition to materials related to the history of the Woman’s Medical
College/Medical College of Pennsylvania, the collections have particular
strengths in the history of women in medicine, nursing, medical
missionaries, the American Medical Women’s Association, American Women’s Hospital Service, and other women in medicine organizations. The majority of the collections fall within the period 1850 to the present.

Full information at http://bit.ly/wye5FM or email Joanne Murray at
archives@drexelmed.edu

Call For Papers: Media Spaces of Gender and Sexuality

CFP: Media Spaces of Gender and Sexuality
Media Fields Journal
University of California, Santa Barbara

This issue of Media Fields investigates the connections between media, space, gender, and sexuality, seeking conversations that center on these interrelations and negotiations. We invite papers that raise questions of how media spaces construct gender, and how gender, in turn, constructs media spaces; how spaces condition and are conditioned by gender performances and sexual practices; and how gender legibility limits (or allows) access to various media spaces.
Film and media scholarship historically came of age through its study of the relationship between gender, sexuality, and media. Much has been written about the status of women as objects of the cinematic gaze, as well as about the status of female and queer-identified subjects as media producers. Yet in more recent times, issues of gender and sexuality have once again become marginalized in academic discourse, revealing the need for new explorations that coincide with the impact of the ?spatial turn.? In this age of conflict, dissent, surveillance, and migration?when the study of media is often also the study of the precariousness and dynamism of the spatial?it is particularly important to trace the interconnections between space, media, and gender.

We are inspired by the work of those film and media scholars who have explored such interconnections. Lynn Spigel’s seminal book on the gendered discourse surrounding domestic television viewing provides us with one useful example, as does Lucas Hilderbrand’s forthcoming work on the culture of gay bars after Stonewall. While some scholars like Spigel and Hilderbrand have studied the connections between gender, space, and media in their own work, fewer media studies journals have made this topic a primary focus. As a result, we seek scholarship that deals with space in a range of ways: essays might discuss online spaces that allow for specific negotiations of gender or sexuality, or with gender embodiment in physical spaces of various scales, from the very local (the living room, for example) to the global.
Essays might also draw upon feminist interventions into Marxist/historical materialist theories of space, as well as engaging the intersections between gender, race, and class. These important intersections exceed the label, ?identity politics??a label that we feel is now often deployed in order to debunk the continued relevance of gender and sexuality to any scholarly conversation. While we do indeed call for political approaches to gender and space?essays informed by the agendas of feminist and queer activism?we stress that gender and sexuality are not merely areas of special interest, but are instead structuring principles of discrimination that permeate our lives on a number of registers.

Thus, our approach is multivalent. We invite submissions that consider this complexity, possibly addressing the following topics:

–Transnational Queer and Feminist Media: How are flows of bodies, labor, capital, and images gendered and sexualized?

–Queering Questions of Scale: How does heterosexism delimit notions of nation, state, and the transnational?

–Gendered Spaces of Conflict and Dissent: How do media contribute to the gendering of the different spaces of war and dissent as well as of the subjects who are involved?

–Gender, Sexuality, and Online Spaces: How are social media practices and spaces gendered and sexualized?

–Queer/Feminist Gaming: representations of gendered and sexualized spaces in mainstream video games, gendered geographies of video game production,  gendered spaces of gaming culture

–Spaces of Surveillance: How is surveillance fundamentally gendered, sexualized, and spatialized? How does voyeurism continue to bolster certain experiences of space and place?

–Gendered Infrastructures: How are media infrastructures gendered, and why does this matter?

–Gender, Sexuality and Access: How do gender and its legibility (e.g., normativity) result in certain types of access to particular spaces?

We are looking for essays of 1500-2500 words, digital art projects, and audio or video interviews exploring the relationship between gender, sexuality, and space. We encourage approaches to this topic from scholars in cinema and media studies, anthropology, architecture, art and art history, communication, ecology, geography, literature, musicology, sociology, and other relevant fields.

Feel free to contact issue co-editors, Hannah Goodwin and Lindsay Palmer, with proposals and inquiries.

Email submissions, proposals, and inquiries to submissions@mediafieldsjournal.org by May 30th, 2013.