Tag Archives: Bryn Mawr College

Bryn Mawr College Community Learning Day: March 18, 2015

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Cross-posted from LITS blog:

Library & Information Technology Services staff and student employees are excited to participate fully in Bryn Mawr’s first Community Learning Day, scheduled for Wednesday, March 18. A number of the day’s interest sessions have been planned by staff and students associated with LITS. They include:

  • Women of Summer, a screening of the documentary film on the Bryn Mawr Summer School for Women Workers in Industry and discussion with filmmaker Rita Heller ’59 and Greenfield Center Assistant Director Evan McGonagill
  • Experiences of African American, Latina/o, and Asian American Staff panel, featuring Rod Matthews, Multimedia and Computer Specialist
  • Back Talk: Experience, Challenges & Controversy Working with the Bryn Mawr College African Art Collections, highlighting the new Special Collections exhibit in Canaday, including discussion with exhibition organizers Whitney Lopez, ’15 and Brian Wallace, Curator/Academic Liaison for Art & Artifacts
  • Black at Bryn Mawr: Walking Tour and Archives Project conversation with Emma Kioko ’15, Grace Pusey ’15, and Greenfield Center Director Monica Mercado, who are working to share stories of Bryn Mawr’s history of race and racism
  • Building Institutional Memory workshop, featuring Charlie Bruce ’16 and Rachel Appel, Digital Collections Librarian

These and all of the day’s events are designed to welcome a wide range of participants to learn together. The website will be updated with descriptions for all the interest sessions in the coming week, and you can follow along on Twitter using the hashtag #Mawr2learn. We’ll be tweeting from @BrynMawrLITS and @GreenfieldHWE.

All three libraries will be open, and event programming is scheduled for Carpenter and Canaday.  We look forward to learning with you!

For more information and a schedule for the day, including a link to preregistration: https://www.brynmawr.edu/community-learning

Black at Bryn Mawr

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The Greenfield Digital Center is currently supporting the work of three students undertaking Praxis III independent study projects exploring lesser-known aspects of Bryn Mawr College history. This week, two of those students — Grace Pusey and Emma Kioko, both Class of 2015 — are formally launching their research project, Black at Bryn Mawr. Readers can stay up-to-date with their research via the Black at Bryn Mawr blog and tumblr. Today, Grace shares the origins of the project, and its goals.

This semester Emma Kioko and I are collaborating on a Praxis III independent study course titled Black at Bryn Mawr, a project that will illuminate the history and experiences of Black students, faculty, and staff at the College. Using Bryn Mawr Special Collections as well as primary sources archived outside of the College, we are analyzing the ways in which Bryn Mawr has chosen to record, remember, and represent racism in its history. Using the archives, we are identifying spaces of both racial conflict and conversation on campus in order to develop a final project in the form of a campus walking tour and a digital historical record.

Continue reading →

Greenfield in the Classroom: Teaching the History of Women’s Higher Education

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Bryn Mawr College classroom, undated, via Triptych.

Professor Samuel Clagget Chew’s Bryn Mawr College classroom, undated, via Triptych.

This semester I’m back in the classroom, teaching a History Department seminar “Higher Education for Women: Bryn Mawr and Beyond.” With apologies to Professor Samuel Claggett Chew (pictured left), my class of smart Bryn Mawr third- and fourth-years looks absolutely nothing like the lecture class of old. We divide our time between the classroom, Special Collections, and a course blog** linking past and present.

That blog, along with links to my syllabus and digital resources, is now live:

HIST B332 Higher Education for Women: Bryn Mawr and Beyond

Although my students aren’t tweeting this semester, I’m tracking my class prep on Twitter (reviving the hashtag #bmchistory) and I look forward to using this space for reflecting on teaching the course and the research that it inspires. But today I wanted to put a call out to historians of education — how do you teach women’s higher education, in the U.S. and abroad? Similarly, how do women’s historians include the history of education in their teaching? Might we begin sharing our syllabi and readings with each other, online?

“Syllabi show how scholars put together a whole field,” reminds historian Lincoln Mullen in a recent Religion in American History blog post. “Yet unfortunately teaching documents are shared less routinely than our research, so we are much more likely to know a scholar’s books and articles than her syllabi.” This year I’m planning to overhaul the “Classroom” section of the Greenfield Center website, which currently focuses on high school lesson plans, by adding college-level syllabi and resources — much like the CLGBTH does for teaching histories of sexuality. [The Open Syllabus Project offers another intriguing model for analysis and visualization of what we teach.] In part, I’m curious to learn if and how women’s education history is being taught these days, but most of all, I continue to hope we can be more vigilant about sharing our work in the classroom, as much as we remember to share our research and digital projects.

** Students were given the option to blog anonymously, although no student has yet to choose this option. On student privacy and class blogging (or other instances of student work online that may be publicly visible), I’ve consulted this list of resources collected by Whittier College DigLibArts.

Bryn Mawr Teach-In on Race, Higher Education, Rights and Responsibilities

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Teach in crop

On Tuesday, November 18 from 7 to 9pm, I joined members of the Bryn Mawr community for a Teach-In on Race, Higher Education, Rights and Responsibilities in Thomas Great Hall. The Undergraduate Dean’s Office sponsored presentations and conversations around the following topics:

  • History of the Confederate flag and its current repercussions in U.S. society and politics, Sharon Ullman, Professor of History and Director of Gender and Sexuality Studies
  • Race and higher education, Monica Mercado, CLIR Postdoctoral Fellow and Director, The Albert M. Greenfield Digital Center for the History of Women’s Education
  • Bryn Mawr’s history with regard to race and diversity, Florence Goff, former Associate Chief Information Officer and Equal Opportunity Officer
  • Navigating the rights and responsibilities of free speech, Mary Catherine Roper BMC ’87, Senior Staff Attorney, ACLU Pennsylvania
  • Well-being, accountability, and living in a diverse community, Reggie Jones, Counseling Service Director, Student Health Services

updated 11/25/14

A recording of the talks has been made available online by the Undergraduate Dean’s office. [link to audio]

We have collected tweets from that night in our Storify account. [link]

Continue reading →

Margaret Hall and Bryn Mawr: On the Front Lines of the Great War

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Margaret Hall

Elizabeth in Special Collections

Elizabeth Reilly, Class of 2014, at work in Special Collections

Veteran’s Day is observed every year on November 11th to commemorate the anniversary of the end of World War I, one of the pivotal events of modern history. As a women’s college, Bryn Mawr did not send students or alumnae into direct combat in the early twentieth century — an era before women entered battle alongside men — but members of our college community were very much linked to the turmoil in Europe.

Recent Bryn Mawr College graduate Elizabeth Reilly spent the summer of 2014 researching materials related to World War I in Bryn Mawr Special Collections. As part of her work Elizabeth immersed herself in the papers of Margaret Hall, Class of 1899, who volunteered with the Red Cross near the front lines in France. Using a wide range of sources, including Hall’s correspondence, photographs, ephemera, a bound manuscript that Hall herself compiled upon her return, and other resources from Special Collections, Elizabeth created a digital exhibit, using Omeka, that captures Hall’s unique story almost a century after the fact. Elizabeth’s project is now available on the Greenfield Digital Center website:

“Margaret Hall and Bryn Mawr: On the Front Lines of the Great War“

By drawing on the full resources of the college archives, Elizabeth weaves together several stories and perspectives into a rich narrative. Her exhibit incorporates findings from alumnae files and records, personal correspondence, ephemera, and published sources to build a biography of Hall’s WWI experiences that also highlights the experiences of other Mawrters volunteering in Europe and at home on Bryn Mawr’s campus.

The Bryn Mawr "Patriotic Farm,"

The Bryn Mawr “Patriotic Farm,”1910s.

Elizabeth also reflects on what it means to research physical materials in an age of digital methods and tools. Calling for an incorporation of both approaches, she writes, “navigating and learning from archival collections online can be invaluable in our present digital information driven culture. But,” she argues, “they should be used alongside physical collections whenever possible.”

“Margaret Hall and Bryn Mawr” is the latest student-produced digital project published on the Greenfield Digital Center‘s website, combining archival research and digital writing methods. On both our main site and our blog, we strive to support and publish student work that interrogates the relationship between women’s history and the digital world.

Do you have feedback on this project, or suggestions for new areas of research? Leave a comment below!

Call for Papers: Women’s History in the Digital World 2015

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Women’s History in the Digital World 2015, the second conference of The Albert M. Greenfield Digital Center for the History of Women’s Education, will be held on the campus of Bryn Mawr College on May 21-22.

We aim to bring together experts, novices, and all those in between to share insights, lessons, and resources for the many projects emerging at the crossroads of history, the digital humanities, and women’s and gender studies. Continuing a conversation begun at our inaugural meeting in 2013, the conference will feature the work of librarians and archivists, faculty, students, and other stakeholders in the development of women’s and gender histories within digital scholarship.

Opening keynote, Women's History in a Digital World, 2013 at Bryn Mawr College.

Opening keynote, Women’s History in a Digital World, 2013.

The conference will feature a keynote address by Claire Bond Potter, Professor of History and Co-Director of the Humanities Action Lab at The New School for Public Engagement.

Panels will be scheduled during the afternoon on Thursday, May 21, and on Friday, May 22; a projects showcase and digital lab will offer opportunities for unstructured conversation and demonstrations.

We invite individual papers or full panel proposals on women’s and gender history projects with a digital component, investigating the complexities of creating, managing, researching and/or teaching with digital resources and digitized materials.

All thematic areas, geographies, and time periods are welcome: this is a chance to share knowledge, network, and promote collaborations that locate new possibilities.

To submit a proposal, please send the following information by email to greenfieldhwe@brynmawr.edu:

  • complete contact information including current email and institutional affiliation, if any;
  • short (150-200 word) biography for each presenter; and
  • abstract (s) of the proposed presentation (500 words for single paper, poster, or demonstration, or 1,500-2000 words for panels of 3 papers)

The deadline for submissions is Friday, January 16, 2015.

For updates, follow the Greenfield Digital Center on Twitter @GreenfieldHWE and the conference hashtag, #WHDigWrld15.

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Women’s History in the Digital World is organized by The Albert M. Greenfield Digital Center for the History of Women’s Education with the support of Bryn Mawr College Libraries and The Gladys Krieble Delmas Foundation.

“We Are/We Have Always Been”: A Multi-Linear History of LGBT Experiences at Bryn Mawr College, 1970-2000

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Early days of the May Hole celebration (1980s) courtesy of Deb Rowan, Class of 1990.

Early days of the May Hole celebration on May Day. Photograph courtesy of Deb Rowan, Class of 1990.

Over the summer, Tri-Co Digital Humanities Initiative intern Brenna Levitin (Class of 2016) began new research into histories of LGBT individuals and communities on campus. What started as a simple question — do materials exist in the Bryn Mawr College Archives to document LGBT life? — led us to new donations from alumnae/i and a rethinking of our digital tools.

We’re pleased to announce that Brenna’s project is now online, accessible through the Greenfield Digital Center’s website:

“We Are/We Have Always Been”: A Multi-Linear History of LGBT Experiences at Bryn Mawr College, 1970-2000

“We Are/We Have Always Been” uses college newspapers, ephemera, photographs, oral histories, and informal interviews to show pieces of a fragmented history that continues to develop in the present day. In doing so, it highlights the multi-linear nature of the narratives that make up personal and institutional memory.

Brenna Levitin '16 asks, how do we study lesser-known aspects of Bryn Mawr student life?

Brenna Levitin, Class of 2016.

Brenna’s project departs from the form of past exhibits published by the Greenfield Digital Center in that it is built on a platform called Scalar, rather than Omeka. With its flexible approach to narrative, Scalar allowed Brenna to situate parts of the story within and beside one another, in addition to traditional sequential relationships. Brenna’s documentation of this work, including her summer blog posts, lives on as a broader reflection on process; Greenfield Digital Center Assistant Director Evan McGonagill also considered how we might begin to think about the “T” in LGBT histories, particularly in the women’s college context.

We also encourage readers to visit “History of Gender Identity and Expression at Bryn Mawr College,” created by Pensby Center summer intern Emmett Binkowski (Class of 2016) to recognize Mawrters with diverse gender identities. Along with the digital exhibit “A Point of Difference” — recently completed by Alexis De La Rosa (Class of 2015) and Lauren Footman (Class of 2014) to document histories of students and staff of color — these projects reflect the Greenfield Digital Center’s commitment to research that tackles the diverse and challenging histories of Bryn Mawr College and its many communities.

Brenna will return to the Greenfield Digital Center in Spring 2015 through Bryn Mawr’s Praxis program, which will provide an opportunity for her to continue pursuing oral history interviews with alumnae/i and community members.

Comments? Questions? We welcome your thoughts below, or via email to greenfieldhwe@brynmawr.edu.

Hidden Libraries, Hidden Histories: The Story of the BGALA Library

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Since May, Brenna Levitin, the Greenfield Digital Center’s TriCo DH summer intern, has been hard at work tracking down the histories of LGBT individuals and communities at Bryn Mawr between 1970-2000. To catch up with her work, read Brenna’s thoughts on one of her first finds, her consideration of silence in the archives, and her approaches to using digital tools to address the silence, including reflections on making the Digital Center’s first Scalar project. We look forward to launching Brenna’s project, We Are/We Have Always Been, next week–stay tuned!

BrennaLevitin

Brenna Levitin, Class of 2016

Let’s hear it for victories! Although much of the past four months has been spent sighing over a lack of LGBT archival material, I recently had a great realization which partially solved the mystery of the disappearance of Bryn Mawr’s BGALA Center Library. I first heard about this mystery from Robin Bernstein, Class of 1991, the creator of the library and its first keeper. She told me about how she painstakingly shaped it over three years, only to have it disappear a few years after she graduated. She mourned the multi-hundred-volume library for years, until, to our excitement, I physically ran into the collection in Canaday Library a few weeks ago! Here’s a short retelling of the library’s saga.

In her sophomore year, Robin Bernstein asked the Bryn Mawr Women’s Center to use their empty back room as a physical space for BGALA (The Bryn Mawr-Haverford Bisexual, Gay, and Lesbian Alliance). After the students in charge agreed, Bernstein began to create a physical space for the club within the Women’s Center, located on the upper floor of the Campus Center. To fund decoration and set-up of the space, Bernstein wrote a grant and received $1,000, in addition to the money BGALA received from general SGA budgeting. She took approximately $1,500 to the Owl Bookshop on campus and to Giovanni’s Room–the famous bookstore in the Philly Gayborhood–and bought as many books as possible. After carting everything back to campus, BGALA members rubber-stamped everything “The Bryn Mawr/Haverford Bisexual, Gay, and Lesbian Alliance.”

BGALA Library stamp, found in Lesbian Plays (New York: Methuen, 1987-1989), Canaday PR 1259.L47 L4 1987 v.2.

BGALA Library stamp, as seen in Lesbian Plays (New York: Methuen, 1987-1989), Canaday Library Rainbow Alliance & Women’s Center Collection, PR 1259.L47 L4 1987 v.2.

Bernstein lovingly curated the library for the next three years, watching as it grew with each year’s funds. By the end of her senior year, the library contained over 1,000 books, audiotapes, and magazines. The summer after Bernstein’s graduation in 1991, the books were removed from the BGALA Center and relocated to a room in the Denbigh dormitory. Previously, the BGALA library was unstaffed, functioned on the honor system, and was heavily used. After their move, no one knew where to find the books, and so they saw less use as the years went on.

After approximately 1993, institutional memory fails to recall where the books lived. In fact, Bernstein and I believed the books to still be missing when I found them, by chance, living in Canaday Library as an official collection. By working backwards and talking to library staff, I was able to piece together part of their journey post-Denbigh.

Layers of library history, as seen in Anthony Burgess,The Wanting Seed (New York: Ballantine Books, 1964), Canaday Library Rainbow Alliance & Women’s Center Collection, PR 6052.U638.

Layers of library history, as seen in Anthony Burgess, The Wanting Seed (New York: Ballantine Books, 1964), Canaday Library Rainbow Alliance & Women’s Center Collection, PR 6052.U638.

The next time that anyone saw the BGALA books was in 2003, when members of the Rainbow Alliance came to then-Coordinator for Information Acquisition and Delivery, Berry Chamness, in Canaday to ask for help. The Rainbow Alliance (the new name for BGALA) was losing the space where they stored the library, and wondered what to do to save the books and keep them accessible. Since Fall 2004, what is now known as the Rainbow Alliance/Women’s Center Collection has lived as a discreet collection in Canaday Library, and can be found on the shelf closest to Quita’s Corner by the back window on the first floor.

Library 1

Library 2

The Rainbow Alliance & Women’s Center Collection is now catalogued in TriPod and shelved on the first floor of Canaday.

I’ve put together the history above from personal accounts and some library sleuthing, but there are still pieces missing from the puzzle. What happened to the books between 1992 and 2003? Were BiCo students aware of the books as a resource, and who was responsible for them? If you have a piece to add to the puzzle, please email greenfieldhwe@brynmawr.edu or comment below! I’d also love to hear from anyone who remembers the library in any of its incarnations.

Interested in the Rainbow Alliance/Women’s Center Collection holdings? We’ll be sharing our favorite books on the Greenfield Digital Center tumblr this fall!

Looking Back, Thinking Ahead: The Greenfield Digital Center Summer Recap

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Summer already feels long behind us, as recently returned Mawrters and their professors get back into the swing of things and the weather cools. Now that everyone is settling in for the new semester, it’s an ideal time to catch up on what you missed over the past season of activity at The Albert M. Greenfield Digital Center! We had an eventful summer, both finishing old projects and pushing forward on new ones, and, of course, we welcomed our new Director to campus. Here’s a recap of what we’ve been up to and a preview of some things we’ll be sharing soon:

MonicaMercadoOfficial

  • Monica Mercado arrived in July and immediately hit the ground running. Already she has been through new faculty orientation, CLIR training, an ArcGIS workshop, and more—and somehow found time to return to the University of Chicago to graduate with her PhD in August.
  • The 2013 Pensby Center interns, Alexis De La Rosa ’15 and Lauren Footman ’14, put the finishing touches on their digital exhibit exploring the experiences of students and staff of color on campus. In addition to Lauren andAlexis De La Rosa and Lauren Footman Alexis’s research documenting a history of diversity at Bryn Mawr, results from Alexis’s survey to alumnae about their experiences, and original photography of students and spaces on campus, the exhibit includes a series of new oral history interviews that tell the stories of faculty, staff, and students who were impacted by issues of race and class during their time at Bryn Mawr. The digital project A Point of Difference was released in July and can be viewed here.  Continue reading →

Translating Archival Materials into the Digital Realm: Samone Rowe Uncovers a “Candid Campus”

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Recent graduate Samone Rowe (BMC ’14) interned with The Greenfield Digital Center and Special Collections to create an original digital exhibit featuring the College Archives. Here she reflects on her connection to the archival materials documenting early Bryn Mawr students. You can view Samone’s project, Candid Campus, and other exhibits built on Bryn Mawr’s collections here.

Page from the scrapbook of Lucy Shoe (Meritt), Class of 1927.

Lucy Shoe Meritt, Class of 1927, Bryn Mawr College Scrapbook and Photo Album Collection, Special Collections, Bryn Mawr College.

Last summer, I was granted the opportunity to work with the Photo Album and Scrapbook Collection within Bryn Mawr’s Special Collections. My research, completed over ten weeks, resulted in Candid Campus: The Lesser Known Narratives of Bryn Mawr College, a Greenfield Digital Center exhibit detailing hidden aspects of the college’s culture. The scrapbooks and albums included postcards, photographs, playbills, newspaper articles, and a myriad of other trinkets and clippings.

Since the internship summer served as the precursor to my final year at Bryn Mawr, I appreciated seeing which moments of their academic careers the school’s alumnae held most dear and comparing those experiences to my own. Even now, months later, I continue to wonder how I fit into Bryn Mawr’s legacy and what effect the school will have on my future.

A scrapbook I developed a somewhat personal connection with was that of Frieda Woodruff (née Wagoner), a graduate of the class of 1951. The design of her album was simple: small black-and-white photos explained by minimal text. Yet, the sentimentality of the album starkly contrasted its stark layout.  Her photographs, which chronicled her final two years at the college, unexpectedly mirrored experiences of my own. Initially, I was amused by images of Woodruff and classmates waiting for their modern art course to begin and an allusion to “The Thinker” sculpture. As I continued to gaze at photos of her friends studying, sunbathing, and joking around, everything in Frieda Wagoner’s album seemed so natural and familiar to me. It was thrilling to see how the Mawrter spirit hasn’t changed much over the years.

Euretta Simons, Class of 1936, Bryn Mawr College Scrapbook and Photo Album Collection, Special Collections, Bryn Mawr College.

Euretta Simons, Class of 1936, Bryn Mawr College Scrapbook and Photo Album Collection, Special Collections, Bryn Mawr College.

Creating the exhibit was both exciting and illuminating. As a history of art major with a strong interest in new media, working with the Greenfield Digital Center allowed me to explore translating visual and physical materials into the digital realm. Since the summer, I have continued to sharpen my newly-gained virtual exhibition skills by curating digital exhibits for class assignments and scanning and editing various types of archival materials with Special Collections. My ten weeks spent with the Greenfield Digital Center and the Scrapbook and Photo Album Collection were invaluable, and I hope I get the privilege to complete projects similar to Candid Campus in my post-Bryn Mawr endeavors.