CFP: Issue 7 of the Journal of the Text Encoding Initiative

call-for-papersCFP: Issue 7 of the Journal of the Text Encoding Initiative

Papers accepted on any theme relating to the TEI. Papers due 28 October 2013

http://journal.tei-c.org/journal

The Editors of the Journal of the Text Encoding Initiative are delighted to announce a CFP for Issue 7 of the Journal. This is an non-themed issue. We welcome a broad range of articles on any aspect of the TEI.

Submissions will be accepted in two categories: research articles of 5,000 to 7,000 words and shorter articles reflecting new tools or services of 2000-4000 words.

Both may include images and multimedia content. For further information and submission guidelines please see http://journal.tei-c.org/journal/about/submissions

Closing date for submissions is 28 October 2013. . The Journal of the Text Encoding Initiative is a peer-reviewed open source publication hosted by Revues.org.

We would be delighted to answer any questions about this issue. Please direct them to journal@tei-c.org

Susan Schreibman

Editor-in-Chief of the Journal of the Text Encoding Initiative

“I’m not a historian but I am interested in people’s stories”: Lianna Reed ’14 reflects on working on Bryn Mawr College oral histories

In this guest post by Lianna Reed ’14, you can learn more about the digitization of the oral history collection held by the Special Collections department of Bryn Mawr College. As part of its work, The Albert M. Greenfield Digital Center for the History of Women’s Education is converting the audio tapes into digital files which will eventually be hosted on the Tri-College digital repository site, Triptych.

Previously, student worker Isabella Barnstein worked on the project and wrote about her experiences. We are further along with the work now and finding out more and more about alums from the past. Some of the material has been used in our Taking Her Place exhibition which can be linked to by scanning QR codes on certain labels. These include the 1935 radio broadcast by M. Carey Thomas and interviews with faculty, staff and students in the past (you can find them by clicking this link to our site). The exhibition runs until June 2nd and after this it will be made available as a digital exhibit on our site so make sure to visit the digital exhibitions section of the site ….

Guest blogger and Special Collections student worker, Lianna Reed '14.

Guest blogger and Special Collections student worker, Lianna Reed ’14.

I have been working on the oral history project with The Albert M. Greenfield Digital Center for the History of Women’s Education for three months and not only have I learned how to digitize cassette tapes to mp3 files but I have also been absorbed into the lives of Bryn Mawr women from ten, twenty even eighty years ago.  I’m not a history major or English major, in fact my academic work doesn’t usually relate to my work with Special Collections. I actually appreciate this difference because working here is a release from my academic life as a double major in Political Science and French. I get to come to work and listen to alumnae talk about their time as students in the 1940s, sneaking out of the dorms past curfew (10pm) and going to the cemetery down the road. I become immersed in the details of women who became renowned archaeologists, politicians, activists, tutors, and the list goes on and on. Oral histories are an interesting form of history because they involve someone else, usually the interviewer, prompting the interviewee to respond to certain questions. However with Bryn Mawr women, these questions are often disregarded as the women believe that they themselves aren’t interesting. I have heard so many women say “Oh, you don’t want to hear about that. It isn’t interesting.” Actually, most things are interesting, especially anecdotal commentary. Even when the women describe how challenging Bryn Mawr was and their feelings about not using the degree, prompting them to feel unworthy of their degree, it is interesting and valuable for the history archives and also for those of us that are soon to be graduates.

My first oral history was my most memorable. Fleta Blocker was a bell maid in Radnor who came to Bryn Mawr as a teenager on the recommendation of her sisters. Too young to work she was put on staff for a trial year before she was hired permanently.  Fleta would end up working for forty years at Bryn Mawr College. Honored as one of the longest serving employees at Bryn Mawr, Fleta wasn’t just a bell maid, she was a friend and a student herself at Bryn Mawr. Fleta saw more change and development at Bryn Mawr than anyone else. But what does it means for Bryn Mawr’s Special Collections digital archives to have Fleta’s interview? Who will listen to her tell her story? Who will understand what it meant to her and, of course, the students, to have her there in the dorm? While Fleta’s interview is linked on the website of The Albert M. Greenfield Digital Center for the History of Women’s Education and featured in the Taking Her Place exhibition and we can track who listens and in what language, we can’t always know how they might understand Fleta’s time at Bryn Mawr in the college’s history. Maybe oral histories are like podcasts and while you can’t force anyone to listen to them, they are an integral piece of history that is accessible, not just for the Bryn Mawr community but for the community of women’s education around the world. Faculty are always celebrated for their accomplishments and their connections with publically accomplished students, but what about the other people who supported and encouraged students to become the people they are remembered to be?

What does working on this project mean for me? As I said I am not a historian but I am interested in people’s stories. I am interested in doing research in sub-Saharan Africa on the effects of transitional and restorative justice. Oral histories are one of the most important forms of archival material that we have as humans. Oral tradition is the way we know and remember songs, family history, and recipes we love to cook. Oral history and oral tradition help to clarify the ways in which restorative justice has impacted the lives of many. For example, the gacaca courts in Rwanda are an oral tradition that are both a method of enacting justice and also a form of history as the plaintiffs, witnesses and criminals participate in an open dialogue. These histories are invaluable to the success and development of Rwanda in the present day. I hope that after having listened to hundreds of different interviews from people reluctant to talk and people more than enthusiastic at Bryn Mawr I will be prepared for whatever might come my way in the field. When I am out in the field I can gather information necessary to create a dialogue, not only amongst those I am interviewing but also with the wider international community producing a discourse that gathers many people’s individual stories, much like the archives at Special Collections at Bryn Mawr College.

TONIGHT: Professor Elaine Showalter to speak as part of Taking Her Place Exhibition Program

Elaine Showalter poster as pic copyThis is a reminder that The Albert M. Greenfield Digital Center for the History of Women’s Education will host Professor Elaine Showalter, Bryn Mawr College class of 1962, Avalon Foundation Professor Emerita, Princeton University at Bryn Mawr College tonight. This is part of the Friends of the Library exhibition program in which we also hosted Professor Helen Horowitz to open the show.  Taking Her Place will run until June 2nd 2013, finishing with a series of dedicated tours as part of Alumnae Reunion Weekend.

Professor Showalter’s talk is titled: “Bryn Mawr Before Betty Friedan: The Problem Without a Name in Women’s Higher Education, 1958-1962″.

The talk will be held on Thursday April 18th 2013 at 5:30pm in Carpenter Library B21.

Professor Showalter’s lecture will be followed by a reception at the Taking Her Place exhibition, Rare Book Room Gallery, Canaday Library, at 6.30pm. All are welcome to attend.

For directions to the campus, please see http://www.brynmawr.edu/campus/visiting.shtml

There is no need to RSVP, but please direct any questions you have about this talk to greenfieldhwe@brynmawr.edu and don’t forget to follow us on Twitter for regular updates – @GreenfieldHWE

Becoming Bryn Mawr: An Essay by Emily Adams, Class of 2014

In anticipation of the upcoming Bryn Mawr College student awards ceremony on April 25th 2013 at 6.00pm, we are excited to share the second winning entry from our annual essay competition. This year we invited both current undergraduates and alumnae to respond to the prompt “Transformations: How has the Bryn Mawr College experience made you the person you are today?” Our alumni winner, Kären M. Mason, class of 1975, was announced on the blog in March. The winning undergraduate essay was written by Emily Adams, class of 2014, and you can read her submission below. Congratulations to Emily!

Emily AdamsI have to be honest—this essay was extraordinarily difficult to write. I spent weeks thinking about what to say, mulling it over as I walked to and from class, poring over my old college application essays for inspiration. I wrote and rewrote dozens of opening paragraphs. I seriously considered simply submitting a list of all the different majors I considered before I finally settled on my current one (which is light-years away from my original plan in high school). And I made a lot of bad jokes about the steadily-decreasing length of my hair (the infamous “Bryn Mawr chop”), the sudden appearance of a rainbow of flannel shirts in my wardrobe, and my inability to be on time for anything, ever.

It’s not that I don’t have anything to say. On the contrary, my time at Bryn Mawr has been the most incredible, meaningful, and transformative two-and-a-half-years of my life. Every time I come home on breaks, my parents comment that I seem older, stronger, wiser, more sure of myself and the world around me. I, too, can feel the transformation, in the way I carry myself, in the way I approach new challenges, in the way I redefine my sense of self with every new experience. Indeed, I certainly do not suffer from a lack of material. The problem, then, lies in verbalizing those changes, in putting a lifetime’s worth of growth into a concise, coherent essay.

I fell in love with Bryn Mawr the second I stepped on campus, as an eager high school senior with her heart set on a women’s college. I gushed to my dad about the intelligent conversations I’d overheard at the dinner table, about all the fascinating people I’d met in just one overnight visit. And he gushed back about the wonderful things he’d heard from Public Safety and the Dean’s Office, the beauty of the campus, and, of course, the food (we were both smitten by the pizza at Haffner). A few days later, I sent in my deposit, and I’ve never, ever regretted it.

My first year passed by in a blur of new friends and new experiences. I worked my first food service job, where I made a lot of mistakes, learned from all of them, and emerged on the other side with a solid understanding of what hard work really is and what it means to be part of a team. I got my first chance to explore a big city without my parents. I took one English class and promptly abandoned my planned Psych major with a Neuroscience concentration. I took a lot of risks—trying out for a capella groups, speaking at a national conference, signing up for classes I didn’t know anything about—and every time, I emerged with a clearer vision of my life and a stronger sense of confidence in myself. I learned that I really didn’t want to be a neurologist, that I was a terrible fencer, that close friendships often emerge from the most unexpected situations (crumbling feta cheese at Haffner, for instance, which is how I met my heller).

My second year was more difficult. I began to find myself confronted by assignments which stretched my knowledge to its limits, which forced me to dig deeper and try harder than I ever had before. I took classes which made me re-evaluate the ways in which I perceived the world and re-examine things I had never thought much about—the representation of women in food commercials, for instance, or the social implications of Russian’s neutral pronoun—and with every day, my world became larger and more complicated, and I was quite certain I would never be able to fully understand the things I was learning. But I finally made it through with a newfound ability to think critically and to question everything, and to view each class and each assignment as an intellectual journey within itself. I left my classes last spring not just with grades, but also with a more well-rounded sense of personal identity and a more focused understanding of the “real world” I would one day enter.

This semester, I am studying abroad in Saint Petersburg, Russia. Though I’m not on campus, I still consider this semester to be an essential part of my Bryn Mawr experience, as I never would have ended up here if it weren’t for the Russian classes I took my first two years and the professors who encouraged me to study in Russia. This semester has been the most difficult and the most meaningful of my college experience thus far, and I am grateful to Bryn Mawr for teaching me that the greatest trials offer the most valuable rewards, and that anything worth having is worth fighting for. Without the lessons I learned at Bryn Mawr—taking advantage of every opportunity, doing the things you think you can’t do, never giving up, even when the problem seems insurmountable—I would have never made this decision, and I would have never met the fascinating people I’ve met and seen the incredible things I’ve seen. Everything I do here, as well as everything I do in the future, is a direct result of Bryn Mawr having guided, pushed, and occasionally dragged me in the right direction.

A Bryn Mawr education is difficult. It will take time, it will take effort, and it will, at times, feel impossible. That’s all part of the process. Bryn Mawr recognizes the passion that’s already starting to glow inside of you, shelters it, and builds it up until you’re burning brightly for all the world to see. It makes you into the person you always hoped you would be and reminds you that there’s still room to grow. It pushes you to the very edge of your capabilities and then demands more, knowing that you will rise to the challenge. I wrote in my high school application essay that Bryn Mawr is the very best place for unconventional women to be nurtured and to thrive before heading out into the world to do great things. Three years later, I still believe that, and every day I am honored to be one of them.

Dissertation Reviews launches Gender and Sexuality Series

library imageDISSERTATION REVIEWS (http://dissertationreviews.org) has been featuring research on gender and sexuality in a number of our existing series, whether in Chinese Literature, South Asian Studies, Medical Anthropology, or elsewhere. The time is now ripe for DR to feature a standalone Gender and Sexuality Dissertation Reviews series, edited by Caroline Walters, which will bring you friendly, non-critical overviews of recently defended, unpublished dissertations from this brilliant field — one that has long been vigilant in raising powerful
and insightful critiques of the ways in which we think and the ways in which we live.

As with our 20 existing series on Dissertation Reviews, Gender and
Sexuality Dissertation Reviews will also feature reviews and guides
for archives, libraries, and collections, providing up-to-date
introductions to foundational as well as overlooked research
collections. If you are interested in having your dissertation
reviewed, please fill out the Review Application Form on our webpage.
If you are interested in helping out in some other way, please contact
the Editor-in-Chief Thomas Mullaney (Associate Professor in History at
Stanford University) and the Managing Editor Leon Rocha (Research
Fellow at University of Cambridge).

Introducing Our New Field Editor

Caroline Walters is a Visiting Lecturer in Media and Cultural Studies
at Middlesex University. She is currently working on her first
monograph, which is adapted from her 2012 dissertation, entitled
“Discourses of Heterosexual Female Masochism and Submission from the
1880s to the Present Day” (University of Exeter, supervised by
Professor Lisa Downing). She is the contributing co-editor of “Fat
Sex: New Directions in Theory and Activism” (in preparation) and a
special issue of the peer-reviewed journal “Sexualities” on
“Theorising Fat Sexuality” (forthcoming). She has organized several
conferences (“Bisexuality and Mental Health” in Bradford, UK 2012;
“Public Engagement in Gender and Sexuality Studies” in Newcastle, UK
2011; “Forgotten Bodies” in Exeter, UK 2010).  Broadly her research
focuses upon the intersection between literary, filmic, theoretical
and scientific texts as they formulate discourses of sexuality,
particularly in its “non-normative” forms, mental health and “fat”
bodies. Caroline Walters can be reached at
caroline.walters@dissertationreviews.org.

http://dissertationreviews.org/archives/2128

Conference Presentations Available Online: Women’s History in the Digital World Repository

Courtesy of SiForesight, siforesight.netOn March 22nd and 23rd, 2013, a compelling group gathered for the Women’s History in the Digital World conference to discuss an array of the fascinating projects that are emerging at the crossroads of the digital humanities and women’s and gender studies. The conference sparked dialogues across both the physical and the digital realms, as animated exchanges took place on Twitter alongside those that were ignited in person (viewable as a Storify of tweets using the conference hashtag, #WHDigWrld, thanks to the creative ‘wordsmithing’ of presenter Michelle Moravec). One of the most exciting outcomes of the event is the extension of those conversations beyond the spaces in which they originated: we are now looking to gather the presentations from the weekend in the form of speaking notes, slides, links to project and social media pages and other supplementary materials, to make them available to all on our conference website. For the many who were not able to attend in person, this resource will provide an opportunity to engage with the work and see the variety of research endeavors that are currently underway in the field. For those who were present, the repository offers a new chance to view presentations that conflicted with other panels, or to revisit work that may have stirred thoughts that called for deeper inquiry. We hope that the site will serve to sustain the conversations that emerged at the conference, as well as foster new dialogues with a wider participatory base than those who were able to convene in March.

Several participants have already sent in their materials. In addition to the abstracts and bios we have uploaded the conference related materials we have been given so far. You can search all of this material on the conference website using the search box in the upper right hand side as seen in the screen shot below. WHDW home page

The conference repository can be searched by keyword, presenter name, institution etc., whatever term you would like to use to draw together material from the many different conference presentations. We encourage all presenters to send us their materials – you will not be able to upload the documents yourself, this must be done by us.

Update: presentations with materials uploaded are now marked on the Saturday schedule with a red “presentation available” indicator to make browsing easy.

Among the work that has been uploaded so far are the presentations on DYKE, A Quarterly: Blogging an Online Annotated Archive; Mining Hymns: Exploring Gendered Patterns in Religious Language; Digital Diaries, Digital Tools: A Comparative Approach to Eighteenth-Century Women’s History; and The New Hampshire Historic Dress Project. These and others can be found on the conference site as described above, or you may click the images below to view the materials directly.

Many thanks to those who have shared their work in this open access forum. If you participated and would like to make your presentation materials in any form available to the public, please send them to greenfieldhwe@brynmawr.edu and we will make sure to post them for you! Don’t forget to include your website and/or social media information. You may direct questions to our Director, Jennifer Redmond, at jredmond@brynmawr.edu. Or find us on Twitter @GreenfieldNHDPHWE

DYKESlide1

DYKE: A Quarterly

MiningHymnsPage

Mining Hymns

GodTeaBallardDrinker

Digital Diaries, Digital Tools

Renowned Scholar Elaine Showalter to visit Bryn Mawr, Thursday April 18th 2013

Elaine Showalter poster as pic copy

The Albert M. Greenfield Digital Center for the History of Women’s Education is excited to announce a forthcoming talk by Professor Elaine Showalter, Bryn Mawr College class of 1962, Avalon Foundation Professor Emerita, Princeton University. This is part of the Friends of the Library exhibition program in which we also hosted Professor Helen Horowitz to open the show.  Taking Her Place will run until June 2nd 2013, finishing with a series of dedicated tours as part of Alumnae Reunion Weekend.

Professor Showalter, a renowned feminist literary historian, theorist and critic, will speak on the following: “Bryn Mawr Before Betty Friedan: The Problem Without a Name in Women’s Higher Education, 1958-1962”. Known chiefly for her work on women writers of the past and her invention of the genre ‘gynocriticism’, Professor Showalter will discuss the period in which she experienced higher education at Bryn Mawr, a time of social upheaval, changing social values and the dawning of the ‘Swinging ’60s’.

Elaine at BMC reunion - Copy

Professor Elaine Showalter at her 50th Reunion at Bryn Mawr College. Photograph courtesy of Elaine Showalter.

Professor Showalter’s long and successful academic career saw her produce many of the foundational texts in feminist research in literary historical studies. Included in her body of published work are Toward a Feminist Poetics (1979), The Female Malady: Women, Madness, and English Culture (1830–1980) (1985), Sexual Anarchy: Gender and Culture at the Fin de Siecle (1990), Hystories: Hysterical Epidemics and Modern Media (1997), Inventing Herself: Claiming a Feminist Intellectual Heritage (2001) and A jury of her peers: American women writers from Anne Bradstreet to Annie Proulx (2009) among many other scholarly articles and books. To explore more of the Bryn Mawr College Library’s holdings of Showalter‘s work, follow this link. The cover image of her seminal book, A Literature of their Own (1977) is a poster for the play, The New Woman by Sydney Grundy and is shown as part of the Taking Her Place show.

The talk will be held on Thursday April 18th 2013 at 5:30pm in Carpenter Library B21.

Professor Showalter’s lecture will be followed by a reception at the Taking Her Place exhibition, Rare Book Room Gallery, Canaday Library, at 6.30pm. All are welcome to attend.

For directions to the campus, please see http://www.brynmawr.edu/campus/visiting.shtml

There is no need to RSVP, but please direct any questions you have about this talk to greenfieldhwe@brynmawr.edu and don’t forget to follow us on Twitter for regular updates – @GreenfieldHWE

“College Women Abroad”: Updates on International Education in The Woman’s Column

WC_headerAs part of our celebration of Women’s History Month, The Albert M. Greenfield Digital Center for the History of Women’s Education is featuring content from The Woman’s Column, a pro-suffrage publication that ran from 1887 through 1905. We have been posting weekly blog entries that feature individual articles from the Column that were published in the month of March and address the matter of women’s higher education, although the publication addresses many other issues related to women’s rights and their access to political life and the public sphere. This post is the fourth and final installment in the series; see our first, second, and third posts to learn more.

In addition to changes in policy at American universities, The Woman’s Column chronicled the state of women’s higher education abroad. Not purely for the globally-minded, such information would have been personally relevant to many American ladies: though the establishment of the women’s colleges known as the Seven Sisters had made the BA much more accessible to academically ambitious girls, more advanced degrees were difficult to obtain within the country. Bryn Mawr, which launched in 1885, was the only women’s college to open with a full graduate program. Several coeducational schools offered examinations and tutelage for female students, but were unwilling to confer an official degree, such as Harvard University. Europe, however, became an attractive option for graduate study, housing as it did centuries old universities that offered an array of graduate training. Travel to Europe was also an opportunity to broaden one’s cultural horizons, to see famous monuments, meet important scholars of the day, and to round out an American education that for many readers, may have consisted solely of single-sex environments in sheltered campuses across the country.

Click the image above for an enlarged view and full transcription

Click the image above for an enlarged view and full transcription

A report from an alumna and former teacher at Mount Holyoke College was published in The Woman’s Column on March 11, 1893, stating: “German, Russian, Polish, etc., women, denied the privileges of education in their own countries, are attending the University [of Zurich].” “Lepsic [sic] [Leipzig],” she writes, “is the only place in Germany where women are tolerated as university students….And at Leipsic a woman receives no credit from the University for her work; however, many of the professors are very kind in giving assistance, as far as possible, to women in their studies.”

For those familiar with the early history of Bryn Mawr College, much of this will sound familiar. M. Carey Thomas, the school’s first Dean and second President, followed a complex path through several universities before eventually earning her Ph.D. summa cum laude in linguistics from the University of Zurich. After receiving her undergraduate degree from Cornell, she attended Johns Hopkins University for a single year before departing, frustrated: though she was allowed to study with professors and sit for examinations, she was not permitted to attend classes and therefore found the experience challenging and inadequate. Given the dearth of American schools that allowed women to attend classes with men, she saw the European universities as her only path to a graduate degree. She went on to complete the bulk of her literary work at the University of Leipzig with the knowledge that such study could be only preparatory–for, while the lectures were open to her, Leipzig did not grant degrees to women. Gottingen University, however, seemed to operate with reverse policies: women could not attend classes, but there was no official rule prohibiting them from receiving degrees. Once she had taken her studies as far as she could at Leipzig, she transferred to Gottingen to complete the final hurdle to the doctorate. However, despite the lack of a formal ban, she learned after preparing her dissertation that the all-male faculty had voted not to grant her the doctorate on the grounds of her gender. Thomas, indefatigable, moved on to the University of Zurich, where she successfully prepared, presented, and defended the thesis that finally earned her the Ph.D. she had long sought. Thomas’s convoluted path shows the difficulty, not to mention the required time and financial resources, that stood in the way of the American woman intent on a doctoral degree.1

As we have previously discussed on this blog and in our exhibits, there were many well-documented arguments about why to keep women out of the educational system altogether. Aside from doubts about women’s inherent ineducability, many argued against coeducation for social reasons. For instance, Harvard President Charles Eliot cautioned that coeducation in urban schools could lead to dangerous class mixing and undesirable marriages, as we have previously discussed. But what was the logic of letting them study among men while refusing them the qualification that they had earned by it? Oxford University provides an interesting case that can help us understand the terms of the debate.

Click above for an enlarged view and full transcription

Click above for an enlarged view and full transcription

WC_3-28-1896_OxfordNotReady2A March 28th, 1896 article in The Woman’s Column entitled “Oxford Not Ready” recounts the University’s decision to reject a proposal to open the BA to women. Many female students were already completing the work that would have qualified a man for the degree, much in the style that Leipzig had made its coursework but not its official recognition of achievement available to women. The Oxford motion was struck down by 75 votes, 215 vs. 140. The leader of the opposition, Mr. Strachan Davidson, held thatthe life [at Oxford and Cambridge] stamped a special character on the man, and it was to that that the B. A. certified. Examinations were only secondary, but the degree testified to the man’s career as a whole. The women could participate in the examinations, but not in the life. He did not wish to say one word hostile to the ladies’ colleges, but the life there was not a University life.”

We have spent more time previously discussing societal opposition to women’s education that centered around the female body and the importance of her traditional role in the home. However, another important factor was that the established institutions were having trouble imagining where women would fit into the existing culture of higher education, as indicated in the critique of Davidson at Oxford above; gender appeared to be a barrier to the immersion in campus life. Assuming that women could be educated at all, the issue remained that the degree had come to stand for much more than academic achievement alone: it was the mark of induction into a culture, mutually constitutive with the identity of the elite society gentleman.2 Improving women’s access to higher education was not just a matter of opening doors, as it turned out, but a matter of re-imagining the spaces themselves.

The article ends on an optimistic note:

“Of course it is only a question of time when this decision will be reversed. Conservatism thaws slowly, but it thaws surely. Meanwhile the women will have the scholarship for which a degree should stand, if they have not the degree; and they can comfort themselves by thinking,

It is not to be destitute
To have the thing without the name”

 

1. The educational path of M. Carey Thomas is charted in detail in her biography by Helen Lefkowitz Horowitz. See Horowitz, Helen Lefkowitz. The Power and Passion of M. Carey Thomas. New York: Alfred A. Knopf, 1984.

2. For a thorough exploration of the culture of masculinity of Oxbridge, see Oxbridge Men. Deslandes, Paul R. Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850-1920. Bloomington and Indianapolis: Indiana University Press, 2005.

‘Women’s History in the Digital World’ Conference 2013: Vibrant and Absorbing Conversations on Women’s History

The Albert M. Greenfield Digital Center for the History of Women’s Education held its first major conference, examining issues in women’s history, gendered analysis, technology and the digital humanities on Friday and Saturday, March 22-23, 2013. Almost one hundred scholars, students, independent researchers, archivist, librarians, technologists and many others gathered at Bryn Mawr College to discuss their work at the first Women’s History in the Digital World conference. 

WHDW_LM-presents_1

Keynote speaker Professor Laura Mandell, Director of the Initiative for Digital Humanities, Media, and Culture and Professor of English at Texas A&M

The conference opened on Friday afternoon with a provocative and inspiring keynote by Laura Mandell of Texas A&M, “Feminist Critique vs. Feminist Production in Digital Humanities.” The talk advocated that those whose work seeks to recover marginalized histories and perpetuate them in digital form must  actively produce new work that embodies criticism, rather than only publishing critiques of existing work. Her speech raised several points that served as touchstones throughout the weekend for the attendees and presenters, many of whom are currently grappling with the challenge of giving digital presence to marginalized voices. How does the modern scholar produce work that is compatible enough with mainstream practices to guarantee visibility and sustainability, without undermining the ways in which these stories deviate from the mainstream? Her talk will be made available shortly on the conference website so please keep an eye on this site for more content.

WHDW_ErinBush-MiaRidge

Conference attendees converse after the keynote on Friday March 22nd at Wyndham Alumnae House, Bryn Mawr College

The conference was a forum for many rich conversations, and thanks to Twitter you can follow the discussions by searching the official conference hashtag #WHDigWrld. Conference participant Professor Michelle Moravec (@ProfessMoravec), Rosemont College, created a Storify of the Tweets and a blog on her reflections about the conference. Nancy Rosoff (@NancyRosoff), Arcadia University, has also written a blog post about the conference including excerpts from her paper. We are encouraging all presenters to upload information to the conference website which uses the Bepress software, acting as a repository and an archive of the conference.

WHDW_Lianna-Saturday-Registration

Bryn Mawr College undergraduate Lianna Reed ’14 helped at the conference. She’s pictured here at the registration desk in Thomas Hall, the venue for the second day of the conference.

Conference panels were held all day on Saturday March 24th related to the four panel session overarching themes: Pedagogy: Digital Sources and Teaching in Women’s History; Developments in Digital Women’s History; Digital Archives and Practices and finally, Culture and Representation in the Digital World.

The conference ended with a roundtable with participation from Cheryl Klimaszewski, Digital Collections Specialist, Bryn Mawr College, Cathy Moran Hajo, Ph.D., Associate Editor/Assistant Director, The Margaret Sanger Papers Project, New York University, Christine A. Woyshner, Ed.D., Professor of Elementary Education /K-12 Social Studies, Temple University and moderated by Jennifer Redmond, Director of The Albert M. Greenfield Digital
Center for the History of Women’s Education, Bryn Mawr College. Topics that arose included the difficulties in funding and sustaining funding for digital humanities projects related to women’s history; what a digital humanities ‘toolkit’ should look like for those interested in developing their skills; funding opportunities and potential collaborations between the conference participants and the importance of networking, sharing information and collaborating with each other.

WHDW_Saturday-Closing-Reception

The closing reception at the conference was held in the Rare Book Room Gallery, Canaday Library, Bryn Mawr College. Conference participants were able to wind down and explore the Taking Her Place exhibition, curated by The Albert M. Greenfield Digital Center for the History of Women’s Education.

The conference ended with a reception at the Rare Book Room Gallery to view the Taking Her Place exhibition, co-curated by Evan McGonagill and Jennifer Redmond of The Albert M. Greenfield Digital Center for the History of Women’s Education. This exhibition, which runs until June 2nd 2013, harnesses many of the themes of the conference as it includes digital elements as well as traditional archival material on the history of women’s education. If you have not yet visited the exhibition, please do so! Direct any questions you have about it to greenfieldhwe@brynmawr.edu and don’t forget to follow us on Twitter @GreenfieldHWE for further updates on the exhibition program. We have also uploaded a splash of photos from the event to our Tumblr.

The conference organizers would like to thank their sponsors, The Albert M. Greenfield Foundation and the Tri-Co Digital Humanities Initiative for their support. We would also like to thank Camilla McKay, Head of Carpenter Library, Bryn Mawr College, for her support in creating the conference website and Lianna Reed ’14 for her support at the registration desk. Finally, we would like to thank all the presenters and participants who made this such a fantastic and vibrant conference – we look forward to welcoming you again in 2014!

Keynote today: “Feminist Critique vs. Feminist Production in Digital Humanities”

Today marks the beginning of Women’s History in the Digital World, the inaugural conference of The Albert M. Greenfield Digital Center for the History of Women’s Education!

MandellLauraKeynote speech by Professor Mandell
Friday, March 22nd, 5:30 pm
Ely Room, Wyndham
Reception to follow, all welcome

Laura Mandell is Director of the Initiative for Digital Humanities, Media, and Culture and Professor of English at Texas A&M University. She is the author of Misogynous Economies: The Business of Literature in Eighteenth-Century Britain (1999), a Longman Cultural Edition of The Castle of Otranto and Man of Feeling, and numerous articles primarily about eighteenth-century women writers, and Breaking the Book (forthcoming). She is Editor of the Poetess Archive, on online scholarly edition and database of women poets, 1750-1900, Director of 18thConnect, and Director of ARC, the Advanced Research Consortium overseeing NINES, 18thConnect, and MESA. Professor Mandell will speak on ‘Feminist Critique vs. Feminist Production in Digital Humanities’.

The conference will bring together scholars, archivists, technologists, librarians, graduate students and those involved in the arts, heritage and cultural sectors to discuss their work on women’s history in the new realm of the digital world of research and teaching.To view a full schedule and speaker bios please refer to the conference site: http://repository.brynmawr.edu/greenfield_conference/. Participants are coming from across the US and the world to showcase their work, share information on tools, research, funding and practices, and most of all, meet each other in an environment wholly dedicated to women’s history issues in the digital era. Members of The Albert M. Greenfield Digital Center for the History of Women’s Education and its Advisory Board members will be in attendance to inform you about our work and our future plans.

As advertised on the official conference website, we are also offering a free tour of campus at 3.30pm on Friday March 22nd before the conference begins. If you would like to attend the tour, please email greenfieldhwe@brynmwar.edu with ‘RSVP Tour’ in the subject line of the email.

If you cannot attend the keynote, use the conference hashtag #WHDigWrld to follow the action! We will be posting updates via Twitter @GreenfieldHWE

For any queries regarding the conference or the work of the Center, please email the Director, Jennifer Redmond, at jredmond@brynmawr.edu

Come join us – we look forward to seeing you!