College Women: A Collaborative Cross-Institutional Archives Portal

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Bryn Mawr College archery team, undated, via collegewomen.org.

Bryn Mawr College archery team, undated, via collegewomen.org.

In June, we announced the launch of College Women: Documenting the History of Women in Higher Education (collegewomen.org), a project of the seven institutions once known as the “Seven Sisters” colleges. With a one-year Foundations planning grant from the National Endowment for the Humanities, we developed an archives portal that brings together–for the first time online–digitized letters, diaries, scrapbooks and photographs of women who attended the seven partner institutions: Barnard, Bryn Mawr, Mount Holyoke, Smith, Vassar, Wellesley, and Radcliffe (now the Schlesinger Library, Radcliffe Institute for Advanced Study, Harvard University).

This summer we put the finishing touches on a white paper documenting our collaboration for the NEH Division of Preservation and Access, Humanities Collections and Reference Resources. The white paper joins our application narrative, freely available on the NEH site; both serve as useful documentation for thinking through collaboration across multiple institutions. The white paper, in particular, makes the case for finding ways to collect geographically disparate collections in a vital and sustainable site, and over the long term, using that site to stimulate significant new work in women’s history. But, as we wrote, the project partners also saw a secondary goal of creating an open-source infrastructure and set of procedures that could be adapted by other institutions interested in developing their own subject-based digital collections. Our white paper, its accompanying standards documents, and the site architecture, design and accompanying documentation available through Barnard College’s GitHub, are all readily available for other initiatives interested in pursuing this approach.

To read more, download the “History of Women’s Education Open Access Portal Project” from the Bryn Mawr College repository, here.

College women beta site 6-11

Our work on this project is ongoing and collaborative. College Women is currently available in a beta version, featuring 300 photographs, letters, diaries and scrapbooks from the seven partner institutions. As more of our historical documents are digitized and catalogued, we plan to expand the content of the site, and continue to write new grants towards these goals.

DLF

Going to DLF? College Women project team members Rachel Appel (Bryn Mawr College), Monica Mercado (Bryn Mawr College), and Joanna DiPasquale (Vassar College) will discuss the collaboration as part of the program on Tuesday, October 27.

We continue to welcome feedback on the site, in the comments below, and through a form on the College Women homepage.

Seven Sisters Partners Launch New Archives Project

With the support of a one-year Foundations planning grant from the National Endowment for the Humanities, the seven women’s colleges once known as the “Seven Sisters” launch College Women: Documenting the History of Women in Higher Education (www.collegewomen.org).

College women beta site 6-11

College Women brings together—for the first time online—digitized letters, diaries, scrapbooks and photographs of women who attended the seven partner institutions: Barnard, Bryn Mawr, Mount Holyoke, Smith, Vassar, Wellesley, and Radcliffe (now the Schlesinger Library, Radcliffe Institute for Advanced Study, Harvard University). These seven colleges, historically regarded as the equivalent of the Ivy League before those schools admitted women, have long stood at the forefront of women’s higher education in the United States, educating many of the most ambitious, socially conscious, and intellectually curious women in the country. As they were exposed to the novel academic and social landscapes of college life, many of these women actively chronicled their student experiences and ambitions through extensive letter writing, diary-keeping, scrapbooking, and photography. Their materials, which document a new era of women’s campus cultures, have been preserved in the libraries of the seven schools and serve as a rich resource for understanding a wide range of issues in women’s history and beyond. College Women makes these treasures available online and searchable together for the first time, enabling researchers to consider student materials in a larger context of movements for women’s education and expanded opportunities for women in American society.

College Women is currently available in a beta version, featuring 300 photographs, letters, diaries and scrapbooks from the seven partner institutions. The institutions will be expanding the content in the coming years as more historical documents are digitized and catalogued. This innovative project also demonstrates the potential for creating new research opportunities for students and scholars when institutions collaborate on building digital collections. Continue reading

Women’s History in the Digital World 2015

It seems unbelievable to me that just two weeks ago, many of us were sitting together in Bryn Mawr’s Thomas Library for the second Women’s History in the Digital World conference. As the conference organizer, I watched May 21 and 22 rush by in a blur of nametags, registration lists, sign-making (did anyone not get lost in Thomas?), and friends and colleagues, old and new.

With close to 4,000 #WHDigWrld15 tweets to look back on — we’re a prolific bunch, we women’s historians — I’ve since been able to catch up on your conversations from nearly every one of the nineteen concurrent sessions, the keynote address, and the digital showcase. The ideas presented here were in a word, extraordinary.

WHDigWrld15 keynote audience

Photograph by Kate McCann for Bryn Mawr College Communications.

For those of you who attended the 2015 conference, Greenfield Assistant Director Evan McGonagill and I are hoping to use some momentum to look ahead at how we might continue to serve as a venue for supporting research, and we’d be grateful for any feedback you’d like to share. Our conference survey is open for another week–thanks again to those of you who have already shared your thoughts:

Unable to attend the conference? The video from Claire Bond Potter’s keynote is now available to stream online, and we thank Claire for agreeing to share her talk with a wider audience:

Claire Bond Potter keynote address.

Keynote address (May 21, 2015). Photograph by Kate McCann for Bryn Mawr College Communications.

As Claire noted during her talk, we need to discuss our failures just as much as we promote our successes, and here’s one of mine: just last night, with all those wonderful #WHDigWrld15 live-tweets, I managed to crash the Greenfield Center’s Storify account!

Hungry for more? Back in 2013 Michelle Moravec created a Storify for the first conference–still worth a read, along with selected tweets from this year:

Additionally, as you will see if you click on the keynote video link, we are beginning to update Bryn Mawr’s open access repository with materials from the 2015 conference. We are uploading the abstracts you proposed to us, as promised; if you would like to upload your conference presentation (text and/or slides), and any other materials related to the work you discussed, please send them to us at greenfieldhwe@brynmawr.edu. By sending us your files, the conference archive then becomes fully searchable by keywords and names, giving us another way of preserving some of our conversations. Every month since the 2013 Women’s History in the Digital World conference, we receive data that shows, on average, between 30-60 downloads of presenter resources from this site — the benefit of making your research open.

Other participants and presenters have blogged about the conference:

Do you have thoughts to share on your #WHDigWrld15 experience? Leave a comment below!

Women’s History in the Digital World 2015: Register now!

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Join us at Bryn Mawr College, May 21-22, 2015!  Campus photography via Bryn Mawr College Communications.

Join us at Bryn Mawr College, May 21-22, 2015! Campus photography via Bryn Mawr College Communications.

Women’s History in the Digital World 2015, the second conference of The Albert M. Greenfield Digital Center for the History of Women’s Education, will be held on the campus of Bryn Mawr College on May 21-22. We aim to bring together experts, novices, and all those in between to share insights, lessons, and resources for the many projects emerging at the crossroads of history, the digital humanities, and women’s and gender studies.

The conference will open Thursday, May 21 with afternoon sessions and a keynote address, followed by a full day of panels scheduled for Friday, May 22.  Claire Bond Potter, Professor of History and Co-Director of the Humanities Action Lab at The New School for Public Engagement, will give the conference keynote address at 4:30pm on Thursday, entitled “Putting the Humanities In Action: Why We Are All Digital Humanists, and Why That Needs to Be A Feminist Project.

A draft program for the two days is now available as a PDF [updated 5/7/15]. We are thrilled to host more than seventy presenters, representing projects from the U.S., Canada, Europe, Asia, and the Middle East.

Conference participants are asked to pre-register by Friday, May 1. Continue reading

Bryn Mawr Teach-In on Race, Higher Education, Rights and Responsibilities

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Teach in crop

On Tuesday, November 18 from 7 to 9pm, I joined members of the Bryn Mawr community for a Teach-In on Race, Higher Education, Rights and Responsibilities in Thomas Great Hall. The Undergraduate Dean’s Office sponsored presentations and conversations around the following topics:

  • History of the Confederate flag and its current repercussions in U.S. society and politics, Sharon Ullman, Professor of History and Director of Gender and Sexuality Studies
  • Race and higher education, Monica Mercado, CLIR Postdoctoral Fellow and Director, The Albert M. Greenfield Digital Center for the History of Women’s Education
  • Bryn Mawr’s history with regard to race and diversity, Florence Goff, former Associate Chief Information Officer and Equal Opportunity Officer
  • Navigating the rights and responsibilities of free speech, Mary Catherine Roper BMC ’87, Senior Staff Attorney, ACLU Pennsylvania
  • Well-being, accountability, and living in a diverse community, Reggie Jones, Counseling Service Director, Student Health Services

updated 11/25/14

A recording of the talks has been made available online by the Undergraduate Dean’s office. [link to audio]

We have collected tweets from that night in our Storify account. [link]

Continue reading

“We Are/We Have Always Been”: A Multi-Linear History of LGBT Experiences at Bryn Mawr College, 1970-2000

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Early days of the May Hole celebration (1980s) courtesy of Deb Rowan, Class of 1990.

Early days of the May Hole celebration on May Day. Photograph courtesy of Deb Rowan, Class of 1990.

Over the summer, Tri-Co Digital Humanities Initiative intern Brenna Levitin (Class of 2016) began new research into histories of LGBT individuals and communities on campus. What started as a simple question — do materials exist in the Bryn Mawr College Archives to document LGBT life? — led us to new donations from alumnae/i and a rethinking of our digital tools.

We’re pleased to announce that Brenna’s project is now online, accessible through the Greenfield Digital Center’s website:

“We Are/We Have Always Been”: A Multi-Linear History of LGBT Experiences at Bryn Mawr College, 1970-2000

We Are/We Have Always Been” uses college newspapers, ephemera, photographs, oral histories, and informal interviews to show pieces of a fragmented history that continues to develop in the present day. In doing so, it highlights the multi-linear nature of the narratives that make up personal and institutional memory.

Brenna Levitin '16 asks, how do we study lesser-known aspects of Bryn Mawr student life?

Brenna Levitin, Class of 2016.

Brenna’s project departs from the form of past exhibits published by the Greenfield Digital Center in that it is built on a platform called Scalar, rather than Omeka. With its flexible approach to narrative, Scalar allowed Brenna to situate parts of the story within and beside one another, in addition to traditional sequential relationships. Brenna’s documentation of this work, including her summer blog posts, lives on as a broader reflection on process; Greenfield Digital Center Assistant Director Evan McGonagill also considered how we might begin to think about the “T” in LGBT histories, particularly in the women’s college context.

We also encourage readers to visit “History of Gender Identity and Expression at Bryn Mawr College,” created by Pensby Center summer intern Emmett Binkowski (Class of 2016) to recognize Mawrters with diverse gender identities. Along with the digital exhibit “A Point of Difference” — recently completed by Alexis De La Rosa (Class of 2015) and Lauren Footman (Class of 2014) to document histories of students and staff of color — these projects reflect the Greenfield Digital Center’s commitment to research that tackles the diverse and challenging histories of Bryn Mawr College and its many communities.

Brenna will return to the Greenfield Digital Center in Spring 2015 through Bryn Mawr’s Praxis program, which will provide an opportunity for her to continue pursuing oral history interviews with alumnae/i and community members.

Comments? Questions? We welcome your thoughts below, or via email to greenfieldhwe@brynmawr.edu.

Hidden Libraries, Hidden Histories: The Story of the BGALA Library

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Since May, Brenna Levitin, the Greenfield Digital Center’s TriCo DH summer intern, has been hard at work tracking down the histories of LGBT individuals and communities at Bryn Mawr between 1970-2000. To catch up with her work, read Brenna’s thoughts on one of her first finds, her consideration of silence in the archives, and her approaches to using digital tools to address the silence, including reflections on making the Digital Center’s first Scalar project. We look forward to launching Brenna’s project, We Are/We Have Always Been, next week–stay tuned!

BrennaLevitin

Brenna Levitin, Class of 2016

Let’s hear it for victories! Although much of the past four months has been spent sighing over a lack of LGBT archival material, I recently had a great realization which partially solved the mystery of the disappearance of Bryn Mawr’s BGALA Center Library. I first heard about this mystery from Robin Bernstein, Class of 1991, the creator of the library and its first keeper. She told me about how she painstakingly shaped it over three years, only to have it disappear a few years after she graduated. She mourned the multi-hundred-volume library for years, until, to our excitement, I physically ran into the collection in Canaday Library a few weeks ago! Here’s a short retelling of the library’s saga.

In her sophomore year, Robin Bernstein asked the Bryn Mawr Women’s Center to use their empty back room as a physical space for BGALA (The Bryn Mawr-Haverford Bisexual, Gay, and Lesbian Alliance). After the students in charge agreed, Bernstein began to create a physical space for the club within the Women’s Center, located on the upper floor of the Campus Center. To fund decoration and set-up of the space, Bernstein wrote a grant and received $1,000, in addition to the money BGALA received from general SGA budgeting. She took approximately $1,500 to the Owl Bookshop on campus and to Giovanni’s Room–the famous bookstore in the Philly Gayborhood–and bought as many books as possible. After carting everything back to campus, BGALA members rubber-stamped everything “The Bryn Mawr/Haverford Bisexual, Gay, and Lesbian Alliance.”

BGALA Library stamp, found in Lesbian Plays (New York: Methuen, 1987-1989), Canaday PR 1259.L47 L4 1987 v.2.

BGALA Library stamp, as seen in Lesbian Plays (New York: Methuen, 1987-1989), Canaday Library Rainbow Alliance & Women’s Center Collection, PR 1259.L47 L4 1987 v.2.

Bernstein lovingly curated the library for the next three years, watching as it grew with each year’s funds. By the end of her senior year, the library contained over 1,000 books, audiotapes, and magazines. The summer after Bernstein’s graduation in 1991, the books were removed from the BGALA Center and relocated to a room in the Denbigh dormitory. Previously, the BGALA library was unstaffed, functioned on the honor system, and was heavily used. After their move, no one knew where to find the books, and so they saw less use as the years went on.

After approximately 1993, institutional memory fails to recall where the books lived. In fact, Bernstein and I believed the books to still be missing when I found them, by chance, living in Canaday Library as an official collection. By working backwards and talking to library staff, I was able to piece together part of their journey post-Denbigh.

Layers of library history, as seen in Anthony Burgess,The Wanting Seed (New York: Ballantine Books, 1964), Canaday Library Rainbow Alliance & Women’s Center Collection, PR 6052.U638.

Layers of library history, as seen in Anthony Burgess, The Wanting Seed (New York: Ballantine Books, 1964), Canaday Library Rainbow Alliance & Women’s Center Collection, PR 6052.U638.

The next time that anyone saw the BGALA books was in 2003, when members of the Rainbow Alliance came to then-Coordinator for Information Acquisition and Delivery, Berry Chamness, in Canaday to ask for help. The Rainbow Alliance (the new name for BGALA) was losing the space where they stored the library, and wondered what to do to save the books and keep them accessible. Since Fall 2004, what is now known as the Rainbow Alliance/Women’s Center Collection has lived as a discreet collection in Canaday Library, and can be found on the shelf closest to Quita’s Corner by the back window on the first floor.

Library 1

Library 2

The Rainbow Alliance & Women’s Center Collection is now catalogued in TriPod and shelved on the first floor of Canaday.

I’ve put together the history above from personal accounts and some library sleuthing, but there are still pieces missing from the puzzle. What happened to the books between 1992 and 2003? Were BiCo students aware of the books as a resource, and who was responsible for them? If you have a piece to add to the puzzle, please email greenfieldhwe@brynmawr.edu or comment below! I’d also love to hear from anyone who remembers the library in any of its incarnations.

Interested in the Rainbow Alliance/Women’s Center Collection holdings? We’ll be sharing our favorite books on the Greenfield Digital Center tumblr this fall!

Looking Back, Thinking Ahead: The Greenfield Digital Center Summer Recap

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Summer already feels long behind us, as recently returned Mawrters and their professors get back into the swing of things and the weather cools. Now that everyone is settling in for the new semester, it’s an ideal time to catch up on what you missed over the past season of activity at The Albert M. Greenfield Digital Center! We had an eventful summer, both finishing old projects and pushing forward on new ones, and, of course, we welcomed our new Director to campus. Here’s a recap of what we’ve been up to and a preview of some things we’ll be sharing soon:

MonicaMercadoOfficial

  • Monica Mercado arrived in July and immediately hit the ground running. Already she has been through new faculty orientation, CLIR training, an ArcGIS workshop, and more—and somehow found time to return to the University of Chicago to graduate with her PhD in August.
  • The 2013 Pensby Center interns, Alexis De La Rosa ’15 and Lauren Footman ’14, put the finishing touches on their digital exhibit exploring the experiences of students and staff of color on campus. In addition to Lauren andAlexis De La Rosa and Lauren Footman Alexis’s research documenting a history of diversity at Bryn Mawr, results from Alexis’s survey to alumnae about their experiences, and original photography of students and spaces on campus, the exhibit includes a series of new oral history interviews that tell the stories of faculty, staff, and students who were impacted by issues of race and class during their time at Bryn Mawr. The digital project A Point of Difference was released in July and can be viewed hereContinue reading

Translating Archival Materials into the Digital Realm: Samone Rowe Uncovers a “Candid Campus”

Recent graduate Samone Rowe (BMC ’14) interned with The Greenfield Digital Center and Special Collections to create an original digital exhibit featuring the College Archives. Here she reflects on her connection to the archival materials documenting early Bryn Mawr students. You can view Samone’s project, Candid Campus, and other exhibits built on Bryn Mawr’s collections here.

Page from the scrapbook of Lucy Shoe (Meritt), Class of 1927.

Lucy Shoe Meritt, Class of 1927, Bryn Mawr College Scrapbook and Photo Album Collection, Special Collections, Bryn Mawr College.

Last summer, I was granted the opportunity to work with the Photo Album and Scrapbook Collection within Bryn Mawr’s Special Collections. My research, completed over ten weeks, resulted in Candid Campus: The Lesser Known Narratives of Bryn Mawr College, a Greenfield Digital Center exhibit detailing hidden aspects of the college’s culture. The scrapbooks and albums included postcards, photographs, playbills, newspaper articles, and a myriad of other trinkets and clippings.

Since the internship summer served as the precursor to my final year at Bryn Mawr, I appreciated seeing which moments of their academic careers the school’s alumnae held most dear and comparing those experiences to my own. Even now, months later, I continue to wonder how I fit into Bryn Mawr’s legacy and what effect the school will have on my future.

A scrapbook I developed a somewhat personal connection with was that of Frieda Woodruff (née Wagoner), a graduate of the class of 1951. The design of her album was simple: small black-and-white photos explained by minimal text. Yet, the sentimentality of the album starkly contrasted its stark layout.  Her photographs, which chronicled her final two years at the college, unexpectedly mirrored experiences of my own. Initially, I was amused by images of Woodruff and classmates waiting for their modern art course to begin and an allusion to “The Thinker” sculpture. As I continued to gaze at photos of her friends studying, sunbathing, and joking around, everything in Frieda Wagoner’s album seemed so natural and familiar to me. It was thrilling to see how the Mawrter spirit hasn’t changed much over the years.

Euretta Simons, Class of 1936, Bryn Mawr College Scrapbook and Photo Album Collection, Special Collections, Bryn Mawr College.

Euretta Simons, Class of 1936, Bryn Mawr College Scrapbook and Photo Album Collection, Special Collections, Bryn Mawr College.

Creating the exhibit was both exciting and illuminating. As a history of art major with a strong interest in new media, working with the Greenfield Digital Center allowed me to explore translating visual and physical materials into the digital realm. Since the summer, I have continued to sharpen my newly-gained virtual exhibition skills by curating digital exhibits for class assignments and scanning and editing various types of archival materials with Special Collections. My ten weeks spent with the Greenfield Digital Center and the Scrapbook and Photo Album Collection were invaluable, and I hope I get the privilege to complete projects similar to Candid Campus in my post-Bryn Mawr endeavors.

“Where We Are…”: Adventures in Mapping Bryn Mawr History

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Bryn Mawr College driving directions (n.d.) in Bryn Mawr College Campus Maps on Triptych.

Bryn Mawr College driving directions (n.d.) in Bryn Mawr College Campus Maps.

Maybe it’s because I’ve only been here for two months, or maybe it’s just nostalgia for my own college days, but with Customs Week at Bryn Mawr wrapping up, and classes getting underway, I’m feeling sympathy for new students and faculty navigating campus. Even with ten days living in a Pem East single as a CLIR Fellow under my belt, I still keep a copy of the current campus map in my bag and bookmarked on my iPhone. (At least I’m no longer confusing Taylor with Thomas!)

I’ve also been thinking a lot about maps after taking my first introduction to ArcGIS mapping software last month, as part of a Mellon-funded Tri-Co Environmental Studies initiative organized by Swarthmore College. Over three days, I joined nearly twenty Tri-Co faculty members interested in the possibilities of organizing spacial data. With most of us new to ArcGIS, the workshop opened with two basic questions:

  • What kinds of spacial questions do you encounter in your research?
  • What kinds of spacial questions do our students encounter in their classes?

To put it another way, maps can tell us where we are, but can they tell us who we are?

Continue reading