The Coordinating Council on Women in History is seeking submissions for the CCWH/Berkshire Conference of Women Historians Graduate Student Fellowship.

The Coordinating Council on Women in History is seeking submissions for the CCWH/Berkshire Conference of Women Historians Graduate Student Fellowship.

Location: Illinois, United States
Fellowship Date: 2012-09-15 (in 25 days)
Date Submitted: 2012-08-14
Announcement ID: 196387
The CCWH/Berkshire Conference of Women Historians Graduate Student Fellowship is a $1000 award to a graduate student completing a dissertation of any topic in a history department. All applications are due by 15 September 2012. Full details and application forms are available on the CCWH website: http://www.theccwh.org/awards.htm
Sandra Dawson
715 Zulauf hall
DeKalb, IL 60115
815-895-2624
Email: execdir@theccwh.org
Visit the website at http://theccwh.org

The Coordinating Council on Women in History is seeking submissions for the Catherine Prelinger Memorial Award.

The Coordinating Council on Women in History is seeking submissions for the Catherine Prelinger Memorial Award.

Location: Illinois, United States
Fellowship Date: 2012-09-15
Date Submitted: 2012-08-14
Announcement ID: 196388
The Catherine Prelinger Memorial Award is a $20,000 award given to a scholar whose career has not followed a traditional path through secondary and higher education and whose work has contributed to women in the historical profession. All applications are due by 15 September 2012. Full details and application forms are available on the CCWH website: http://www.theccwh.org/awards.htm
Sandra Dawson
Northern Illinois University
DeKalb, IL 60115
815-895-2624
Email: execdir@theccwh.org
Visit the website at http://theccwh.org

Reflecting on the place of single-sex education today, Emily Adams ’14 says ‘I wouldn’t have it any other way’…

Emily Adams, Bryn Mawr College Class of 2014

In this post, guest blogger Emily Adams, BMC ’14 reflects on the issue of single-sex education, arguing for the necessity to examine the corporeality of femininity in its fullest sense. Drawing on an essay she wrote for The Albert M. Greenfield Digital Center for the History of Women’s Education Undergraduate Essay Competition this year, Emily explores her thoughts on the often contentious topic of single-sex education today.

Emily Adams is an English major with minors in Russian and Spanish. She has spent the summer interning at a non-profit mental health organization in San Francisco. This fall she will be studying abroad in St. Petersburg.

Feminine Bodies: The Physical Presence of Women’s Colleges

The world is consumed with interest in female bodies. They serve as a constant source of fascination, revulsion, concern and controversy. In pregnancy and childbirth, women’s bodies are worshipped as the origin of life. Through miscarriage, they are condemned as scapegoats for premature death. Nearly ninety percent of those who suffer from eating disorders are women. Teenage girls worldwide are more likely to engage in self-injury than any other demographic. Through Eve, women are even blamed for the genesis of shame and the subsequent covering of the human body. It is clear from these statements that, in much of the world, prospects for women are not overly optimistic. However, at a handful of colleges across the nation, women have been working for over a century to overturn Eve’s sin and reclaim the female form.

It would be absurd to believe that women’s colleges are free from these body-centric obsessions, that the mere existence of a single-sex environment somehow transforms an institution into a secure bubble in which all of the world’s ills can be cured. Single-sex colleges serve, not as a protective sphere to shield students from these issues, but as a stable center from which to confront them. For a young woman leaving high school, undoubtedly self-conscious about her body and her mind, it is an incredible experience to enter a women’s college, a place where every classmate, every friend, and every leader on that campus is another young woman in the process of self-discovery like herself. It is life-changing. The greatest education students of these institutions receive is in coming to accept the female body not only as the center of great suffering, but also unimaginable grace, beauty, and strength.

Studying at a women’s college means being able to lift weights in the gym without competing with male bodybuilders. It means walking into any class, whether it’s computer science or French literature, and knowing you won’t be the only woman. It means being certain that your peers will not take your gender into account when evaluating the merit of your opinions. It means watching the Vagina Monologues and later discussing at the dinner table which monologue rang true for you. Would these conversations take place at co-ed schools? Possibly. Would they invoke the same levels of pride, honesty, and sincerity? Probably not.

A single-sex education means being surrounded by bright, passionate, involved women— not just in classrooms, but at work, at mealtimes, and in the dorms. It means entering into an enormous sisterhood which extends across all fifty states and most nations of the world, which encompasses several generations of intellectual women and will hopefully grow to include several more in the coming years. It means realizing in the middle of a lecture that, one hundred years ago, a young woman just like you was sitting in that same chair — learning just as you are, rediscovering herself in new and fantastic ways like you — and taking a moment to bask in the glory of our collective history.

For that woman, as well as the millions who have come before and after her in the history of women’s education, every day of her college career was a celebration of her femininity. The simple fact of being at a school filled entirely with women was an affirmation of the power of her gender. She greeted every day with the realization that she was surrounded by people who understood and appreciated what it means to be a woman, what it costs to be female in a male world, and what it takes to change that world for the better. And whether all of those women went on to be rocket scientists or mothers or both, they carried that knowledge with them for the rest of their lives. They knew that, just as their gender should never define them, it should also never be forgotten. They never forgot, and neither will we.

With that in mind, I declare that to live as a woman is the most difficult and most beautiful way to live, and that to spend four years learning with other women is the very best way to understand what that means. I, along with countless others, wouldn’t have it any other way.

For editorial policies on guest blogs please see http://greenfield.blogs.brynmawr.edu/sample-page/

Compelling Diversities, Educational Intersections: Policy, Practice, Parity Gender and Education Association Biennial Conference 2013

Compelling Diversities, Educational Intersections: Policy, Practice, Parity

Gender and Education Association Biennial Conference 2013

Weeks Centre for Social and Policy Research, London South Bank University
Tuesday 23rd- Friday 26th April 2013

Confirmed keynote speakers:

  • Prof. Lisa Adkins, University of Newcastle, Australia:
  • What Do Wages Do? Feminist Theory After the Financial Crisis
  • Prof. Val Gillies, Weeks Centre, LSBU:
  • From Baby Brain to Conduct Disorder: the New Determinism in the Classroom
  • Gary Younge, author and Guardian columnist:
  • Education Equality in the UK and USA: Race and Class in a Neo-Liberal Age

Plenary Panel: Diversity in Crisis?

  • Dr Kalwant Bhopal, University of Southampton
  • Dr Kay Inckle, Trinity College Dublin
  • Dr Jayne Osgood, London Metropolitan University
  • Dr Vanita Sundaram, University of York
  • Dr Jin Haritaworn, York University

Performance:
Dr Claudia Brazzale, Liverpool Hope University ‘(Un)Covering Ground: A Critique of Contemporary
Dance Education and its Narratives of Spatial Mobility’

Call for Papers
The ninth international Gender and Education Association conference, Compelling Diversities, Educational Intersections hosted by the Weeks Centre for Social and Policy Research, engages with key debates surrounding the interplay between dynamics of education, work, employment and society in the context of crisis, upheaval and cutbacks. In considering diversity in education, this conference will explore the relationship between new equality regimes and continued educational inequalities, exploring organisational ambivalence, change and resistance. It will ask important questions about the role of
feminist research at a time when education, and its variously placed subjects (academics, pupils, students, and policy makers), wrestle with the commitments and contentions in doing diversity and being diverse. We would welcome proposals for papers, workshops and symposia from academics, teachers, practitioners and policymakers. Papers could usefully address:

  • Different subjects in ‘crisis’: institutions, inter-disciplines and intersections
  • Pre and Post compulsory education
  • The (re)making and (un)doing of privileged identities
  • The politics of diversity and ‘different’ differences
  • Widening participation: Access and existences
  • Educational intersections and inequalities
  • Diverse Pedagogies, Policies and Practices

Please save your abstracts (250 words) with author name followed by GEA_2012. (e.g. Taylor Y_GEA_2013) with a brief bio. and contact details to GEA2013Abstracts@lsbu.ac.uk.

The deadline for submissions is 12th November 2012. Limited Bursaries and/or discount fees will be available for number of postgraduate and early career researchers, some UK-based school teachers and a small number of academics based in resource-poor countries whose work directly relates to gender in education.

Details to follow at http://www.genderandeducation.com/

M. Carey Thomas and Mary Garrett – lives in letters

Following on from our previous posts by Bryn Mawr College student worker Amanda Fernandez (click here to see her first post specifically on the Thomas collection letters), I’m returning to the topic of letters from a different perspective – what the letters between M. Carey Thomas and Mary Garrett reveal about their relationship, and Garrett’s important role on campus during her life here with Thomas.

Mary Garrett

M. Carey Thomas

 

 

 

 

 

 

 

 

 

Before addressing the letters in details, I wanted to include a quick update about how the letters will appear on our site…

Letter from Mary Garrett to M. Carey Thomas, 1880. The letter details Mary's recent failure in an examination, which left her feeling embarrassed and deflated. She looked to Thomas as an inspiration in academic terms for her success in passing university exams and going to Europe for her doctoral studies

The letters will be featured in two ways on the site: as a collection which is searchable, showing both digital scans of the original letters (such as you see on the left) and their transcriptions, and as an online Omeka exhibit, which I will be working on in the coming months. The former method will allow for the searching of the letters by year and tag, for example, geographical place, and detailed summaries will be provided on the content.

These are currently being transcribed and the earlier years of their correspondence will appear first, with the collection growing as transcripts are produced. The exhibit, like the others on the site, will lead you through the broader narratives of their letters and the events of their lives, first as friends within a social circle that included shared friends and activists, later as living companions and fellow suffragists.

As Kathleen Waters Sander, Mary Garrett’s biographer has noted, Garrett was a figure of much interest in her day, but sadly her name has been somewhat forgotten in the realm of philanthropy and activism.  As Waters Sander comments in Mary Elizabeth Garrett: Society and Philanthropy in the Gilded Age (Johns Hopkins University Press: 2008), Mary was

a favorite of the turn-of-the-century press, who were fascinated by her unique combination of wealth, activism, business expertise, and extraordinary philanthropy. She became one of the country’s most publicized women, unselfishly using her money and status to transform women’s lives and to break down the barriers that prevented women’s equal participation in society (page1)

Born into the wealthy Garrett railroad family of Baltimore, Garrett grew up with a sense of purpose about her wealth; she wished to use it for altruistic means, to benefit society. She also wished to use her wealth to enhance women’s access to higher education and to professional medical education, providing educational opportunities to them that, ironically, she herself was not able to partake of. In the letter shown above, Garrett wrote to Thomas after her failure to pass the Harvard Examinations for Women (an exam regarded as a benchmark for accrediting women’s learning but this did not allow them access to Harvard University) which her friend Julia Rogers had just passed. Garrett felt herself to be unable to reach the high levels of academic achievement Thomas had attained in completing her degree at Cornell University, and Thomas was at that time preparing to take up her doctoral work in Liepzig, Germany. In this excerpt from a letter from June 10th 1879, Garrett’s tone of congratulation is tinged with sadness that she is losing a friend who has been an encouragement to her:

._ Your letter ought to act like a tonic_ It is so good to hear of the people who really are at work, even if one can not be of them I think I can say, Minnie, that I am truly glad you are going, but it will be a tremendous loss for us _ I wonder whether you know how much I have grown to care for you in the last two years + what a help + encouragement you have been for me_*

Again, as I have written elsewhere in this blog, Garrett felt that her difficulties in academic achievement could be linked to medical problems with her uterus:

… Dr. Jacob will not nearly be encouraging as I had hoped. Of course she says I can study even this summer a couple of hrs. a day, if I like; but that I shall probably never be able to work eight or nine hours a day + altogether I am freed to the conclusion that I was not cut out for a student either mentally or physically _ I am going to see her on Friday or Sat. for all examinations about that trouble wh. you may remember she said i had behind the uterus + wh. I am afraid is not very much better + as you can imagine, I am not looking forward to the visit with much pleasure.*

Garrett did confess to procrastination in her study in this letter, but her prose clearly indicates a belief that she did not have the physical capacity to study due to problems with her gynecological organs. Waters Sander has attributed Garrett’s stifling, conservative world in which her father prohibited her from pursuing marriage, college or a career, as the cause of her mental collapse, or ‘neurasthenia’ in Victorian terms, at the age of 25.

Despite her own health challenges and her lack of confidence in her own intellectual abilities, Garrett displayed true altruism, particularly her important role in the history of Bryn Mawr College, which, while documented, is not remembered to its fullest extent. Much like Garrett’s positive attitude to women’s education in general despite her own prohibition from academia, she generously supported (both financially and emotionally) M. Carey Thomas’ bid to extend her cultural education through trips abroad and to obtain the position of President at Bryn Mawr College Thomas so desperately craved (for more on the details of this support, see the excellent Thomas biography by Advisory Board member Helen Horowitz, The Power and the Passion of M. Carey Thomas). Garrett’s family had a strong sense of purpose in their civic activism in Baltimore, and this undoubtedly influenced her decision to open the Bryn Mawr School for girls in 1885 in Baltimore (along with Bessie King, Mamie Gwinn, Julia Rogers and Thomas, the Friday Night group) to educate girls for the entry requirements to any colleges that would allow them to enter. This school would open horizons for girls that these women had not had the opportunity to gaze at and the college preparation mantra of the new establishment ‘flew in the face of all conventional wisdom at the time’ on appropriate education for women as Waters Sander has observed (Mary Elizabeth Garrett, page 125).

Thomas was an active writer and her letters to Mary reveal her personal concerns and emotions which she often sought to keep private and distinct from her professional persona as Dean and then President of Bryn Mawr College. Even before assuming these roles, Thomas shared her challenges studying for her doctorate in Europe to Garrett, detailing her struggles not just with the work but also with the attitude towards women as they were studying. Carey’s letters to Mary in late 1879 revealed the harrassment she received from some of her male peers at the University of Leipzig, which she felt was their way of trying to chase out the women, an experience she warned Garrett and their friends to keep secret lest her family find out and demand her return to America. As is well known, Thomas eventually triumphed, receiving her doctorate summa cum laude from Zurich and returning to the US to embark on her strategy to be a serious scholar and to take control of Bryn Mawr College.

Thomas and Garrett lived for many years together at the Deanery which Garrett lavishly decorated with works of original art and fine furniture. The Deanery was, as well as a private residence for Thomas and Garrett (and Mamie Gwinn before her), a formal entertainment space used for faculty parties, dinners for visiting speakers and for student teas and other entertainments (which as you can see in this excerpt from the scrapbook of Lorraine Mead Schwable (class of 1912), included both Garrett and Thomas’ names on the printed invite).

As you can see in this picture of Mary Garrett enjoying May Day celebrations on campus, she was a well known figure and a feature of life at Bryn Mawr College and participated fully in its social calendar. Scrapbooks also reveal, as Jessy Brody has documented in her blog post on candids and ephemera,  that invitations from Thomas and Garrett’s were items kept by students in documenting their important moments at the college. As the invite particularly underscores, as well as the photographs of Garrett at May Day, she was quite clearly regarded as Thomas’ respected friend and companion and had a role of importance at the college. We must conclude, therefore, that whatever opinions people have/had on the nature of their relationship, it was recognized and accepted that Mary Garrett had an important role in Thomas’ life and that she enjoyed an elevated status at the college because of this and her Deanery connections.

Thomas and Garrett shared much in their ambitions for women in their contemporary society and worked closely on issues such as suffrage and access to higher education. Helen Horowitz has argued that it was Garrett who facilitated Thomas in being more public and vocal in her advocacy of women’s rights, particularly in expanding her realm of interest from access to higher education into suffrage and women’s role in the public sphere. Their letters reveal their shared aims, their intellectual exchanges, joint passions for art, literature, poetry and engagement with prominent scholars of their time, and their very different personalities that somehow seemed to work together in creating partnership, friendship and intimacy that lasted over four decades.

More will be explored in the forthcoming Omeka exhibit about their letters and what they can reveal to the historian about the influence they had on each other throughout their lives. In the meantime, keep reading the blog for further updates!

* With thanks to Amanda Fernandez for creating the transcription of Mary Garrett’s letter.

 

Process, memory and form: exploring the spoken and the written word in the Bryn Mawr College collections

This post is brought to you by Amanda Fernandez (’14) who has been working as a project assistant in Special Collections throughout the summer, specializing in digitizing material for The Albert M. Greenfield Digital Center for the History of Women’s Education. Here she reflects on the difference between digitizing and transcribing oral and written records, both of which illuminate the lives of alums in the past, finding frustrations and fascinations again in comparing epistolary and oral practices in recording memory and interpreting impressions from the past ….

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Summer being almost through, most student workers still happily off at their summer destinations, clinging to what remains of sweet summer and denying the soon to come scholastic year, I have stayed and carried on with my letter transcribing here in Special Collections. In addition to this, in order not to find myself enveloped (no pun intended) in a monotonous workflow, which would eventually incite distaste towards the project (as well as M. Carey Thomas and Mary Garrett), I have taken up another task. The project, which once belonged to Isabella Bartenstein (who is now happily gallivanting about Avignon!), involves listening to and digitizing a collection of interviews of alumna and long retired staff, all in order to compile a digitized collection of the Oral History Project. The project started in 1960 and was an active effort on behalf of the Alumnae Association to collect personal accounts of students’ and staff members’ experiences at Bryn Mawr and how it affected their lives.  In 1981, the OHP became more of a collaborative project when the paper work and cassettes were moved to the archives. Caroline Rittenhouse (BMC class of 1952) conducted many of the later interviews and directed the project when she became the College Archivist in 1987. The transferring of these audio tracks from the ancient medium of cassette tape to mp3 on a digital recorder by means of a tangle of wires that turn my workspace into jungle, can be tedious or thrilling, depending on the entertainment and interest value of the interview as a whole. Some of the most interesting interviews turn out to sound more like conversations which is suggested against in the general interview guidelines but, is almost entirely inevitable considering that the dialogue usually occurs between two alums.

I’ve found that audio recorded interviews relay much more information than the hand-written letter does. Letters, more specifically the letters that I have been transcribing, are not capable of lending me as accurate an insight into M. Carey Thomas as would an interview I think.  In transcribing and reading the letters, I tend to peel out my own conclusions—imposing my assumptions in order to erect the shadows of two people and a dramatic exchange draped over their correspondence. To be honest, I have gone as far as judging M.C.T. for the way she’s dotted her i’s.  In retrospect, something seems obviously askew in that practice—how could I understand enough about the culture of written narrative (which entails so many variables; structure, etiquette and subsequent tone, the relationship between the addressed and the addressee etc.) in that time and setting to  mold detailed personalities? I could also draw illusory conclusions from an audio recorded interview if the interviewee is putting on a ‘persona’—but even then, the intuition developed in perception of sound gives the theatrics away.

In listening to interviews I am depending on the human memory—which does not have a reputation for accuracy or precision, especially with the wear and tear of time. Experiences are subjective and the ‘singed’ memories thereafter are much like the newspaper clippings I find attached to letters; they yellow and tear here and there, the paper thins out and sometimes the words that were once clipped for their current relevancy in that time are now relevant in another upon being re-read—sometimes completely transformed by new perception that has been changed much in the same way as the physical clipping. We know that each person will recreate scenarios and memories according to the way they perceive and process—these interviews are unique in that memories are sewn together—memories most times compared and sometimes even confirmed. The exchange of sound waves seems to solidify the person that in letters appears just as a shadow; we are able to build a more three dimensional personality in our heads, we sense their stories in sound, the tone and expression being audible and creating a clearer picture.

Most of the interviews, if not all, are based on a standardized interview format—meaning that each of the interviewers are asking the same questions. Some interviewers ask the interviewee to expand, or they turn the interview into more of a dialogue where one relates to the other, prompting a more enthusiastically responsive and detailed answer. I guess interviews also depend on commonalities and relationship—what the interviewer can draw from the interviewee depends very much on what they have in common in regards to their experience at Bryn Mawr which would allow for the best and most informative dialogue—this also limits the interview in a situation where there is no familiarity. The most intriguing interviews I’ve heard thus far are those that have evolved into conversation due to the binding induced by commonality—such as one between two alums who were both raised by alums. In this exchange they share not only their own experiences (as one time students at BMC as well as what it was like being raised by BMC alums) but also the BMC memories transmitted to them by their mothers. At certain times throughout the recording, I caught the presence of four, each alum and her mother’s memory.

Through these tapes I have also confirmed my own faith in the long standing reputation of exceptional characters that proceeds Mawrters, women that  exceed expectation and burst out of the restrictions imposed on them by the social codes of their time. This was clear to me in most of the interviews, but particularly in two, the interview of Katharine Fowler Billings (class of 1925) who became an accomplished and renowned Geologist in the 1920’s when it was practically unheard of for a woman to take up such a profession.

An article on her pioneering work appears here on the GeoScience World site.

Isabel Benham

The second was of Isabel Benham who scraped and clawed her way as an independent woman on Wall Street starting in the 1930’s and I could not help but tear up a bit when she remarked, “Bryn Mawr taught you you were the best that there was and you can do anything you want.” Isabel was even dubbed the ‘Mother Superior’ of Wall Street (go to Link to Isabel Benham’s College Yearbook). In both of their interviews, their voices resounded with enthusiasm despite the distance of years from their time at the college and good humor.

Aside from what I have learned from the nature of the medium of audio, I am assured by the content of these interviews that Bryn Mawr women grow to be ‘defy-ers’ of their time.

 

OHA Annual Meeting in Cleveland, Ohio, October 10-14, 2012

OHA Annual Meeting in Cleveland, Ohio, October 10-14, 2012

Sing It Out, Shout It Out, Say It Out Loud: Giving Voice through Oral History”

Program EventsFull Program Schedule, Registration Information Advertisers

The 2012 OHA meeting will focus not only on the many ways that people express themselves within oral histories, but also the ways in which people craft existing oral histories into other means of expression.

Papers, performances, exhibits, and roundtables will encompass broad and diverse interpretations of the conference theme, in both traditional presentations and nontraditional ones with interactive, dialogic formats and creative use of digital media.

Special guests will include, among others, Neenah Ellis, national NPR journalist and oral historian, and Harold B. Williams, former executive secretary of the NAACP in Cleveland. Several special events are also planned to tap the rich history and culture of the Cleveland area and showcase the creativity of local musicians, performers, and artists, as well as the work of regional activists striving to preserve the recent history of struggles for civil rights, labor justice, and social welfare.

Plan now to attend this vibrant and engaging conference.  Register now online at http://a3.acteva.com/orderbooking/go/oha2012

 

International Federation for Research in Women’s History Conference, Sheffield, UK, 2013

International Federation for Research in Women’s History Conference incorporating the 22nd  annual conference of the Women’s History Network, UK
INTERNATIONAL CONFERENCE29th August-1st September 2013 at Sheffield Hallam University, Sheffield, UK

CALL FOR PAPERS

Women’s Histories: the Local and the Global 

This international conference will explore the history of women worldwide, from archaic to contemporary periods. Engaging with the recent global and transnational turns in historical scholarship, it will examine the ways in which histories of women can draw on and reshape these approaches to understanding the past. It will focus on developing gendered histories of globalisation that explore the complex interplay between the ‘local’ and the ‘global’, and on exploring the relationship between nation-based traditions of women’s history writing and transnational approaches which examine connections and comparisons between women’s lives in different localities. Key questions to be addressed are:

  • How can women’s histories reshape our understanding of the relationship between the ‘local’ and the ‘global’?
  • What implications does a transnational framework of analysis have for nation-based traditions of writing women’s history?

 Keynote speakers will include:
Mrinalini Sinha, Alice Freeman Palmer Professor of History, University of Michigan.
Catherine Hall, Professor of Modern British Social and Cultural History, University College London.

Strand themes:
You are invited to submit proposals for individual papers or panels (3 papers plus commentator) relating to the following strands:

  1. The impact of global change on women’s lives in specific localities.
  2. Relations between women in the context of global inequalities of power.
  3. Women’s local responses and resistances to imperialism and globalisation.
  4. Women, migrations, diasporas.
  5. Empires ‘at home’: women in imperial metropoles.
  6. Women as local producers, traders and consumers in a globalising economy.
  7. Women’s life histories and personal relationships across geo-political divides.
  8. Women’s involvement in transnational networks.
  9. National women’s histories in comparative perspective.
  10. Teaching women’s history in a globalising world.
  11. The place of the global in local, community and public histories of women.

Conference languages: English and French

Please submit your proposal online through the conference website:

http://www.ifrwh2013conf.org.uk 

DEADLINE FOR PROPOSALS:  31st OCTOBER 2012

Narrative, Visual Autobiography and Digital Storytelling – New ways to tell Mawter stories

We have been strongly considering the importance of recording experiences of education as part of our work at The Albert M. Greenfield Digital Center for the History of Women’s Education. As part of this, we’ve been digitizing oral histories completed with alums of the past, some who attended the college a century ago. We’ve also recently received some audio interviews of women who featured in the Women of Summer film (about the Summer School for Women Workers, which will also feature as an exhibit on the site soon). So we have been thinking deeply about the ways in which people tell their stories, shape their narratives, and for women especially, how they fit the story of their education into the wider narrative of their lives.

How do people memorialize important experiences such as higher education? Have there been changes over time? What is remembered and what is forgotten? What new forms of scrap-booking, such a popular past-time in the late nineteenth and early twentieth century (with a recent revival in the context of renewed interest in crafts) now exist or can exist in the digital world?

Excerpt from Photo Album of Eva Levin Milbouer, Class of 1933. See this at http://triptych.brynmawr.edu/cdm4/document.php?CISOROOT=/BMC_scrpbks&CISOPTR=6030&REC=6

As Jessy Brody’s posts in this blog on her work on the Bryn Mawr collection of scrapbooks indicates, they are rich source of material for researching past lives at Bryn Mawr College. They do not, as she has found, always tell you what you would wish to find out, being as they are, silent testimonies to the lives of Mawters in the past, communicating visually but not aurally or orally the myriad of academic and leisure experiences they had during their time here. Jessica Helfand, author of Scrapbooks: An American History has argued that scrapbooks are a form of visual autobiography to record and commemorate things that could not, for whatever reason, be expressed in words:

‘The scrapbook was the original open -source technology, a unique form of self-expression that celebrated visual sampling, culture mixing, and the appropriation and redistribution of existing media” (page xvii)

We are hoping to extend our knowledge about past experiences at Bryn Mawr College by collaborating with alums in creating digital stories, a new form of visual autobiography which melds aspects of scrapbooks with oral history to create unique personal stories. Traditional elements of scrapbooks – photographs, letters, notes, invitations, ephemera and other reminders of past experiences – are scanned and combined with an audio narrative to create an audio-visual file that looks somewhat like a mini-movie. Having been inspired by the pedagogical work in bringing digital storytelling into the classroom at the University of Richmond we have adjusted their principles of creating digital stories to reflect the needs, interests and experiences of Bryn Mawr alums (for some great examples of digital story telling from the Richmond site click here).

I will be working with alums through city and regional Alumnae Club chapters to assist interested Mawters in creating their own reflective pieces on their time at Bryn Mawr. The story you wish to tell is completely up to you: perhaps you would like to represent why you chose Bryn Mawr College above others? Or your experiences at a single-sex institution? Or what you think being educated at Bryn Mawr gave to you throughout your life/career? Was it a special time, a challenging time, or a mix of both? What role does a single sex educational institution have to play in the landscape of higher education today? These are merely suggestions; the digital story is truly yours.  For more information on our approach to creating digital stories, click below to see a poster on the topic.

Bryn Mawr Digital Stories for The Albert M. Greenfield Digital Center for the History of Women’s Education

If you are interested in creating your own digital story, think about doing so as part of your local alumnae chapter and feel free to contact me any time (jredmond@brynmawr.edu)

Collecting Bryn Mawr stories is a supplement to our other work of digitizing the oral history interviews conducted in past decades which are currently on cassette tape (for more on this see blog post by student worker Isabella Barnstein on her work on creating a catalog and digitizing the collection).

Capturing the varied narratives and preserving them for future generations is an important aspect of our work and one that we hope will interest alums and the wider community of those who research, teach and simply like to hear about women’s past experiences in education.

As a reminder, you can view the scrapbooks we have currently digitized in Triptych by clicking this link (there are currently 22 albums in the collection with ongoing digitization as part of the Greenfield Digital Center initiatives in digitizing important Bryn Mawr College material).

Happy browsing!

The Albert M. Greenfield Digital Center for the History of Women’s Education participates in second year of award winning Cultural Collaboration Fieldwork Initiative

The National Archives at Philadelphia Education Program, as part of its leadership of National History Day Philly, partnered in 2011 with Temple University’s Secondary Social Studies Certification Program. The idea behind the collaboration is to inspire pre-service teachers to work with primary sources and thus encourage their students to create projects for National History Day.

Student participants in National History Day Philly at a reception at City Hall with Mayor Michael Nutter

Bryn Mawr College Special Collections became involved in this through The Albert M. Greenfield Digital Center for the History of Women’s Education. The Director, Dr. Jennifer Redmond, mentored three Temple University students, Lisa MacMurray, Sam Perry and Teddy Knauss. The students were given the chance to collaborate in designing a lesson plan on the history of women’s education aimed to encourage high school students to research this important topic. Based on the archival material held at Bryn Mawr, the fieldwork experience collaboration allowed the student to create their own lesson plans based on letters, speeches, photographs and pamphlets from the nineteenth and twentieth century, all of which illuminate the lives of women educated at Bryn Mawr. The lesson plans will appear on The Albert M. Greenfield Digital Center for the History of Women and Higher Education’s new website which is due to launch soon and will constitute one of the key resources developed to publicize the project and reach out to teachers and students alike.

We were among a range of institutions involved in the collaboration, which developed different ways to engage the students to think about the use of primary sources in their classrooms. The 2011 Participating Partners included the following:

  • American Swedish Historical Museum
  • Athenaeum of Philadelphia
  • Charles L. Blockson Afro-American Collection, Temple University Libraries
  • Bryn Mawr Special Collections Department, Mariam Coffin Canaday Library, Bryn Mawr College
  • Cliveden of the National Trust
  • The Drexel University Archives and Special Collections
  • Legacy Center for Archives and Special Collections at Drexel University College of Medicine
  • Fairmount Waterworks Interpretive Center
  • Free Library of Philadelphia
  • Historic St. George’s UMC
  • Historical Society of Pennsylvania
  • Independence Seaport Museum – J. Welles Henderson Archives and Library
  • National Archives at Philadelphia
  • National Constitution Center
  • Pennsbury Manor
  • Philadelphia Area Consortium of Special Collections Libraries (PACSCL)
  • Pennsylvania Hospital
  • Philadelphia City Archives
  • Philadelphia History Museum at the Atwater Kent
  • Philadelphia Museum of Art
  • Special Collections Research Center at Temple University Libraries
  • Dorrance H. Hamilton Public Media Commons at WHYY

Pre-service history teacher Teddy Knauss worked on a lesson plan designed for AP students, focusing on issued of diversity. As part of this he examined materials relating to the Bryn Mawr Summer School of Women Workers and critically analyzed issues of race and diversity in the history of women’s education. The Summer School, and those held at other college campuses across the USA, is the focus of an exhibit on our site which will be live soon.

Samantha Perry worked with fellow student Lisa MacMurray in producing a lesson plan on women’s struggle for access to higher education in the US. They looked at the entrance exams for the Seven Sisters colleges and compared them also with those of some of the men’s Ivy League colleges.

The Cultural Fieldwork Initiative recently won two awards for its work on this program: the Innovative Teaching Award from Temple University College of Education and an Outstanding Program of Excellence Award from the Pennsylvania Council for the Social Studies. Members of the initiative will be contributing an article, “Textbooks and Teaching” to the March 2013 special edition of the Journal of American History.

The Albert M. Greenfield Digital Center for the History of Women’s Education will again be participating in the program when it launches in September. We hope to find more exciting areas of research to work with Temple students in producing lesson plans. In the meantime, if you are a teacher and would like to use our collections to create your own lesson plan, be sure to get in touch (jredmond@brynmawr.edu).

Below, Director of the Center Dr. Jennifer Redmond (third from right) at a ceremony at City Hall to mark the achievements of students at the National History Day Philadelphia competition at City Hall. With thanks to the Mayor, Michael Nutter, and to Ang Reidell and V. Chapman Smith (right and left of the mayor respectively) for their hard work on the Cultural Collaboration Initiative and their continued work on the program.

For more information on the initiative contact:

Andrea (Ang) Reidell,
Education Specialist
National Archives at Philadelphia
215-606-0103
andrea.reidell@nara.gov