Gender, Education and Embodiment

Embodiment, or in this context, examining the physiological arguments made about women’s education in the past is the subject of this blog post, which relates to a previous post by Michelle Smith on the philosophical and theoretical writings expounding the detrimental physical effects education would have on women’s health. This is a theme we are continuously interested in as many of the early entrants to Bryn Mawr and other colleges that permitted women to attend had to battle notions of their physical and mental inferiority to be taken seriously as students and scholars. This topic is also related to project assistant Jessy Brody’s work on physical culture and sports at Bryn Mawr College which will appear as an exhibit on our site in the coming months.

Physical education at women’s colleges became a focus of attention at the end of the nineteenth century. As the Recent HerStory site posting on Senda Berenson Abbott of Smith College by Frances Davey, womanly grace and athleticism were ideas that were trying to be combined when Berenson introduced basketball at the college. As Davey argues, the emphasis on activity – both in a physical sense and a public one – became characteristic of what was termed ‘the New Woman’ at the turn of the twentieth century. Physical education and a more public identity for women were intertwined ideas in society and thus physicality for women was incredibly important in re-imagining roles for women through their acquisition of higher education.

Gender, education and embodiment is a subject of interest not only because the statements made about the physically detrimental effects of higher learning on women’s bodies seem absurd in today’s culture of thriving women in universities, but also because notions of gender appropriate educational behavior changed over time.

Some of this material will form the basis of an exhibit next year which will be shown in the Rare Book Room at Canaday Library. Although I am currently sketching out the exhibit narrative, I’m interested in portraying the debates for and against women’s higher education and in telling the story of women’s progress at third level from past exclusion to present domination. The exhibit will trace the narrative arc of women’s progression from gaining access to being taken seriously as academics and scholars.

Mary Kelley (an advisory committee member to our project and a Professor at the University of Michigan) has completed ground breaking work on women and reading which has shed light on the importance of literacy, education and the cultivation of the mind for women’s ability to enter the public sphere in their own right (in the excellent Learning to Stand and Speak). Yet the struggle of women in the past was not merely literacy but overcoming the embedded social prejudices which posited education outside the home for women as immoral, subversive and socially stigmatizing. As detailed in M. Carey Thomas’ own words, her mother’s friends would have been less shocked had she run away to marry the coach man than over her desire to pursue higher education in Germany.

Serious application of women’s minds to the study of academic works, as opposed to ‘appropriate’ forms of feminine literature, led some to argue that women’s physical health would be severely compromised, as if exercising their brain would diminish their physical capacity. Notions of this kind emanated from gendered ideas of women’s corporeality and greater susceptibility to physical ailments in convergence with beliefs of the diminished intellectual capacity of women. Therefore, following this logic, any ‘over straining’ of a woman’s limited mental capacities would result in irreversible physical damage, or certainly physical incapacities while the woman persisted with such ‘mental strain’.

Dr. Edward Hammond Clarke’s 1873 treatise, Sex and Education (available free online here) made a direct connection between women’s fertility and their modes of study. Clarke argued that the body could not cope with two physical processes at the same time, and applied this to both boys and girls”

 “The physiological principle of doing only one thing at a time, if you would do it well, holds as truly as the growth of the organization as it does of the performance of any of its special functions. If excessive labor, either mental or physical, is imposed upon children, male or female, their development will be in some way checked.” (Pg. 40-41)

Extending this argument to girls at the age of puberty, Clarke argued that the development of women’s fertility organs (referred to by Clarke euphemistically as her ‘organization’) was incompatible with intense scholarly study and he stated numerous cases where women’s fecundity was put at risk or negated entirely by study:

“There have been instances, and I have seen such, of females, in whom the special mechanism we are speaking of remained germinal, — undeveloped. It seemed to have been aborted. They graduated from school or college excellent scholars, but with undeveloped ovaries. Later they married, and were sterile.” (Pg. 39)

There are a number of ideas and assumptions contained within this short quotation that illuminate medical thinking on women’s health and education: firstly, that a person’s intellect and education could affect the physical development of the body to such an extent as to eliminate the growth of sex organs; secondly, that because the brain and the body could not both operate at optimum level simultaneously, girls should abandon their academic studies while going through critical physical development periods; that girls risked their health and future fertility by persisting on studying at the same time and at the same level as boys; and that the natural path for women was as mothers, not scholars.

As with other arguments, much of this rhetoric overtly or covertly referred to women’s fertility and its potential to be impaired by academic study or even engaging in thought or reading deemed to be too taxing. This was Mary Garrett’s experience; Garrett, although wealthy and from a prominent family, was not allowed to study as M. Carey Thomas had, and yet her physical ailments (such as headaches, piles and an irregular menstrual cycle) were blamed on her wide ranging reading material. Her hopes to recover by following doctor’s orders are revealed in the following poignant passage in a letter to Thomas in December 1880 which Garrett wrote while on a trip to Cannes:

“From my general condition the history of the past few years, my loss of memory, +c., he [the doctor] should have thought that there was some internal trouble, (displacement of the womb or something of the sort) and wants me when we go back <to the U.S.> to be examined again + assure my self that this is not the case_ (Of course I told him of my having been examined by Dr. Jacobs + the little that I c’d remember of what she said was the matter)—He thinks I sh’d simply go on leading as healthy a life as I can + attempt no study or work for certainly one or two years, perhaps longer but thinks that the chances are that I will eventually, although it may not be for ten years, get recover what mental power I ever had + that I need not be hopeless as to having by that time lost the power of using it _ not a brilliant prospect you see but something to look forward to _ You have never known the horror of not being able to think or to follow an argument or even remember one for a half hour_ Some bright Sport there are, however for what w’d I be if in this condition without the knowledge of the glorious things + thoughts there are + with out having gotten into the right path, although following it so feebly + haltingly. With such friend as I have + having their full sympathy and knowing a good deal of the true + the right, and with some appreciation at least of beauty, I ought not to kick too much against the pricks and <think> that the Fates are altogether cruel to me _ So you see you will have but a very stupid friend for perhaps ten years, and possibly to the end of my days, I wonder whther yr. patience will stand such a test!”*

The ‘prescription’ for Garrett’s health troubles are to exclude all level of study and reading of the materials she liked so much (they were a very literary circle of friends) for a period of one to two years or perhaps longer, which again points to the connection made by those such as Clarke that mental strain caused physical strain, particularly in women it seems. Garrett’s last words in this excerpt are poignant – she fears that her intellectual and memory capacities will be affected for many years ahead and possibly for the rest of her life and refers to herself as ‘stupid’, a designation none who knew her or have assessed her since would ever assign to her.

The fusing of the physical and mental was of course a gendered construct – no such fears existed about men damaging their virility because of their educational attainment. This was, in the logic of such arguments, because education at a higher level was a natural part of a man’s life and indeed would elevate him socially, spiritually and mentally. Embracing the ‘unnatural’ role of an educated woman was therefore met with resistance as well as courage by those women, M. Carey Thomas included, who pursued their desire for higher learning in the late nineteenth century.

What we can learn from this history is that women have overcome many obstacles in achieving access to education, surmounting real and philosophical challenges to their intellectual capacity and their physical health. Without these pioneering women it is doubtful that the bountiful array of opportunities for women in society would exist today and for that legacy we are truly thankful.

*With thanks to Amanda Fernandez, Special Collections student worker, for her work on transcribing the Garrett-Thomas letter quoted above.

Berea and Bryn Mawr College: Virtual collaboration in the History of Women’s Education

Courtesy of Berea College Special Collections and Archives

We here at The Albert M. Greenfield Digital Center for the History of Women’s Education at Bryn Mawr College are delighted to let you know about a new collaborative initiative between us and students at Berea College. As you know from our Mission Statement we are dedicated to creating resources, discussion and teaching across the wide spectrum of interesting narratives in the history of women’s education and the connection with Berea college is our first foray into connecting with other universities and institutions interested in exploring their own stories of women’s educational experiences in the past.

Former CLIR (Council on Libraries and Information Resources) fellow and editor of the wonderful history of Bryn Mawr College, Offerings to Athena, Dr. Anne Bruder, is now a professor at Berea College in Kentucky. She has been introducing her students to digital methods in historical research and as part of her class students worked on producing an Omeka based exhibit which we will proudly feature on our site. The site is due to go live in a beta version later in June and this exhibit, ‘At School, at Work, at Play: Gender Complexities at the First Southern Coeducational College’, will be among our first (but not of course our last) experiments into building collaborative relationships with those working on the history of women’s education. This fits with the aim of the Digital Center to reach out beyond the walls of Bryn Mawr and to encourage and facilitate links with other institutions that have interesting histories to share about women’s education in the past.

Berea College's first class. Courtesy of Berea College Special Collections and Archives

Berea College was founded on religious principles that stressed equality between people and advocated for the right for all to be educated. It recognized that not all students would have the economic means to obtain higher education, and thus it provided labor opportunities to help students pay for their education but also to gain valuable work experience (for more on the history and the mission of the college see Berea’s website). The students’ exhibit details the gender dynamics in its student population, academic program and behavioral expectations. As the exhibit details, from the inauguration of the school in 1855, there was a distinct definition of gender roles envisaged for its staff and student population. For while Berea provided educational opportunities for both men and women there are many examples of Berea encouraging and even enforcing specific gender roles on its students. Men were directed to pursue vocational education that would equip them to earn a living while women were encouraged to purse courses of study that would enhance their abilities within the home or traditionally female careers. Berea also provided opportunities for students to pay their way through college with work, and the same gender divisions again emerged in the college’s labor program. Its positions for men and women were decidedly different, re-enforcing the woman’s role as mother and the man’s role as provider.

Courtesy of Berea College Special Collections and Archives

As detailed in the exhibit, while Berea was known for racial equality, it still upheld traditional gendered expectations of men and women undertaking higher education. This is in contrast to the emphasis within Bryn Mawr College on female students attaining the highest academic standards comparable to the Ivy League colleges for men, with a diminished emphasis (in comparison to other women’s colleges) on domestic science. Although many students from Bryn Mawr College did marry (some before finishing their degrees) M. Carey Thomas was particularly concerned that Bryn Mawr be perceived as a serious site of academic study for women. Students here did not make their beds or attend to other domestic duties in the early decades of the college, relying on maids and porters for assistance in the dorms.

We are thankful to Dr. Bruder, her students, and the staff of Berea College Special Collections and Archives for their help in putting together this exhibition. Keep checking this blog for details of when the exhibit is made live!

Searching the M. Carey Thomas papers online – now made easier than ever with Triptych

Many people are interested in the papers of M. Carey Thomas, not just to explore the details of her own life, but because of the numerous famous people she hosted at the college and her voluminous correspondence with notables of her day. The above photograph shows Thomas standing on the verandah of the Deanery, her home for over five decades of her life. A history and guide to the Deanery has been digitized and can be found in Bryn Mawr College’s new institutional repository by clicking here.

The index or finding aid to her papers at Bryn Mawr College Special Collections was created when this archival material was committed to microfilm, and we have now digitized the index to make it even easier to search her correspondence. Although this collection is relatively well known, we hope it will become even more so now that you can search the descriptions of the materials online.

Using Triptych, you can now perform word searches of the many letters she wrote and received and which can be viewed either in their original form by coming to the Special Collections Reading Room or you may view them on the microfilm machines in Canaday Library or through ILL. To request material, just pay attention to what Reel Number is indicated as this corresponds with the relevant box of original material.

The M. Carey Thomas index can be found in the ‘Finding Aids’ section of the Triptych site and there are three different listings by which entries can be searched: the Author Index, the Reel Listings and the Author/Recipient Index.

The Author Index details the correspondence Thomas had with others and gives descriptions of the letters in the folders, such as the below screenshot describing correspondence with Mary Garrett in 1894-5 regarding her health and financial matters. Searching this way will allow you to pinpoint more specifically what letters you may wish to view; Thomas’ correspondence with certain people is extensive and this will assist you if you wish to focus just on a certain period of letters or those from a particular person. As part of our work we have been digitizing and transcribing the letters between Mary Garrett and Thomas and this will form part of the digital collections of The Albert M. Greenfield Digital Center for the History of Women’s Education site (see previous post by Amanda Fernandez ’14 on the Educating Women blog, ‘From frustration to fascination’ which describes her work on this part of the project).

The Reel Listings are in chronological order and begin with material relating to Thomas’ early life as a child and include letters and materials related to her family.

For those interested in her formative years, this material includes papers from her mother, Mary Whitall Thomas, describing her personal reflections on religion and women’s place in society, and her journal detailing the Baltimore life of the Thomas household. This material gives us a glimpse into her personality and helps us to understand somewhat where Carey Thomas received her belief in women’s independence and the possibilities for a woman’s role outside domestic concerns.

A selection of this early material from Thomas’ childhood is currently being transcribed by volunteer Joanne Behm, a Bryn Mawr College alum, and a blog post on some of her findings will follow soon on the Educating Women blog so check back for more details. Many of the early letters between Thomas and her cousins are richly illustrated with their childhood drawings and will also be digitized and made available to view online as part of our digitized collections.

Finally, the Author/Recipient Index allows you to search if you know the name of the person corresponding with Thomas, and this will direct you to the reel/box numbers where you can find their letters (note: you will find letters arranged by year and thus correspondence over time from the same person can often be found in multiple boxes)

A note on the limitations of this method of searching: it is often necessary to know the exact name of a person as names of organizations are not always listed, so for example, you may need to know the exact name of the Secretary or Treasurer of an organization in order to find letters relating to them. There are also precautionary tactics needed when searching for correspondents who married whilst Thomas was writing to them as seen in the screen shot below.

Despite these limitations, the possibilities afforded by online searching of this catalog greatly increase the likelihood of you finding the letters that you wish to and it is much easier to use than the hard copy.

Our thanks are due to digital project assistant Jessy Brody for digitizing the materials and digital collections specialist Cheryl Klimaszewski for her work on Triptych.

Like the images we’ve been using in these posts? Now you can order prints

Commencement, 1903We are pleased to announce that The Albert M. Greenfield Digital Center have begun a new collection of images that are available to order as prints from the Request-a-Print website. This is a new partnership between Special Collections and Request-a-Print to share the wonderful collections of Bryn Mawr College. The initiative has been developed by Marianne Weldon, Collections Manager, Art and Artifact Collections at Bryn Mawr College who worked with me and Cheryl Klimaszewski, Digital Collections Specialist on getting the new Greenfield themed images included in this service.

Commencement, 1974As you will see, we have collected them under the heading ‘History of Women’s Education’, but there are other historical images available in the ‘College Archives’ collection. There are also collections of prints and drawings that we hold in Special Collections that you can order, including work by Mary Cassatt  and John Rubens Smith to name just two artists.

Many of the older images from the early twentieth century have proved particularly fascinating for us as we have developed the visual identity of the site. What always strikes me is the fact that many of these photographs are candids, implying ownership of cameras at a time when they were not the common commodity they are today. I have a particular fondness for the commencement photographs, although the women in the early science labs are also fascinating, confounding as they do the notions of appropriate feminine educational boundaries that existed in earlier times.

There are four different options to choose from for each of the images, from a standard canvas print to a wood or metal frame. If there is an image you are familiar with in our collections that you’d like to see made available through this service be sure to let us know! We will be continuing to develop this service throughout the year so keep an eye out for new images coming soon….

Fisheye View of Thomas Hall, ca. 1975

 

Memory and Absences: The Challenges of Interpreting Scrapbooks and Photo Albums

A damaged scrapbook

The edges of loose, brittle pages slowly crumble.

A damaged scrapbook

Deteriorating adhesive lead to missing photos.

Scrapbooks and photo albums present unique challenges, both to the archivist and to the historian. Scrapbooks and photo albums can be both bulky and fragile, and are composed of a variety of materials, some of which are more archivally sound than others. The objects placed in a scrapbook weaken the binding, which can cause pages to become loose, lost, or damaged. Acidic paper is typical of scrapbooks and photo albums, discoloring photographs and rendering the pages brittle. Adhesives often degrade over time, and may damage items they attach. The preservation challenges of scrapbooks and photo albums are considerable, yet “it is important for the archivist to arrange the scrapbook as an intact whole in order to retain its value” (Brunig 8). Digitization aids researchers and allows multiple researchers to utilize the objects without handling them – but on the other hand, the process of digitization requires handling of the item.

For the historian, simply accessing scrapbooks and photo albums can pose a challenge. Many remain in private hands, and those which are in archival collections may be difficult to locate and  are likely to lack contextualizing documentation – frequently, the name of the compiler is not known and usually it is unclear whether the photographer and compiler were the same person (Motz 66-67). And that is only the start of the interpretative difficulties (Ott et al., Whalen, Langford 3-21).

Nevertheless, the effort to interpret these items can be very worthwhile. The Bryn Mawr College Scrapbook and Photo Album Collection provides glimpses into student life in the late nineteenth and early twentieth centuries which administrative records don’t, and potentially provide a powerful complement to student publications, letters, and diaries. “Photographs do not merely reproduce reality: the photographer selects a limited scope of vision, chooses a subject, and often arranges poses, props, and clothing. The compiler of an album, in turn, selects photographs for inclusion, comments on them in captions, and juxtaposes them so that the interaction of the photographs on the page and the sequence of the pages in the album become part of the message. Photograph albums therefore present a highly selective view of their subjects … Photographs present an interpretation of events” (Motz 65-66). The scrapbooks and photo albums communicate the students’ interpretation of their college experience, through images, ephemera, and sometimes even words.

A damaged scrapbook

Missing spines cause the whole binding to weaken.

A damaged scrapbook

The leather cover has completely detached.

The items in the collection tend to picture highlights of student life, such as theatrical performances and May Day celebrations, two of the most commonly occurring photographic subjects – the quotidian college experience is often elusive. The candid portraits are often delightful, but without contextual written information, the difficulties of interpretation are tremendous. As Langford suggests, “our photographic memories are nested in a performative oral tradition”: scrapbooks were intended for private use, not public consumption, and in many cases would have been used as an aid to memory for an individual, or an individual’s story-telling to family members and friends (Langford viii). I recall a recent occasion when a friend showed me a video of an important event she participated in, and how her accompanying oral narration completely changed my understanding of and attitude toward the material – if anything, this experience provides a measure of how impossible it is to view photo albums and scrapbooks as they were viewed by the compilers and those close to them.

Identity and Nostalgia

There is no formula for interpreting scrapbooks and photo albums. Different interpretative methods depend, for example, on how much contextual information is available for a particular item. In the case of the Bryn Mawr College Scrapbook and Photo Album Collection, over one hundred items may be read in juxtaposition to each other. Taken as a whole, the collection reveals some important things about general campus culture. For instance, college buildings are generally a well-represented photographic subject, occurring at significant points in the visual narrative of photo albums and scrapbooks. The second page of the Photo Album of Elizabeth Holliday Hitz ’16 begins a series of photographs of Bryn Mawr College’s campus, beginning with Pembroke Arch and Rockefeller Arch, the two primary entrances (below).

Elizabeth establishes almost immediately that the material college is significant to her memories, or the memories she wishes to have, of Bryn Mawr College and her time there. But what do these buildings and spaces mean to her, and to all the other students who made sure to include images of their college’s campus?

Paul R. Deslandes describes how Oxbridge students, from 1850 to 1920, constructed their common identity as college men in part through their occupation and intimate knowledge of the restricted spaces of their university. This familiarity is, in their own view, what set them apart from other, lesser beings, including female relatives, foreigners, and people of lower classes (Deslandes 29-33). The material college was linked to a collective undergraduate sense of self, and sense of superiority as upper-class Protestant white English men. Additionally, “the student was expected to establish deeply rooted emotional attachments to the university that were permanent, not fleeting. The memories that college life fostered … were frequently described, in a world preoccupied with delineating the boundaries separating insiders from outsiders, as enduring marks of status” (Deslandes 27). For Oxbridge undergraduates, identity, nostalgic memories, and status were all linked to the buildings and spaces of their university.

May Day celebrations, framed by Bryn Mawr College's campus.

Possibly Bryn Mawr College’s campus had a similar link with identity, memory, and status for its students. M. Carey Thomas intended the campus to physically recreate the great universities of Europe, and to provide an appropriate space for the life of the mind. However, as Helen Lefkowitz Horowitz explains, before long “students subverted the entire campus into a great stage setting for ‘the life’ [as student campus culture was referred to]” (Horowitz 170). The campus was the backdrop not only to their studies but also to their informal socializing and athletic competitions, their banquets and theatrical productions. “With the growth of rituals the campus assumed a new importance as a ceremonial space … Many of the rituals linked the students to the college landscape” (Horowitz 174). The photographs of May Day celebrations, in the middle of campus and visually framed by college buildings, from the Scrapbook of an Unidentified Student, ca. 1922, (above) provide an example.

Horowitz cites an unnamed Bryn Mawr alumna quoted in a Radcliffe publication:

A stranger to the handsome campus might be struck by ‘the grand old stone buildings covered with ivy, by the campus stretching far off into the distance, and by the great spreading trees.’ As impressive as the scene appeared, ‘how much more then must it mean to those who have lived in those halls, studied in the library under those trees, and discussed the problems of life, death and eternity in the Cloisters … Each room, each tree, almost each corner is bound up with some special memory.’ (Horowitz 175)

Although the culture of elite white English men’s educational institutions had significant differences from college life as created and experienced by white primarily middle-class American women at women’s colleges in the late nineteenth and early twentieth centuries, it’s possible that Mawrters not only shared nostalgia with Oxbridge men of the same era for the physical spaces of their undergraduate years, but also a sense of superior, insider status. If identity and status were linked to memories of Bryn Mawr College as a place, this would explain why the compilers of scrapbooks and photo albums so often chose to include photographs of college buildings.

There is at least one alternative or additional interpretation. Marilyn F. Motz describes how

in the mid-nineteenth century, many women separated by westward migration lamented that they could not visualize the homes of those who had gone west. Women’s letters to female relatives during the nineteenth century often described house plans, wallpaper, dress fabric, and paint colors … Women frequently exchanged bits of fabric from dresses they were making and scraps of wallpaper from their houses to enable relatives and friends to form visual images of their new surroundings. The camera enabled women to reproduce these features accurately, so that friends and relatives, or they themselves at a later date, could picture the domestic environment that was so important to their identities. Many photographs … are of interior scenes, of empty rooms or people in their houses. (Whalen 72)

Gladys Stout Bowler combined photos of her dorm room with shots of Pembroke Arch and the Cloisters on one page.

Bryn Mawr students do include photographs of their dorm rooms, but only very occasionally. However, what I mean to suggest is that these college women were influenced by a tradition of women documenting their domestic surroundings. It’s true that the experience of Bryn Mawr College was not a domestic one. M. Carey Thomas strove to create an environment appropriate for serious study, not one that reproduced the middle-class home on a larger scale, and student culture broke the mold of feminine domesticity. Still, like middle-class women in traditional domestic environments, Bryn Mawr students “assembled images of their … friends and environments, symbolically placing their own lives in a context of people and places” (Whalen 73). I see a similarity in these urges to record quotidian surroundings – be they the rooms of a private home or the Collegiate Gothic architecture Bryn Mawr College’s dormitories, library, and other buildings – for the sake of absent friends and relatives, and their own future selves. In the above page of her photo album, Gladys Stout Bowler mixes photos of her dorm room with exterior shots of campus buildings, suggesting thematic similarities. My conjecture is that Bryn Mawr students adopted formats common to white middle-class American women – the photo album and the scrapbook – but the content of their creations was uniquely determined by college life. Comparisons with a body of scrapbooks and photo albums compiled by young women of similar backgrounds who did not attend college would be very informative.

Comparisons and Absences

The distinctive qualities of a particular scrapbook or photo album, or of a particular collection, emerge through comparisons. For example, I only began speculating on the importance of Bryn Mawr’s campus to student identity when I read a preliminary analysis of a scrapbook collection, dating to the early twentieth century, from Newcomb College of Tulane University (Brulig). The most common photographic subject in this collection is, unsurprisingly, people, a trait shared by many items in the Bryn Mawr College collection. Brulig’s article notes that “there was a marked decrease in the number of photographs of campus locations after 1917, which corresponds with the move to the Broadway Avenue campus in 1918” (Brunig 5). Clearly, some campuses have more of an impact than others. I’m curious about the role the material college plays in photo albums and scrapbooks made by students at the other Seven Sisters colleges, by women at co-educational institutions, and so forth. Another possibility for comparison is the family photo album. Family albums were a major genre of photo album which the compilers of the Bryn Mawr collection were certainly aware of. How did awareness of the conventions of this genre shape the photographs which Bryn Mawr students took, and the choice of which photographs to include in their albums and scrapbooks?

The right-hand caption reads "me in hockey clothes" and the left-hand caption names the African-American maid pictured as "Lucy".

What the students chose to leave out is as interesting as what is put in. Bryn Mawr College students in the era covered by the collection had daily contact with the African-American maids and porters employed at the college. However, when I surveyed the collection at the beginning of the digitization process, I found perhaps three or four images of African-American college employees in the entire collection. Professors comprise another neglected photographic subject. What do their choices of photographic subjects tell us about the students’ understanding of their college experience and their relationships with faculty? Or about their perceptions of race and social class, and their relationships with African-American staff? In a unique juxtaposition, above, Ida W. Pritchett ’14 places her own portrait next to that of an African-American maid. What drove Ida’s unusual choice of subject, and her decision to include it in her photo album?

Candids taken during social events off-campus, probably during school vacations, include men.

Ida W. Pritchett '14 chose photographs of her friends, taken on campus, for her photo album.

Also notable is the lack of male suitors appearing in most scrapbooks and photo albums. This absence emerged for me when I read Catherine Whalen’s description and interpretation of the photo album of Mary von Rosen, “a consummate American girl of the 1920s” (Whalen 79-80). Photographs of her male suitors are a significant subject in von Rosen’s photo album. On the other hand, informal snapshots of fellow Bryn Mawr students are the most common images of people in the collection, attesting to the importance of the friendships which students formed (and still form). Exceptional is the Photo Album of Gladys Stout Bowler ‘09, which contains a number of photographs of men and mixed groups, as in the top scrapbook page to the right, but which consists primarily of off-campus vacation photographs. Much more typical of candids in the scrapbooks and photo albums is the bottom scrapbook page at right, from the Photo Album of Ida W. Pritchett ’14 – these snapshots were all taken on campus, and consist entirely of women. To some extent, this tendency to exclude men from scrapbooks and photo albums simply reflects the reality that Bryn Mawr students would have had few opportunities to socialize with male peers while on campus during this time period. But perhaps it is also an indicator of the Victorian tradition of same-gender romantic friendships at work and of the socially intense homosocial environment which women’s colleges fostered (Faderman, Huebner, Inness, Knotts, Sahli, Smith-Rosenberg, Wilk). Scrapbooks and photo albums offer tantalizing glimpses of relationships, but it can be extremely difficult to know what we’re looking at without information from textual sources about an individual’s social network.

Conclusion

I am only beginning to delve into the content of the scrapbook and photo album collection, and only beginning to come to grips with the challenges of interpreting these priceless objects. This preliminary sketch outlines some notable themes and a few avenues for future investigation. Both collectively and individually, the scrapbook and photograph album collection are rich sources for understanding student life and the identities of Bryn Mawr women – if we can learn how to interpret them.

Bibliography

Brunig, Jennifer L. “Pages of History: A Study of Newcomb Scrapbooks.” Archival and Bibliographic Series of the Newcomb College Center for Research on Women 4 (1993): 1–19.

Deslandes, Paul R. Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850-1920. Bloomington and Indianapolis: Indiana University Press, 2005.

Faderman, Lillian. Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present. New York: Morrow, 1981.

Horowitz, Helen Lefkowitz. Alma Mater: Design and Experience in the Women’s Colleges from Their Nineteenth-Century Beginnings to the 1930s. New York: Alfred A. Knopf, 1984.

Huebner, Karin Louise. The Student Cultures of Athletics and Smashing: Smith College, 1890-1905. MA, University of Southern California: 2004.

Inness, Sherrie A. “Mashes, Smashes, Crushes, and Raves: Woman-to-Woman Relationships in Popular Women’s College Fiction, 1895-1915.” NWSA Journal 6.1 (1994): 48–68.

Knotts, Kristina Lee. The Dissolution of the ‘Emotional Center of Life’: Women’s Friendships in American Fiction (1873-1915). PhD, University of Tennessee at Knoxville: 2010.

Langford, Martha. Suspended Conversations: The Afterlife of Memory in Photographic Albums. Montreal & Kingston; London; Ithaca: McGill-Queen’s University Press, 2001.

Motz, Marilyn F. “Visual Autobiography: Photograph Albums of Turn-of-the-Century Midwestern Women.” American Quarterly 41.1 (1989): 63–92.

Ott, Katharine, Susan Tucker, and Patricia P. Buckler. “An Introduction to the History of Scrapbooks.” The Scrapbook in American Life. Eds. Katharine Ott, Susan Tucker, and Patricia P. Buckler. Philadelphia: Temple University Press, 2006.

Sahli, Nancy. “Smashing: Women’s Relationships Before the Fall.” Chrysalis 1.8 (1979): 17–27.

Smith-Rosenberg, Carroll. “The Female World of Love and Ritual: Relations Between Women in Nineteenth-Century America.” Signs: Journal of Women in Culture and Society 1.1 (1975): 1–29.

Whalen, Catherine. “Interpreting Vernacular Photography: Finding ’Me’ – A Case Study.” Using Visual Evidence. Ed. Richard Howells & Robert W. Matson. Maidenhead and New York: Open University Press/McGraw Hill, 2009.

Wilk, Rona M. “‘What’s a Crush?’ A Study of Crushes and Romantic Friendships at Barnard College, 1900-1920.” Magazine of History 18.4 (2004): 20–23.

Digitizing Bryn Mawr’s Voices: A glimpse into the lives of students past…

Previous blog posts have mentioned the exciting work we have been doing on the oral history tape collection of materials. Lucy Fisher West, College Archivist, described early the aims of the project as offering those interested in women’s history and the history of the college another source to draw on in addition to the written records the college possesses. From 1981 onwards the oral history project was managed by Caroline Rittenhouse.

The following observations are by Isabella Barnstein, BMC ’14, who has worked on digitizing the collection over the last semester, finalizing an electronic version of the catalog and digitizing the related letters, release forms and transcripts…. important work to preserve this fantastic collection into the future….

Millicent Carey McIntosh, with President Harris Wofford and BMC alum Katharine Hepburn on a visit to campus in the 1970s

Over the past few weeks I’ve been privileged to survey Bryn Mawr’s Oral History Project, a collection of interviews bringing the former college to life.  Recorded in the 1970’s and 80’s, the tapes are remarkable for their candor, depth, and humor:  thorough descriptions of professors and classes, visits by famous personages including President Taft and the Queen of Belgium, exploits of first-president M. Carey Thomas, a first-person account by Katharine Hepburn.A voice bringing M. Carey Thomas to life is that of Millicent Carey McIntosh’20, not only Thomas’s niece but also Barnard College president, distinguished in her own right. McIntosh recalls early memories of her aunt with laughter followed by a vivid account of life as a student under Thomas’s command.We learn that M. Carey Thomas was famous for chapel talks held in Taylor, favorite topics of which were frequent foreign adventures.

M. Carey Thomas

Thomas bribed her way into then-male-only sanctuaries such as the Taj Mahal, and bathed thanks to an always carried rubberized bathtub. Through these tapes, we learn that M. Carey Thomas not only encouraged her young charges to break with tradition in terms of social acceptability, but also acquire passion for learning.  Thomas further believed that educational opportunity is accompanied by social responsibility and tried to instill these values into the students of Bryn Mawr.  Such stories of early women’s education are especially relevant today in light of recent discussion concerning the very existence of women’s colleges.

 

 

This work is currently being continued by Special Collections student worker Amanda Fernandez – check back on this blog for another update later in the summer.

 

“People today wonder whether a single-sex education is still a relevant institutional environment…” Wendy Chen, BMC ’14 reflects on single-sex education in the 21st century.

In this post, guest blogger Wendy Chen, BMC ’14 reflects on the issue of single-sex education in the twenty-first century. Drawing on an essay she wrote for The Albert M. Greenfield Digital Center for the History of Women’s Education Undergraduate Essay Competition, Wendy reveals why she thinks it’s important to keep reflecting on single-sex education and studying at a women’s college today.

As an undergraduate student majoring in the History of Art and minoring in Economics, I decided to enter this essay competition as a way to reflect on what I’ve learned from attending a single-sex institution. When I look back on the period prior to the emergence of radical feminist movements in the 1960’s, women today have attained more rights and liberties compared to women who lived through the historical period of patriarchal dominance. People today wonder whether a single-sex education is still a relevant institutional environment, as some may think that single-sex institutions merely exacerbate gender stereotypes and inflate sexist attitudes. But I believe that is a general misconception people have about single sex institutions, and that the option of being able to choose single sex schools should still be available for individuals interested in learning about existing gender norms and female empowerment.

A single sex institution is a unique environment where one is made aware of the heterosexual dichotomy between males and females, femininity and masculinity. This past semester I had an extremely rewarding experience in Professor Saltzman’s contemporary art history class where we talked about the body politic in relation to performativity. We had the privilege of reading Gender Trouble and listening to Judith Butler’s enlightening theories on the “gender performative”. It changed my notion of “gender” as an irreducibly, fixed truth and I began to view gender as of more of an expression, a social performance. Butler defines gender to be a “repeated stylization of the body, a set of repeated acts within a highly rigid regulatory frame that congeal over time to produce the appearance of substance, of a natural sort of being” (Butler, Gender Trouble, 45). I now understand “gender” to be socially constructed and linguistically reinforced. The societal practice of vicious regulating gender norms can sometimes lead to the victimization and discrimination of individuals who do not conform to the binary categories, and are in the end deprived of their rights. It is why women in many impoverished, developing countries are still oppressed by men and why homosexuals and transsexuals are deemed as secondary citizens. For example, in Afghanistan, women are still considered deeply inferior to males to the point where parents have to masquerade their girls as boys because sons are more highly valued in society. Obama’s recent announcement for his endorsement on gay-marriage is being criticized because society’s notion of gender is still heavily influenced by the regulatory systems of the heterosexual dichotomy.

In art history class, Butler’s readings break down these gender binaries by conveying the need for a permanent end to the policing and ordering of gender. Even in Professor Rock’s environmental economics class, I learned the importance of combating gender norms and promoting women’s empowerment and education. Countries such as Afghanistan have been shown to have a problem of overpopulation due to young marriage ages and high fertility rates which affects women’s chances for education. It is through being in an institutional environment that advocates female empowerment, and taking academically enriching courses that help me learn about the pervasive nature of gender ordering, that I realize at Bryn Mawr College we are not celebrating the differences between genders. I feel that we are unraveling the social construction of ‘gender’ and throwing it out the door completely.

 

For editorial policies on guest blogs please see http://greenfield.blogs.brynmawr.edu/sample-page/

 

From frustration to fascination


Courtesy of Bryn Mawr College Archives

By: Amanda Fernandez, BMC 2014
Transcribing the letters of M. Carey Thomas has been, at least, an interesting experience. In the beginning of my work, which consisted and consists still of transcribing Thomas’ many personal letters to Mary Garrett, her good ‘friend’ and supposed lover, I found myself tangled in her Ramen-like script, frazzled by her tendency to close her letters or conclude post scripts by writing vertically over the already horizontally written text, and endlessly confused by her inconsistent punctuation. I was also simultaneously thrilled—to be holding these letters written by a figure well known to me as well as all Bryn Mawr students from the day we step on campus as prospective students. The letters that imply so much more than what is explicitly expressed, becoming to me through the process of transcription living documents.  I also wondered as to how these personal letters were relevant to the Greenfield project—one focusing on compiling a digitized collection of resources regarding the history of women’s education which I assumed would exclusively want more of Thomas’ academic papers and proceedings. As I transcribed, which requires reading the content closely especially in the case of these letters, I found that before there is contribution, there is character. That is to say that it is crucial to understand the driving ambition and persistence of M. Carey Thomas which was essential in leading up to her contributions to women’s education and particularly women’s place in the early history of their higher education. These letters, despite their personal tone, definitely capture Thomas’ personality and shine a lot of light on a character that I found, as a current student, has transcended time in this small space.

On campus there is a generic perception of M. Carey Thomas—her ghost lingers within the confines of the cloisters where her ashes are spread, she curls her ghostly toes in Taft fountain, which was once the exclusive Deanery garden.

The Deanery

She stares down sternly from her portrait in Thomas Great Hall, the lead image for this post. Everyone on campus knows about M. Carey Thomas. She’s a legend and someone that over time has been transformed into a fantastical concept. It isn’t difficult to see why M. Carey Thomas to me was just an idea, an elusive aura—and I never bothered to explore why and how Thomas had managed to leave such a lasting impression. I see now in my close readings that Thomas initially became an idealized figure for having been a woman who from a very young age fought tirelessly to no end for her right and the rights of all women to receive an education if not equal to then superior to that of men. Her letters reveal the details of Thomas happily struggling to attain her own education alongside her close group of friends, which included Mary Garrett. As much as she is a well-known figure on the campus where she became the first woman to be a college president—no one here really knows what she stood for and how her personality still impacts this community. This first struck me as I stared into the John Singer Sargent painting of Thomas in Canaday’s Gallery, noting her strong brow and unrelenting glare. In other portraits of famous ladies painted by Sargent, the women painted are surrounded by opulence and props that clearly allude to their wealth and status. Thomas’ portrait portrays her in the traditional academic robe with an indigo sash—all effective in conveying Thomas’ identity as a strong faced academic woman who meant business, something unheard of in her time. This is an identity that continues to live on this campus—the archetype for what constitutes the ‘Bryn Mawr Woman’ is founded on the character of Thomas, one who would not accept ‘no’ for an answer and who would almost always compromise, if it was to her convenience.

The Friday Night Club

I believe that even our sense of community working for the empowerment of each other, with each other, is one derived from Thomas’ own model of sorority with her group of friends with whom she met every Friday (and is referred to in her letters as “Friday Nights”) where politics and reform were discussed and a course of action was plotted.  The way that Thomas refers to these meetings and the serious and passionate tone she takes on when addressing this group of friends is still the tone that thrives in our everyday interactions with one another on this campus.

In reading Thomas’ letters there is a sense of her that is very different from the mysterious identity imposed on her by time and forgetfulness. She is more than a figurehead—more than a magical time-transcending aura that permeates anything and everything Bryn Mawr. Digitizing these letters is vital to reinstating Thomas’ personhood—bringing to life the reality of her personality in the light of her contributions. Coming in contact with these letters has made the distance that surrounds M.C. Thomas become a little bit shorter every pen mark I familiarize myself with—and I hope that by expanding accessibility this distance can be bridged for others.

Listening to Educated Women’s Voices

Want to hear the voices of women from Bryn Mawr’s past? Interested in hearing personal stories about women’s education in the twentieth century?

I’m very excited to inform you about a new phase of The Albert M. Greenfield Digital Center for the History of Women’s Education…. thanks to the generous volunteer help of current Bryn Mawr undergrad Samantha Saludades and the work of Isabella Barnstein who works in Special Collections we are digitizing the oral history collection held here which includes interviews from many different kinds of people from students and alums to retired hall wardens and professors. We gave you a taste of this in an earlier post with an interview with M. Carey Thomas which you can listen to here mcareythomas1935

This collection includes some interviews relating their time as far back as the early 1900s. The project was shaped by the efforts of former Special Collections archivist, Caroline Rittenhouse, and her work will be treasured by many of you who are interested in hearing about life at the college in previous years.

Beginning with a sample of twelve interviews chosen for their diversity of topics and speakers, we have created digital copies of the conversations and an electronic catalog of all the interviews (there was up to this point only a card catalog with varying details about each of the files). Those interviews that have been legally released will be able to be listened to eventually when we are able to host them online, and a short summary of what was said in the interview has been created for each of the interviews. In some cases we have transcripts of the interviews, often typewritten, and these will also be digitized and released, according to the permissions on the individual interview. This is a lot of work but exciting stuff! I’ll be posting another entry on the blog this week from Bryn Mawr student worker Isabella Barnstein who has been working on this important collection of materials.

Check back on this site for updates on the project, or feel free to contact me if you would like to know more about what we are doing (jredmond@brynmawr.edu)

 

 

Transcription: Inspiring Thoughts on a Difficult Task!

Some really creative sites have emerged using old letters and transcribing them to illuminate new ways to understand some famous figures of the past. One’s epistolary practices, the care taken in responding personally to messages from fans, and the tenderness revealed in some of the more private transmissions of thought in such letters are some of the great reasons why letters from the past should be studied. Letters of Note is one such site, hosting letters from a range of artists, writers, singers, intellectuals and public figures, as well as some humorous letters from ordinary people. My favorite is a letter from Harper Lee which gives fantastic life advice to a young fan who wrote to her.

This recent blog post about quality control standards and how different projects are dealing with this issue (http://manuscripttranscription.blogspot.com/2012/03/quality-control-for-crowdsourced.html?utm_source=twitterfeed&utm_medium=twitter) was an interesting one for me as I begin the volunteer transcription project.

Volunteers are working in special collections on key aspects of the M. Carey Thomas Collection including the Bryn Mawr College Summer School for Women Workers (which will be linked to an exhibit on the site this year), the relationship between the college and the Shipley School and M. Carey Thomas’ early family life, centering on the key period when she was injured in a fire at her family home.

Keep watching for details on the website progress, we are hoping to launch in June!