“Gender and Generations”: Oral Histories of Colleges and Universities at OHA 2014

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Greetings from Madison, WI!

Picture perfect: Fall break in Madison, Wisconsin.

It’s fall break at Bryn Mawr, and I’ve been traveling to share work with colleagues at the Oral History Association’s annual meeting in Madison, Wisconsin. As someone who has been teaching, advising, and doing oral history research for just over two years, this was my first visit to the OHA, and it was an energizing meeting of scholars and other practitioners from around the country. The conference was an opportunity to think critically about the stories we collect and who tells them; given our work at the Greenfield Digital Center, I was excited to spend a lot of the conference talking about (and listening to) histories of higher education, and women’s higher education in particular.

I had been invited to present at the OHA by American Studies scholar Carol Quirke, who is documenting the founding years of her institution — SUNY College at Old Westbury — with the site Experiments. Together with CUNY oral historian Sharon Utakis, our panel, “Places of Privilege, Places of Struggle: Oral Histories of Activism and Movement Building in the University” considered how oral history projects with the stated purpose of collecting evidence of social movements on campus “live” in University collections, and how they might inform current campus conversations. My paper, drawn from projects I previously directed at the University of Chicago, focused specifically on pedagogy, and what it means for oral history interviews to be the meeting point between past and present LGBTQ student activists. As the project Closeted/Out in the Quadrangles: A LGBTQ History of the University of Chicago enters its fourth year of work, and as I’ve moved on to Bryn Mawr, I find myself more and more compelled by the idea of college campuses as intergenerational sites of history and memory, with possibilities for current students, alumnae/i, faculty, and library staff to work together in expanding the scope of what counts as campus history.

Kate Eichhorn, The Archival Turn in Feminism: Outrage in Order (Temple University Press, 2013)

Kate Eichhorn, The Archival Turn in Feminism: Outrage in Order (Temple University Press, 2013)

I couldn’t help using the conference as a place to share the oral histories Brenna Levitin, Class of 2016, collected this summer as part of her digital project “We Are/We Have Always Been”: A Multi-Linear History of LGBT Experiences at Bryn Mawr College, 1970-2000. Brenna’s research will continue on next year, as will other projects chronicling less-known stories in Bryn Mawr’s past. As I noted in my conference paper, I have reason to be hopeful for continued engagement with these new histories. Our work is indebted to the worlds of feminist and queer archiving as they have expanded and spread into institutions like the university and independent collections over the past few decades. “For a younger generation of feminists,” Kate Eichhorn writes in The Archival Turn in Feminism, “the archive is not necessarily either a destination or an impenetrable barrier to be breached, but rather a site and practice integral to knowledge making, cultural production, and activism.” Her premise can be illustrated, on a small scale, at the university and college archives where I’ve worked: our classes and programs can draw new audiences — students involved with campus organizations — who feel that we might offer a productive space in which to explore an activist and social history.

Kelly Sartorius, Deans of Women (Palgrave, December 2014)

Kelly Sartorius, Deans of Women (forthcoming from Palgrave, December 2014)

In between giving my paper Thursday and presenting at Saturday’s oral history community showcase, I was excited to grab a seat at Friday’s standing-room only panel, “Current Feminist Practices of Oral History,” featuring a comment by Sherna Berger Gluck — whose 1991 edited collection Women’s Words: The Feminist Practice of Oral History is still used in women’s history classrooms. If, as Gluck contended, feminist oral history originated as a radical experiment, how are we still experimenting in our research and teaching? Kelly Sartorius, from Washington University in St. Louis, gave an important example of how oral history interviews can drive a research agenda. In her presentation “From a Life History into the Archives,” she argued for a “feminist life history approach.” Sartorius charted how she used the worldview of one narrator, University of Kansas Dean of Women Emily Taylor, to guide her work in the archives, and move away from the “waves” metaphor usually used as shorthand for mainstream feminist activism in the U.S. context. If we often talk about student protesters as the leaders in “second wave” feminist agitation on campuses, Sartorius’s research recovers the work of feminist university administrators, working with and for student activists in the middle decades of the twentieth century. Her new book, Deans of Women and the Feminist Movement: Emily Taylor’s Activism (Palgrave, December 2014) will certainly be on my winter break reading list.

University of Wisconsin students in the Historical Society Library reading room, 1904.

University of Wisconsin women students in the Historical Society Library reading room, 1904.

Before leaving town, I also had a chance to stop in to the Wisconsin Historical Society, where I followed up on my research into Catholic women’s education at the turn of the century. I found exactly what I was looking for in the library’s historical pamphlets collection, with the added bonus of finding traces of women’s education history throughout the Society’s halls. Like other midwestern “land grant” universities, the University of Wisconsin admitted women “to the full advantages of the University” in the 1860s. (Having just filed my course proposal for next semester, when I’ll be teaching histories of women’s higher education in 19th and 20th century America, I was excited to see a turn-of-the-century photo of women students at work prominently displayed next to the reference librarian’s workstations!)

Although my Madison sojourn has come to a close, readers can still view our conference discussions on Twitter with the hashtag #OHA2014. The call for proposals for next year’s meeting, “Stories of Social Change and Social Justice,” was announced in the conference’s printed program; in the meantime, the Oral History Review will be recapping other important conference conversations. Given our ongoing project to digitize Bryn Mawr oral history interviews (currently languishing on cassette tape) and support new interviews conducted by our students, there’s much more to come.

“Where We Are…”: Adventures in Mapping Bryn Mawr History

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Bryn Mawr College driving directions (n.d.) in Bryn Mawr College Campus Maps on Triptych.

Bryn Mawr College driving directions (n.d.) in Bryn Mawr College Campus Maps.

Maybe it’s because I’ve only been here for two months, or maybe it’s just nostalgia for my own college days, but with Customs Week at Bryn Mawr wrapping up, and classes getting underway, I’m feeling sympathy for new students and faculty navigating campus. Even with ten days living in a Pem East single as a CLIR Fellow under my belt, I still keep a copy of the current campus map in my bag and bookmarked on my iPhone. (At least I’m no longer confusing Taylor with Thomas!)

I’ve also been thinking a lot about maps after taking my first introduction to ArcGIS mapping software last month, as part of a Mellon-funded Tri-Co Environmental Studies initiative organized by Swarthmore College. Over three days, I joined nearly twenty Tri-Co faculty members interested in the possibilities of organizing spacial data. With most of us new to ArcGIS, the workshop opened with two basic questions:

  • What kinds of spacial questions do you encounter in your research?
  • What kinds of spacial questions do our students encounter in their classes?

To put it another way, maps can tell us where we are, but can they tell us who we are?

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Blogs, Exhibits and Tweets: Summer at The Albert M. Greenfield Digital Center for the History of Women’s Education

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Marion Park, President of Bryn Mawr directly after M. Carey Thomas. Park was a Bryn Mawr College alum and is the subject of a new exhibit to be developed over the summer for the website

The summer is here and we thought we’d share our plans for developing the Center’s site with you. We will be working hard over the next few months on developing new content, and continuing to reach out to you on social media (if you don’t follow us already, get to it @GreenfieldHWE or find our facebook updates on the Friends of Bryn Mawr College Library page).

Omeka

See http://omeka.org/ for further details on the platform we use to power our site

We are excited to be making two significant improvements to the site. The first of these is to make the site mobile compatible, so all of you who like to browse on your tablet or phone will be able to do so more easily once the changes come into effect around July. The second improvement is something that more directly affects our experience – we are in the process of upgrading to the new Omeka 2.0 platform, a huge improvement on the previous version from our initial poking around! If you are using the new platform and would like to share your experiences, be sure to get in touch (greenfieldhwe@brynmawr.edu). The biggest change on the user end will be the search functionality, which will be greatly enhanced from its present version. Aside from the search, users will not notice differences or disruptions (we hope!) but the streamlined back end is definitely an improvement and will help us in our mission to digitize and display in the best way the resources we hold in the history of women’s education.

Marian Edwards Park was President of Bryn Mawr from 1922 until 1942 when she retired. When she came to Bryn Mawr as a student she was among the early generations of women who enjoyed higher education for the first time. A member of the class of 1898, she won the European Fellowship upon graduation, the college’s highest honor at the time. She returned to complete her PhD in classics in 1918. She therefore experienced life at Bryn Mawr from all perspectives: undergraduate, graduate and administrator. She oversaw the school through some dramatic times, namely the Depression and the beginning of World War II, and she was also president during the period in which it first allowed African American students to attend as undergraduates and as members of the Bryn Mawr Summer School for Women Workers. Park also led the celebration of the College’s 50th anniversary, a major milestone of achievement in the ‘experiment’ of education for women. Because she  followed in the rather intimidating shadow of M. Carey Thomas, her contributions have not loomed as large in the historical record. However, Park will be the subject of a new exhibition this summer, examining in particular her condemnation of the increasingly horrifying events in Europe that led up to World War II. The exhibit will include evidence on her efforts to host Jewish scholars fleeing the Nazi regime. Keep an eye on the site for the exhibit and make sure to let us know what you think.

We hope to continue work on digitizing primary sources, particularly the rich collection of oral histories that we have been engaged in translating from cassette tapes to digitized recordings for over a year. This is slow, meticulous work, but we hope to be able to share them with you eventually on the Tri-College digital collections site, Triptych. If you haven’t seen them already, there are a few examples from the collection that were digitized as part of the Taking Her Place exhibition, available on our site here. This is a fascinating collection, including narratives from student, staff, faculty and alumnae, with memories stretching back to the first decades of the college’s existence. Work will be ongoing for the next year and more, but we will be releasing recordings to celebrate special events or for use in digital exhibits as appropriate when we can do so. There have been a few reflections from students working on this collection over the past while which you may have seen already, the last of which was by our most recent student helper on the project, Lianna Reed ’14.

Special Collections is also hosting a number of interns for the summer, two of which have been awarded brand new internships through the Pensby Center to focus on tracing histories of diversity at Bryn Mawr College. Lauren Footman ’14 will be examining the experiences of the African diaspora on campus, including sourcing participants to create new oral histories to add to our collection, a most welcome addition to our work at the Center in trying to uncover stories from that past for which we have little or no documentary evidence. Her fellow intern, Alexis de la Rosa ’15, is looking at Latina histories and will be surveying current students and alums later in the summer. Alexis and Lauren’s work will be available as a digital exhibit on our site at the end of the summer, and they will also be writing blogs about their experiences doing this important research. Both Alexis and Lauren are also jointly engaged in cataloging the papers of Evelyn Rich, class of 1952. Evelyn Rich was one of the first African American students to live on campus, and her extraordinary achievements span education, the labor movement and politics. We are lucky to have acquired her papers.

WHDW home pageThe popularity of the Women’s History in the Digital World conference repository continues – there have been over 300 full-text downloads from the repository so far. We are so proud of our wonderful contributors for sharing their work and hope anyone who hasn’t done so already will be inspired to. Plans for the next conference will be going into gear in the fall, so keep an eye out for updates and think about submitting an individual paper or a panel if you have been working on a collective project. You can also follow the recording of the conference by visiting our blog post which detailed the Twitter archive, Storify and blog posts on the conference and you can listen to Professor Laura Mandell’s inspiring keynote here.

As some of you know, I will be going on maternity leave for this summer, so if you wish to get in touch with someone about the work, please contact the Center’s Research Assistant, Evan McGonagill, who will be managing communications throughout the summer (you can contact her through the general email address: greenfieldhwe@brynmawr.edu).  There will be more blog posts and updates so don’t forget to follow us on Twitter and to visit the Educating Women blog. You can comment on any blog post you see, and we always look forward to hearing your comments so stay in touch, and happy summer!

 

Thoughts on feminism, digital humanities and women’s history

No_So_Ladylike_Afterall

M. Carey Thomas, Bryn Mawr College’s first female president, is the subject of a new digital exhibit to be launched soon

I have been exploring my thoughts on women’s history, digital humanities, and feminism through two separate presentations in recent months, the first at the conference organized by The Albert M. Greenfield Digital Center for the History of Women’s Education, Women’s History in the Digital World (March 2013), and the second at the Five Colleges Mediating Public Spheres: Genealogies of Feminist Knowledge in the Digital Age conference (April 2013). In a presentation at the latter conference, titled Open Source Technology and Feminist Perspectives: Translating Sources on the History of Women’s Education to the Digital Age I explained my feminist approach to my work at the Digital Center, focusing on a digital exhibit on M. Carey Thomas that is underway and will be launched soon. This blog post represents a synthesis of the two papers, based on work and thoughts in progress… all comments and feedback welcome as I work through some of the concepts I’ve been grappling with.

My thoughts on the trifecta of feminism, digital humanities and women’s history are largely drawn from my experiences using the open source software platform, Omeka, and our institutional enterprise version of Word Press to populate different areas of the Digital Center’s site, in addition to my training as a CLIR Postdoctoral Fellow. While I assume that neither of these tools were designed with feminist notions in mind, I’ve come to believe that they have large potential to be utilized for feminist outcomes, particularly Omeka, as I will explain further in this post. Primarily, the Center’s site aims to tell stories in the history of women’s education that emanate from different perspectives. As Hermione Lee has said in her collection Virginia Woolf’s Nose: Essays on Biography, “We all want stories”, and the demand for such stories in the digital age is no less (possibly more, in fact) than ever before.[1]

The digital age and the tools it provides allow for a different mediation of knowledge than standard forms of scholarly communications. As noted by Abby Smith Rumsey these new methods have brought “fundamental operational changes and epistemological challenges [that] generate new possibilities for analysis, presentation, and reach into new audiences”.[2] The exhibit format in Omeka is designed to allow for the easy presentation of original historical material, such as images, transcriptions and audio files. This allows for the greater sharing of primary source materials, itself a way to decolonize and break down barriers to research and access to rare materials. We have created a number of exhibitions on our site, some of which have been generated as a result of student work from a class I teach on the history of women’s education, some of which come from collaborations with other colleges, and some drawn from our own collections and created by me and my team (see here for the full range of exhibits we have developed so far).

Our endeavor to produce digital source material comes from a desire to transmit knowledge and awareness of women’s history to the broadest audience possible: fellow researchers, students, teachers, alumnae, digital humanists and those simply with a desire to learn more about the topic–in essence, the public sphere has expanded in the digital age, although there are still challenges to be faced in greater online access morphing into another form of the ‘digital divide’.

Upon learning the new software platform and becoming familiar with its characteristics, possibilities and constraints, I realized that the Omeka exhibit format allows for the subject matter to be presented in a deconstructed narrative, due to the free form it provides for creating the digital exhibit. This struck me as having strong feminist potential: while the structure allowed by the Omeka format is cohesive in terms of form and flow, the sectioning of a biographical narrative allows for the fragmentation of the story, and in my efforts, for the development of a kaleidoscopic view, or, to paraphrase Henry James, to let the “swarm of possibilities” that nebulously make up a person’s biography to emerge, rather than a “few estimated and cherished things”.[3] This is, in my view, one of the pivotal means by which to incorporate digital media in feminist scholarship and practice.

Image by klmontgomery licensed under a Creative Commons license and available here http://www.flickr.com/photos/klm_digital_snaps/1444968874/sizes/m/in/photostream/

Image by klmontgomery licensed under a Creative Commons license and available here http://www.flickr.com/photos/klm_digital_snaps/1444968874/sizes/m/in/photostream/

In a feminist postmodern tradition, this approach posits that there is no ONE person for us to study, no One Truth we can ascribe to a person or their life history.  In this case, M. Carey Thomas, born in Baltimore, Maryland on January 2, 1857 to a prominent Quaker family. Thomas was the first Dean and later the first female President of Bryn Mawr College and a national leader in women’s struggle for access to higher education and the suffrage movement.  My feminist approach to her biography aims to be cognizant of the privilege in stories such as hers: the history of women’s entry into higher education is an elite history, and recognition of this is necessary so that the histories we tell are not merely celebratory without being interrogative.
Here I am focusing on Thomas as she was seen from different perspectives: her own (for example, her ambitious articulations for her education and career in the letters and diaries that span her time at Quaker boarding school, on to Cornell, Johns Hopkins and eventually a summa cum laude PhD from the University of Zurich), those of her contemporaries, lovers, friends and family, the public and the way in which she was memorialized after her death in 1935. I am focused here, however, not on the details of her biography (although this will be in the exhibit) but rather on examining the potential of an open source software tool to present critical historical analysis of this fascinating person. The ability to juxtapose different opinions by placing them on the same page is more visually and comprehensively impactful in a digital exhibition format than would be the effect of a written paragraph: in traditional biographical accounts such as an article or monograph, editorial and stylistic conventions would view such jumping around as incoherent, and yet it can be seamless in an online presentation.

Making sure our metadata is harvested by the major search engines and databases and using social media to reach both scholarly and public audiences will both be crucial in building up a new body of feminist genealogies and for tracing feminist work in the digital era. The metadata itself also needs to be cognizant of feminist principles in describing women’s identities in digital databases, as was mentioned by Professor Laura Mandell in her keynote speech at the Women’s History in the Digital World conference. 

It is also imperative that as we do work that mediates the public sphere in the digital age we think about its long term preservation. This requires that choices be made, funding be sourced and policies be formulated now – it would be the greatest tragedy of all if we found ourselves unable to trace back the exciting developments in feminist work that have been produced in online public spaces. The familiar academic mantra of ‘publish or perish’ might be usefully adapted in this context to be ‘archive or perish’. And, as I remarked at the Women’s History in the Digital World conference that was held at Bryn Mawr College, I believe fundamentally in the idea that the ‘add women and stir model’ for any kind of initiative, social, political education or anything else, rarely works.

Seat-at-the-table-300x171

Photo courtesy: www.hbdi.com

In the new era of digital humanities, women need a seat at the table while it’s still being set, not after the main course has been served. As I researched for this paper, I discovered that others in the digital humanities community have also used the “table” to describe the need to collaborate, critique and engage in new developments. Alan Liu has argued that digital humanists need to be equal partners at the table, not just a servant, when critical conversations are happening about the way forward for the humanities and cautions that digital humanists need to include more cultural critique in their work.[5] Moya Bailey extends Liu’s concerns into more explicitly feminist territory with her arguments that the “ways in which identities inform both theory and practice in digital humanities have been largely overlooked” and that moving from “the margin to the center” gives the opportunity to “engage new sets of theoretical questions that expose explicit structural limitations that are the inevitable result of an unexamined identity politics of whiteness, masculinity and ablebodiness”.[6] Alan Liu’s point was that the “digital humanities have a special role to play today in helping the humanities communicate in contemporary media networks”.[7] I would extend this argument to say that feminists have a special role in mediating the present and future public spheres, through their research, pedagogy and activism. Here the words of M. Carey Thomas are apt: reflecting on the success women had made of educational attainment in the first twenty-five years of the Association of Collegiate Alumnae, she stated “The fearsome toads of those early prophecies are turning into pearls of purest radiance before our very eyes.”[8] Let’s hope it’s the same for us as we feminists navigate the new public spheres and create our own genealogies of knowledge.


[1][1] Hermione Lee,  Virginia Woolf’s Nose: Essays on Biography, Princeton University Press: Princeton, 2005: 1.

[2] Smith Rumsey , New-Model Scholarly Communication: Road Map for Change (2011: 2).

[3] As quoted in Hermione Lee,  Virginia Woolf’s Nose: Essays on Biography, Princeton University Press: Princeton, 2005: 1.

[4] Anne Balsamo, Designing Culture: The Technological Imagination at Work, Duke University Press: 2011: 51.

[5] Alan Liu, ‘Where is Cultural Criticsim in the Digital Humanities?’ available from http://liu.english.ucsb.edu/where-is-cultural-criticism-in-the-digital-humanities/

[6] Moya Z. Bailey, ‘All the Digital Humanists Are White, All the Nerds Are Men, but Some of Us Are Brave’, Journal of Digital Humanities, Vol. 1, No. 1 Winter 2011, available from http://journalofdigitalhumanities.org/1-1/all-the-digital-humanists-are-white-all-the-nerds-are-men-but-some-of-us-are-brave-by-moya-z-bailey/

[7] Alan Liu, ‘Where is Cultural Criticsim’.

[8] Thomas, Women’s College and University Education:  Address delivered at Quarter-Centennial Meeting of the Association of Collegiate Alumnae, Boston, November 6, 1907.
Available in digital form on the website of The Albert M. Greenfield Digital Center for the History of Women’s Education by clicking here. You can view the original by visiting Special Collections, Bryn Mawr College.

“I’m not a historian but I am interested in people’s stories”: Lianna Reed ’14 reflects on working on Bryn Mawr College oral histories

In this guest post by Lianna Reed ’14, you can learn more about the digitization of the oral history collection held by the Special Collections department of Bryn Mawr College. As part of its work, The Albert M. Greenfield Digital Center for the History of Women’s Education is converting the audio tapes into digital files which will eventually be hosted on the Tri-College digital repository site, Triptych.

Previously, student worker Isabella Barnstein worked on the project and wrote about her experiences. We are further along with the work now and finding out more and more about alums from the past. Some of the material has been used in our Taking Her Place exhibition which can be linked to by scanning QR codes on certain labels. These include the 1935 radio broadcast by M. Carey Thomas and interviews with faculty, staff and students in the past (you can find them by clicking this link to our site). The exhibition runs until June 2nd and after this it will be made available as a digital exhibit on our site so make sure to visit the digital exhibitions section of the site ….

Guest blogger and Special Collections student worker, Lianna Reed '14.

Guest blogger and Special Collections student worker, Lianna Reed ’14.

I have been working on the oral history project with The Albert M. Greenfield Digital Center for the History of Women’s Education for three months and not only have I learned how to digitize cassette tapes to mp3 files but I have also been absorbed into the lives of Bryn Mawr women from ten, twenty even eighty years ago.  I’m not a history major or English major, in fact my academic work doesn’t usually relate to my work with Special Collections. I actually appreciate this difference because working here is a release from my academic life as a double major in Political Science and French. I get to come to work and listen to alumnae talk about their time as students in the 1940s, sneaking out of the dorms past curfew (10pm) and going to the cemetery down the road. I become immersed in the details of women who became renowned archaeologists, politicians, activists, tutors, and the list goes on and on. Oral histories are an interesting form of history because they involve someone else, usually the interviewer, prompting the interviewee to respond to certain questions. However with Bryn Mawr women, these questions are often disregarded as the women believe that they themselves aren’t interesting. I have heard so many women say “Oh, you don’t want to hear about that. It isn’t interesting.” Actually, most things are interesting, especially anecdotal commentary. Even when the women describe how challenging Bryn Mawr was and their feelings about not using the degree, prompting them to feel unworthy of their degree, it is interesting and valuable for the history archives and also for those of us that are soon to be graduates.

My first oral history was my most memorable. Fleta Blocker was a bell maid in Radnor who came to Bryn Mawr as a teenager on the recommendation of her sisters. Too young to work she was put on staff for a trial year before she was hired permanently.  Fleta would end up working for forty years at Bryn Mawr College. Honored as one of the longest serving employees at Bryn Mawr, Fleta wasn’t just a bell maid, she was a friend and a student herself at Bryn Mawr. Fleta saw more change and development at Bryn Mawr than anyone else. But what does it means for Bryn Mawr’s Special Collections digital archives to have Fleta’s interview? Who will listen to her tell her story? Who will understand what it meant to her and, of course, the students, to have her there in the dorm? While Fleta’s interview is linked on the website of The Albert M. Greenfield Digital Center for the History of Women’s Education and featured in the Taking Her Place exhibition and we can track who listens and in what language, we can’t always know how they might understand Fleta’s time at Bryn Mawr in the college’s history. Maybe oral histories are like podcasts and while you can’t force anyone to listen to them, they are an integral piece of history that is accessible, not just for the Bryn Mawr community but for the community of women’s education around the world. Faculty are always celebrated for their accomplishments and their connections with publically accomplished students, but what about the other people who supported and encouraged students to become the people they are remembered to be?

What does working on this project mean for me? As I said I am not a historian but I am interested in people’s stories. I am interested in doing research in sub-Saharan Africa on the effects of transitional and restorative justice. Oral histories are one of the most important forms of archival material that we have as humans. Oral tradition is the way we know and remember songs, family history, and recipes we love to cook. Oral history and oral tradition help to clarify the ways in which restorative justice has impacted the lives of many. For example, the gacaca courts in Rwanda are an oral tradition that are both a method of enacting justice and also a form of history as the plaintiffs, witnesses and criminals participate in an open dialogue. These histories are invaluable to the success and development of Rwanda in the present day. I hope that after having listened to hundreds of different interviews from people reluctant to talk and people more than enthusiastic at Bryn Mawr I will be prepared for whatever might come my way in the field. When I am out in the field I can gather information necessary to create a dialogue, not only amongst those I am interviewing but also with the wider international community producing a discourse that gathers many people’s individual stories, much like the archives at Special Collections at Bryn Mawr College.

The Woman’s Column: Tracking Women’s Education in a Pro-Suffrage Publication

Alice Stone Blackwell, editor of the Woman’s Journal and Woman’s Column

As part of our celebration of Women’s History Month, The Albert M. Greenfield Digital Center for the History of Women’s Education will be showcasing content from March issues of The Woman’s Column, a very exciting recent acquisition of Bryn Mawr Special Collections. Published between 1887 and 1905 and edited by Alice Stone Blackwell, The Woman’s Column was a weekly newsletter focused on developments in suffrage and other related women’s rights issues. Its better-known sister publication, The Woman’s Journal (1870 – 1931), is more widely available, but thus far we have been unable to locate a print collection of the Column that is as complete and well-preserved as the one we have acquired. We are currently taking steps to have the entire collection digitized and made available for free on Internet Archive.

The original purpose of the Column was to serve newspapers with a regular source of copy on women’s suffrage, but private subscribers soon became numerous as well: at only 25 cents per year, it was an easy and relatively inexpensive way to keep a finger on the pulse of the women’s rights movement. A quick glance through its collected pages shows that it kept its readers apprised of a wide variety of happenings: in addition to regular updates on the various regional, national, and international legislative battles over women’s rights, the Column also published concise rebuttals to common anti-suffrage arguments, profiles of influential women and career success stories, and opinion articles regarding women’s role in society.

Content about the availability of education to women, especially higher education, was a regular feature of The Woman’s Column. Articles appeared nearly weekly detailing developments in the policies of specific schools, changes in legislation, updates on women’s education in specific regions or abroad, and profiles of notable college women. Occasionally the magazine would publish a piece collecting tidbits from many different institutions, such as the one featured here.

Click on the image above to view the article “In Schools and Colleges”–transcription attached

This article serves as a very broad account of the happenings of various American institutions, ranging from fund-raising updates and a notification of new fellowships to be offered by Bryn Mawr, to the lighter recounting of the Women’s Medical College of Chicago’s first celebration of “University Day” since becoming a department of Northwestern University. The Column describes the festivities as lively indeed, “characterized by college songs, college yells, college pranks and college jollity,” but also assures the mindful reader that “as it was conducted on the co-educational plan, nothing discreditable occurred.”

What does this article tell us about the publication, about the way women’s education was approached in the late 19th century, and about the culture of the women’s rights movement? It is notable that the article does not contain any direct mentions or links to suffrage, which was seen as the key motivating issue of the publication. The frequency and scope of the education-related content in this issue and others speaks to the degree to which women’s higher education was considered to be germane to the women’s rights movement, since education-related content did not need to directly reference suffrage to be considered worthy of inclusion in the pages of The Woman’s Column. Both suffrage and education were important sites of leverage for increasing women’s role in the public sphere, and for giving them greater capacity to shape their own lives.  It also suggests that the readers of the magazine, and women interested in suffrage in general, would be invested in the cause of women’s education perhaps because they were largely college graduates themselves. If The Woman’s Column audience did not have a personal background that included college culture, it seems doubtful that the items focused less on legislation and more on social events, such as the account of the “University Day” celebrations, would have been featured.

We will be featuring a different excerpt from The Woman’s Column every week throughout March to celebrate this important new acquisition and to mark Women’s History Month. For further reading on the history of the publication, or on Alice Stone Blackwell and her mother, Lucy Stone’s influential role in shaping the voice of the women’s rights movement, the following sources are recommended:

Women’s Periodicals in the United States: Social and Political Issues, edited by Kathleen L. Endres, Therese L. Lueck

Lucy Stone: Pioneer of Woman’s Rights, by Alice Stone Blackwell

Maids, Porters and the Hidden World of Work at Bryn Mawr College: Celebrating Stories for Black History Month

From the Bryn Mawr College Archives

We have previously referred to the maids and porters who worked at Bryn Mawr College in other posts and here we reflect more on their presence and significance at the college as part of our celebrations of Black History Month at Bryn Mawr College. If you haven’t already, make sure to check out the Tri-Co Chapter of the NAACP on Facebook and on Tumblr for details of their events throughout the month of February. We have been working with them to assist in their research and their exciting program should not be missed.

From the Bryn Mawr College Archives

From the Bryn Mawr College Archives

We are interested in the campus as a space, one that housed different groups across the years and one that is often remembered due to its distinctive architecture and beautifully kept grounds. In thinking more about campus communities and space, it seemed appropriate to examine what evidence we had on those who were integral to maintaining it: maids and porters, the majority of whom historically were African American.

One finding we have made from the research we have conducted at The Albert M. Greenfield Center for the History of Women’s Education on maids and porters at the college is that despite the fact that they were often incredibly close to the students, they rarely feature in the memorializing students did of their lives here. Why is this? Were they so fundamental to the experience of living in the dorms that it was almost too obvious to acknowledge their presence in their reminiscences? Were many maids and porters shy about getting their photos taken? How would they describe their experiences if we could speak with them today? Although we have many questions, we do know, however, through scrapbook evidence, that the maids and porters produced a theatrical show every year and the College Archives contain some photographs of the ways in which students and maids and porters interacted in the dorms.

From the Bryn Mawr College Archives

We also know that there was a night school, a Sunday School and a Maid’s Club which offered classes to interested maids. The Maid’s Club kept a library in their club room and it was reported in the College News of November 15, 1922 that the maids were ‘particularly enthusiastic about singing’ and often sewed while they met (see Offerings to Athena page 103 for more on maids at Bryn Mawr).

From the Bryn Mawr College Archives

From the Bryn Mawr College Archives

 

 

 

 

 

 

 

From the Bryn Mawr College Archives

From the Bryn Mawr College Archives

 

 

Jen Rajchel’s exhibit on our site examines dorm cultures at Bryn Mawr and Jessy Brody’s work on scrapbooks has revealed their virtual absence from the photograph albums and scrapbooks she reviewed – over one hundred in total – that span the late nineteenth and early twentieth centuries. This is despite the fact that students and the staff who looked after their domestic needs in dorms across campus had multiple daily interactions, either in person or through the transmission of goods or services. Seeking out their experiences has required a little more detective work and a stronger reliance on source material from oral histories, memoirs and personal letters, rather than traditional documentary sources that can be used in the construction of ‘important’ historical figures, or those who maintained personal archives.

From the Bryn Mawr College Archives

One such example is a wonderful interview with Fleta Blocker, which you can listen to in its entirety here. Blocker began at the college as a bell maid, a position that revolved around answering the telephone in dormitories, but she progressed in her roles at the college, ending her four-decade career as a Hall Manager, a role previously only held by white women. Her life was rich and full: active in her church, she traveled the world, inspired by the Bryn Mawr environment to see places such as Oxford and Africa. We included a link to this interview in the new exhibition Taking Her Place at the Rare Book Room Gallery in Canaday Library (on view until June 2nd 2013) in the Broadening the World of Bryn Mawr section, as there was a connection between maids at the college and the women who attended the Summer School for Women Workers. (A digital exhibit on the latter group is coming to the site soon!) The women at the Summer School, many of whom worked in poor conditions in factories across America, were moved to complain about the living conditions they saw the maids had, living in the attics of dorms without proper ventilation in the heat of summer. This was an issue that resurfaced again and the ‘living in’ arrangement was eventually phased out.

From the Bryn Mawr College Archives

We also learned from an interview with alum Jane Drucker (whose interview, along with many others, will be available later this year on the Tri-Co digital repository Triptych), that it was a student rather than a member of the staff who headed the Maids and Porters Association for their dorm. This was not a staff association as such, and Drucker recalls her main responsibility as being to organize end of year gifts for the staff who looked after her dorm. It was not, therefore, despite its name, an association to advocate for staff. Looking back, Drucker thought this was odd, but at the time it was the norm that women students would fulfill such a role.

From the Bryn Mawr College Archives

Photographs of the work that maids and porters did, however, are a feature of the college archive collections and many personal scrapbooks and photograph albums. The immaculately kept dorm rooms appear regularly in scrapbooks, catalogs and what appear to be college commissioned photographs so their importance in the life of the college cannot be underestimated. Many of the photographs show elaborately decorated rooms that imitate parlors in houses where ladies would sit; it is obvious that much effort has been put into creating environments that are comfortable and appropriate for college women. It’s worth considering, therefore, the people who worked to maintain such homely environments.

At The Albert M. Greenfield Digital Center for the History of Women’s Education we are interested in representing the diversity of experiences in education and illuminating the world of women at Bryn Mawr and other colleges in the past. Examining the lives of those who helped them to focus more intently on the ‘life of the mind’ rather than domestic concerns is another angle of vision on past worlds. As we uncover more information through our research activities, we will be adding it so keep watching the site. In the meantime, this great timeline about the “Invisible Women” in domestic service in US history created by Mother Jones is well worth visiting.

Finally, if you have memories you would like to share or any comments, make sure to add them below!

New Exhibition: Taking Her Place

Opening January 28 until June 2nd 2013

Class of 1912 Rare Book Room,
Canaday Library, Bryn Mawr College

Exhibition hours daily 11 am – 4:30 pm

Open Wednesdays until 7.30pm during term time

Free

Taking Her Place is an exhibition dedicated to showcasing the history of women’s education through the treasures of Bryn Mawr’s collections of rare books, manuscript material, photographs, textiles, oral histories and art and artifacts. It opens on January 28th 2013 with a talk by renowned historian and biographer of M. Carey Thomas, Professor Helen Lefkowitz Horowitz, Professor Emerita at Smith College and a member of our Advisory Board. Her talk will be on ‘Reading, Writing, Arithmetic … and Power: Education as Entry to the World”. This will take place in Carpenter Library B21 at 5.30pm and all are welcome to attend. A reception at the Rare Book Room Gallery will follow.

Taking Her Place illuminates the story of women’s access to the public world of employment and civic engagement through education, the key way in which women in the nineteenth and early twentieth centuries expanded their sphere beyond the confines of their homes. We trace the early origins of educational debates, feature the histories of famous alums, and show how Bryn Mawr grew into the diverse environment for women’s education that it is today. This is an interactive exhibition and you will be able to link to further content online using smart phones or tablets.

There will be other events throughout the time the exhibition is showing, including a talk by Professor Elaine Showalter, Bryn Mawr College class of ’62 and Avalon Foundation Professor Emerita, Princeton University, on Thursday April 18th 2013 at 5.30pm, also in Carpenter Library B21.

We are offering three guided tours by the co-curators as part of Alumnae Reunion Weekend where we will tell you more about our choice of objects, the themes of the exhibition, and can answer any questions you have. Please see the official calendar of events for further details. Further updates will also be provided on our site.

We are live! Announcing the launch of The Albert M. Greenfield Digital Center for the History of Women’s Education

The Albert M. Greenfield Digital Center for the History of Women’s Education is proud to announce the official launch of its website! We’ve been in beta for some time now, and while the site continues to grow, we can now proclaim to you all that we are live and ready to receive your comments….

The past year has been one of exciting growth for The Albert M. Greenfield Digital Center and we are delighted to finally share the fruits of our hard work with you. The website will serve scholars in the US and across the world by providing free, open access to materials on the web related to the history of women’s education. We have digitized a variety of our own resources and built partnerships with other colleges to feature related original sources in their possession. An example of this is our collaboration with Dr. Anne Bruder’s class at Berea College. Dr. Bruder (editor of Offerings to Athena and Advisory Board Member) challenged her class to create a digital exhibit reflecting on the gendered histories of Berea College (the exhibit can be found here).

The website also features thematic exhibits on past alums, such as Margaret Bailey Speer, lesson plans created by Temple University students as part of the Cultural Collaboration Fieldwork Initiative, and current Bryn Mawr undergraduates’ work on the scrapbooks created by students in the early years of the college. We are focusing on digitizing prominent or unique items in our collections which will be freely available for teaching, research or general interest to users across the world.

The Center’s team has been led by Jennifer Redmond, and consists of a number of key members focusing on both the digital and research components of the Center:

  • Cheryl Klimaszewski, Digital Collections Specialist in Canaday Library, has continued as the technical lead on the project
  • Jessy Brody (BMC ’10), a Digital Assistant on the project, has been heavily involved in the digitization of scrapbooks and research on athletics at Bryn Mawr
  • Jen Rajchel (BMC ’11) recently finished her role as Digital Initiatives Intern and is currently the Assistant Director of the Tri-Co Digital Humanities Initiative
  • Evan McGonagill (BMC ’10) is a Research Assistant working at the Center, focusing on researching the collections and is in charge of the social media presence of the Center. (Click here to see the Center’s team and click here to see the Advisory Board members).

The work of the Center continues to be overseen by Eric Pumroy, Director of Library Collections and Seymour Adelman Head of Special Collections; and Elliott Shore, Chief Information Officer and Constance A. Jones Director of Libraries and Professor of History.

As part of the launch of the site, we are announcing the second annual essay competition, again kindly sponsored by the Friends of the Library. The theme is ‘Transformations: How has the Bryn Mawr College experience made you the person you are today?’  Further details on the competition can be found here.

Our first exhibition, Taking Her Place, will be hosted in the Rare Book Room gallery in Canaday Library, Bryn Mawr College, from January to June 2013. Given the intense scholarly interest in the lively field of women’s educational history, we feel the exhibition will be a welcome addition to exploring the history of women’s reading, learning, scholarship and their battle to take their education and expertise from the private to the public sphere. It will also be a way to visually narrate the journey many women traveled to achieve their ambitions of becoming learned women.This show will explore women’s worlds of reading, learning, educational attainment and entry into the world of work and the public sphere. The exhibition will be launched by Professor Helen Horowitz, renowned historian of women’s education, biographer of M. Carey Thomas and one of the keynote speakers at the ‘Heritage and Hope’ conference in 2010 which celebrated the 125th anniversary of the founding of the college. Her talk on January 28th 2013 will be on “Reading, Writing, Arithmetic…and Power: Education as Entry to the World”. On Thursday April 18th 2013 Professor Elaine Showalter, Bryn Mawr College class of 1962 and Avalon Foundation Professor Emerita at Princeton University, will also be coming to give a speech as part of the exhibition program. Please check back here for further details on these exciting events. A digital version of the exhibition will be made available online after it closes.

The exhibition is jointly curated by Jennifer Redmond and Evan McGonagill. We are creating ‘Taking her Place’ with the assistance of our colleagues in Special Collections, Eric Pumroy, Brian Wallace, Marianne Hansen, Lorett Treese and Marianne Weldon, with the digital expertise of Cheryl Klimaszewski and Jessy Brody.

Finally, we are also announcing the first Call for Papers ‘Women’s History in the Digital World’, to be held at Bryn Mawr College, Friday 22nd and Saturday 23rd March 2013. We are honored to have as our keynote speaker Professor Laura Mandell, Director of the Initiative for Digital Humanities, Media, and Culture and a Professor in the Department of English at Texas A&M. The conference will bring together scholars working on women’s history projects with a digital component, exploring the complexities of creating, managing, researching and teaching with digital resources. We will explore the exciting vistas of scholarship in women’s histories and welcome contributors from across the globe. This will be the first conference held by us, but hopefully this will become an annual event. We wish to bring together both experienced and newer scholars in the world of digital projects on women. Watch this space for further details!

There will be other public events throughout the Spring so please check back regularly at http://greenfield.brynmawr.edu/ and follow us on Twitter (@GreenfieldHWE). Announcements will be made also through the Friends of the Library Facebook page. 

We welcome your feedback on the new site, please leave comments here or else get in touch directly with the Director (jredmond@brynmawr.edu or via Twitter @RedmondJennifer)

 

A Deep But Unilateral Intimacy: Reading the Life of Another Mawrtyr

While the broader goal of the Greenfield Center is to create a space for dialogue on the history of women’s higher education, one area of focus has been to use our collections to highlight the lives and stories of specific individuals who have shaped that history.1 Some have been notable for their influence here at Bryn Mawr, while others are distinguished by accomplishments that reach far beyond the school. A rich grasp of the history of the rise of women in higher education must grow out of an intimate knowledge of the extraordinary individuals who appear as characters in that broader narrative.

Margaret Bailey Speer

For my first project as a member of the Greenfield team, I was introduced to the Speer Family Papers: an extensive collection of materials from the family of Margaret Bailey Speer, Bryn Mawr class of 1922. Since July I have been immersed in her letters and photographs, selecting items to feature and attempting to shape a narrative that will authentically illuminate her distinctive life and voice. This has been my first engagement with Bryn Mawr history and culture since I graduated in 2010, and it has been invigorating to jump back into a place in which I have a heavy personal investment with such a fascinating project.

Yearbook photo clipping with comment quoted from President Thomas

During her time at Bryn Mawr, Margaret Bailey Speer (or “MBS”, as she chose to be referred to in text) was a distinguished student and leader. In addition to serving as junior class president in 1920-21, much of her extracurricular activity on campus was focused around the Christian Association. Her religion had been deeply instilled in her throughout her childhood, as her father was one of the key figures in the Protestant missionary movement. Thus, she established involvement with the CA early on and rose to the post of president by the time she was a senior, when she graduated from Bryn Mawr with honors. However, the bulk of my work so far has been on MBS’s life after Bryn Mawr, which is characterized by the same aptitude for leadership that she had demonstrated during her student days: when she was only twenty-five, MBS left the US to teach English literature at a missionary-established women’s college in China, where she would (unsurprisingly) make her way to the deanship. After the Second World War she returned to the States and took an appointment as headmistress of the Shipley School in Bryn Mawr, PA, where she remained until her retirement. The value of the Speer collection lies not only in the record of her accomplishments, but also in the portrait that it forms of a fascinating woman of integrity and wit. Through her letters one watches her develop an amazing ability to foster community and connections between disparate groups, and become a strong advocate for minority voices. These letters are an excellent read.

Archival work can be a thoroughly immersive undertaking: it is a strange thing, to cultivate a deep but uni-lateral intimacy with another person’s life and character. My first foray into this type of work came in my junior year as an undergraduate, when I took Elliott Shore’s class on the history of Bryn Mawr College2 and worked on the letters of Nathalie Gookin, BMC class of ’20, from her freshman year in 1916. As a Bryn Mawr student I was primarily reading Nathalie’s letters for similarities and differences between her life and my own, trying to grasp what it meant to be a Mawrtyr across the century-and-a-quarter that such a thing had existed. Though I was learning the story of Nathalie’s life, I was also turning my gaze inwards as I sought fragments of myself and my own experiences among hers.

Newspaper clipping on the visit of Madame Kai-shek to Yenching. MBS fourth from left in back

In contrast, I have found that the Speer papers continually refracts my gaze outwards. Because of the sheer volume of the Gookin letters (Nathalie wrote to her parents with astonishing frequency; often multiple times a day), I was completely absorbed in the quotidian details of her daily existence but only had time to cover a relatively brief period of her life. The Speer letters are far less dense in frequency, due in part to the month of lag-time in postal correspondence between China and the US, but cover a much greater span of time and space: we have nearly three decades of regular letters from MBS to her parents, as well as several audio interviews from the 1980s and various other photographs, pamphlets, and newspaper clippings. Together these materials tell a story that extends far beyond Bryn Mawr College and open up avenues into individual and collective histories that are personal, political, religious, and international. While the Gookin collection indulged my need to reflect on my own identity and experience as a Mawrtyr and a young woman, I find that the Speer collection continually sprouts connecting tendrils into other stories, challenging me to locate the place of the individual in a global history and thus to shape broader and more comprehensive narratives out of the words she left us.

The first phase of my work on MBS has been the construction of a digital exhibit that showcases many of the letters and photographs from her collection. This resource is meant to serve as an entry-point into the history of MBS for the researcher or casual browser, giving an overview of her life and career as well as establishing the personal characteristics that stand out in her letters. Next, I hope to publish a series of blog posts that tease out some of the topics that her letters bring to light, including relations between women’s colleges in different nations and the role of missionaries in education.

This work has been the start of what I know will be an exciting year, and I can’t wait to see what the archives will next present as I continue to work on the Greenfield Center.

1. This blog has published several posts in this vein, including several on M.Carey Thomas and Mary Garrett and one on Lucy Martin Donnelly. See “M. Carey Thomas, a Ouija Board, and a Moment of Reflection”, “Ever Wondered what M. Carey Thomas Sounded Like? If so, listen Up!”, “M. Carey Thomas and Mary Garrett – Lives in Letters”, and ” ‘“Don’t Put Up My Thread and Needle’: a few thoughts on archives, unbinding, and digital books“.
2. My reflections on the experience I had in that class were published in the 2009 issue of the library newsletter, Mirabile Dictu.